E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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* * *

Already, though Lady Ambermere's motor had not yet completely vanished up the street, Riseholme was gently closing in round him, in order to discover by discreet questions (as in the game of Clumps) what he and she had been talking about. There was Colonel Boucher with his two snorting bulldogs closing in from one side, and Mrs Weston in her bath-chair being wheeled relentlessly towards him from another, and the two Miss Antrobuses sitting playfully in the stocks, on the third, and Peppino at close range on the fourth. Everyone knew, too, that he did not lunch till half-past one, and there was really no reason why he should not stop and chat as usual. But with the eye of the true general, he saw that he could most easily break the surrounding cordon by going off in the direction of Colonel Boucher, because Colonel Boucher always said "Haw, hum, by Jove," before he descended into coherent speech, and thus Georgie could forestall him with "Good-morning, Colonel," and pass on before he got to business. He did not like passing close to those slobbering bulldogs, but something had to be done ... Next moment he was clear and saw that the other spies by their original impetus were still converging on each other and walked briskly down towards Lucia's house, to listen for any familiar noises out of the Mozart trio. The noises were there, and the soft pedal was down just as he expected, so, that business being off his mind, he continued his walk for a few hundred yards more, meaning to make a short circuit through fields, cross the bridge, over the happy stream that flowed into the Avon, and regain his house by the door at the bottom of the garden. Then he would sit and think . . . the guru, Olga Bracely . . . What if he asked Olga Bracely and her husband to dine, and persuaded Mrs Quantock to let the guru come? That would be three men and one woman, and Hermy and Ursy would make all square. Six for dinner was the utmost that Foljambe permitted.

He had come to the stile that led into the fields, and sat there for a moment. Lucia's tentative melodies were still faintly audible, but soon they stopped, and he guessed that she was looking out of the window. She was too great to take part in the morning spying that went on round about the green, but she often saw a good deal from her window. He wondered what Mrs Quantock was meaning to do. Apparently she had not promised the guru for the garden-party, or else Lady Ambermere would not have said that Lucia did not know whether he was coming or not. Perhaps Mrs Quantock was going to run him herself, and grant him neither to Lucia nor Georgie. In that case he would certainly ask Olga Bracely and her husband to dine, and should he or should he not ask Lucia?

The red star had risen in Riseholme: Bolshevism was treading in its peaceful air, and if Mrs Quantock was going to secrete her guru, and set up her own standard on the strength of him, Georgie felt much inclined to ask Olga Bracely to dinner, without saying anything whatever to Lucia about it, and just see what would happen next. Georgie was a Bartlett on his mother's side, and he played the piano better than Lucia, and he had twenty-four hours' leisure every day, which he could devote to being king of Riseholme . . . His nature flared up, burning with a red revolutionary flame, that was fed by his secret knowledge about Olga Bracely. Why should Lucia rule everyone with her rod of iron? Why, and again why?

Suddenly he heard his name called in the familiar alto, and there was Lucia in her Shakespeare's garden.

"Georgino! Georgino mio!" she cried. "Gino!"

Out of mere habit Georgie got down from his stile, and tripped up the road towards her. The manly seething of his soul's insurrection rebuked him, but unfortunately his legs and his voice surrendered. Habit was strong . . .

"Amica!" he answered. "Buon giorno." ("And why do I say it in Italian?" he vainly asked himself.)

"Geordie, come and have ickle talk," she said. "Me want 'oo wise man to advise ickle Lucia."

"What 'oo want?" asked Georgie, now quite quelled for the moment.

"Lots-things. Here's pwetty flower for button-holie. Now tell me about black man. Him no snakes have? Why Mrs Quantock say she thinks he no come to poo' Lucia's party-garden?"

"Oh, did she?" asked Georgie, relapsing into the vernacular.

"Yes, oh, and by the way there's a parcel come which I think must be the Mozart trio. Will you come over tomorrow morning and read it with me? Yes? About half-past eleven, then. But never mind that."

She fixed him with her ready, birdy eye.

"Daisy asked me to ask him," she said, "and so to oblige poor Daisy I did. And now she says she doesn't know if he'll come. What does that mean? Is it possible that she wants to keep him to herself? She has done that sort of thing before, you know."

This probably represented Lucia's statement of the said case about the Welsh attorney, and Georgie taking it as such felt rather embarrassed. Also that birdlike eye seemed to gimlet its way into his very soul, and divine the secret disloyalty that he had been contemplating. If she had continued to look into him, he might not only have confessed to the gloomiest suspicions about Mrs Quantock, but have let go of his secret about Olga Bracely also, and suggested the possibility of her and her husband being brought to the garden-party. But the eye at this moment unscrewed itself from him again and travelled up the road.

"There's the guru," she said. "Now we will see!"

Georgie, faint with emotion, peered out between the form of the peacock and the pineapple on the yew-hedge, and saw what followed. Lucia went straight up to the guru, bowed and smiled and clearly introduced herself. In another moment he was showing his white teeth and salaaming, and together they walked back to The Hurst, where Georgie palpitated behind the yew-hedge. Together they entered and Lucia's eye wore its most benignant aspect.

"I want to introduce to you, Guru," she said without a stumble, "a great friend of mine. This is Mr Pillson, Guru; Guru, Mr Pillson. The guru is coming to tiffin with me, Georgie. Cannot I persuade you to stop?"

"Delighted!" said Georgie. "We met before in a sort of way, didn't we?"

"Yes, indeed. So pleased," said the guru.

"Let us go in," said Lucia, "It is close on lunchtime."

Georgie followed, after a great many bowings and politenesses from the guru. He was not sure if he had the makings of a Bolshevist. Lucia was so marvellously efficient.

Chapter Five

Table of Contents

One of Lucia's greatnesses lay in the fact that when she found anybody out in some act of atrocious meanness, she never indulged in any idle threats of revenge: it was sufficient that she knew, and would take suitable steps on the earliest occasion. Consequently when it appeared, from the artless conversation of the guru at lunch, that the perfidious Mrs Quantock had not even asked him whether he would like to go to Lucia's garden-party or not (pending her own decision as to what she was meaning to do with him) Lucia received the information with the utmost good-humour, merely saying, "No doubt dear Mrs Quantock forgot to tell you," and did not announce acts of reprisal, such as striking Daisy off the list of her habitual guests for a week or two, just to give her a lesson. She even, before they sat down to lunch, telephoned over to that thwarted woman to say that she had met the guru in the street, and they had both felt that there was some wonderful bond of sympathy between them, so he had come back with her, and they were just sitting down to tiffin. She was pleased with the word "tiffin," and also liked explaining to Daisy what it meant.

Tiffin was a great success, and there was no need for the guru to visit the kitchen in order to make something that could be eaten without struggle. He talked quite freely about his mission here, and Lucia and Georgie and Peppino, who had come in rather late, for he had been obliged to go back to the market-gardener's about the bulbs, listened entranced.

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