E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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"I don't know where my people are," said Lady Ambermere majestically. "Have you seen my motor?"

"Yes, dear lady, it's in at your own arms," said Georgie brightly. "Happy motor!"

If Lady Ambermere unbent to anybody, she unbent to Georgie. He was of quite good family, because his mother had been a Bartlett and a second cousin of her deceased husband. Sometimes when she talked to Georgie she said "we," implying thereby his connection with the aristocracy, and this gratified Georgie nearly as much as did her treatment of him as being quite a boy still. It was to him, as a boy still, that she answered.

"Well, the happy motor, you little rascal, must come to my arms instead of being at them," she said with the quick wit for which Riseholme pronounced her famous. "Fancy being able to see my motor at that distance. Young eyes!"

It was really young spectacles, but Georgie did not mind that. In fact, he would not have corrected the mistake for the world.

"Shall I run across and fetch it for you?" he asked.

"In a minute. Or whistle on your fingers like a vulgar street boy," said Lady Ambermere. "I'm sure you know how to."

Georgie had not the slightest idea, but with the courage of youth, presuming, with the prudence of middle-age, that he would not really be called upon to perform so unimaginable a feat, he put two fingers up to his mouth.

"Here goes then!" he said, greatly daring. (He knew perfectly well that the dignity of Lady Ambermere would not permit rude vulgar whistling, of which he was hopelessly incapable, to summon her motor. She made a feint of stopping her ears with her hands.)

"Don't do anything of the kind," she said. "In a minute you shall walk with me across to the Arms, but tell me this first. I have just been to say to our good Mrs Lucas that very likely I will look in at her garden-party on Friday, if I have nothing else to do. But who is this wonderful creature she is expecting? Is it an Indian conjurer? If so, I should like to see him, because when Ambermere was in Madras I remember one coming to the Residency who had cobras and that sort of thing. I told her I didn't like snakes, and she said there shouldn't be any. In fact, it was all rather mysterious, and she didn't at present know if he was coming or not. I only said, 'No snakes: I insist on no snakes.' "

Georgie relieved her mind about the chance of there being snakes, and gave a short précis of the ascertained habits of the guru, laying special stress on his high-caste.

"Yes, some of these Brahmins are of very decent family," admitted Lady Ambermere. "I was always against lumping all dark-skinned people together and calling them niggers. When we were at Madras I was famed for my discrimination."

They were walking across the green as Lady Ambermere gave vent to these liberal sentiments, and Georgie even without the need of his spectacles could see Peppino, who had spied Lady Ambermere from the door of the market-gardener's, hurrying down the street, in order to get a word with her before "her people" drove her back to The Hall.

"I came into Riseholme today to get rooms at the Arms for Olga Bracely," she observed.

"The prima-donna?" asked Georgie, breathless with excitement.

"Yes; she is coming to stay at the Arms for two nights with Mr Shuttleworth."

"Surely —" began Georgie.

"No, it is all right, he is her husband, they were married last week," said Lady Ambermere. "I should have thought that Shuttleworth was a good enough name, as the Shuttleworths are cousins of the late lord, but she prefers to call herself Miss Bracely. I don't dispute her right to call herself what she pleases: far from it, though who the Bracelys were, I have never been able to discover. But when George Shuttleworth wrote to me saying that he and his wife were intending to stay here for a couple of days, and proposing to come over to The Hall to see me, I thought I would just look in at the Arms myself, and see that they were promised proper accommodation. They will dine with me tomorrow. I have a few people staying, and no doubt Miss Bracely will sing afterwards. My Broadwood was always considered a remarkably fine instrument. It was very proper of George Shuttleworth to say that he would be in the neighbourhood, and I dare say she is a very decent sort of woman."

They had come to the motor by this time — the rich, the noble motor, as Mr Pepys would have described it — and there was poor Miss Lyall hung with parcels, and wearing a faint sycophantic smile. This miserable spinster, of age so obvious as to be called not the least uncertain, was Lady Ambermere's companion, and shared with her the glories of The Hall, which had been left to Lady Ambermere for life. She was provided with food and lodging and the use of the cart like a hip-bath when Lady Ambermere had errands for her to do in Riseholme, so what could a woman want more? In return for these bounties, her only duty was to devote herself body and mind to her patroness, to read the paper aloud, to set Lady Ambermere's patterns for needlework, to carry the little Chinese dog under her arm, and wash him once a week, to accompany Lady Ambermere to church, and never to have a fire in her bedroom. She had a melancholy wistful little face: her head was inclined with a backward slope on her neck, and her mouth was invariably a little open showing long front teeth, so that she looked rather like a roast hare sent up to table with its head on. Georgie always had a joke ready for Miss Lyall, of the sort that made her say, "Oh, Mr Pillson!" and caused her to blush. She thought him remarkably pleasant.

Georgie had his joke ready on this occasion.

"Why, here's Miss Lyall!" he said. "And what has Miss Lyall been doing while her ladyship and I have been talking? Better not ask, perhaps."

"Oh, Mr Pillson!" said Miss Lyall, as punctually as a cuckoo clock when the hands point to the hour.

Lady Ambermere put half her weight onto the step of the motor, causing it to creak and sway.

"Call on the Shuttleworths, Georgie," she said. "Say I told you to. Home!"

Miss Lyall effaced herself on the front seat of the motor, like a mouse hiding in a corner, after Lady Ambermere had got in, and the footman mounted onto the box. At that moment Peppino with his bag of bulbs, a little out of breath, squeezed his way between two cabs by the side of the motor. He was just too late, and the motor moved off. It was very improbable that Lady Ambermere saw him at all.

Georgie felt very much like a dog with a bone in his mouth, who only wants to get away from all the other dogs and discuss it quietly. It is safe to say that never in twenty-four hours had so many exciting things happened to him. He had ordered a toupée, he had been looked on with favour by a guru, all Riseholme knew that he had had quite a long conversation with Lady Ambermere and nobody in Riseholme, except himself, knew that Olga Bracely was going to spend two nights here. Well he remembered her marvellous appearance last year at Covent Garden in the part of Brünnhilde. He had gone to town for a rejuvenating visit to his dentist, and the tarsomeness of being betwixt and between had been quite forgotten by him when he saw her awake to Siegfried's line on the mountain-top. "Das ist keine mann," Siegfried had said, and, to be sure, that was very clever of him, for she looked like some slim beardless boy, and not in the least like those great fat Fraus at Baireuth, whom nobody could have mistaken for a man as they bulged and heaved even before the strings of the breastplate were uncut by his sword. And then she sat up and hailed the sun, and Georgie felt for a moment that he had quite taken the wrong turn in life, when he settled to spend his years in this boyish, maidenly manner with his embroidery and his china-dusting at Riseholme. He ought to have been Siegfried . . . He had brought a photograph of her in her cuirass and helmet, and often looked at it when he was not too busy with something else. He had even championed his goddess against Lucia, when she pronounced that Wagner was totally lacking in knowledge of dramatic effects. To be sure she had never seen any Wagner opera, but she had heard the overture to Tristran performed at the Queen's Hall, and if that was Wagner, well —

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