E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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It was only Peppino. He seemed leisurely enough, and rather unnecessarily explained that he had only been out to get a toothbrush from the chemist's in Brompton Road. This he carried in a small paper parcel.

"And there's the man coming about the telephone this morning, Lucia," he said. "You want the extension to your bedroom, don't you?"

"Yes, dear, as we have got it in the house we may as well have it conveniently placed," she said. "I'm sure the miles I walk up and down stairs, as I was telling Georgie —"

Peppino chuckled.

"She woke them up, Georgie," he said. "None of their leisurely London ways for Lucia. She had the telephone put into the house in record time. Gave them no peace till she got it done."

"Very wise," said Georgie tactfully. "That's the way to get things. Well, about Riseholme. We've really been very busy indeed."

"Dear old place!" said Lucia. "Tell me all about it."

Georgie rapidly considered with himself whether he should mention the Museum. He decided against it, for, put it as you might, the Museum, apart from the convenience of getting rid of interesting rubbish, was of a conspiratorial nature, a policy of revenge against Lucia for her desertion, and a demonstration of how wonderfully well and truly they all got on without her. It was then, the mark of a highly injudicious conspirator to give information to her against whom this plot was directed.

"Well, Daisy has been having some most remarkable experiences," he said. "She got a ouija-board and a planchette — we use the planchette most — and very soon it was quite clear that messages were coming through from a guide."

Lucia laughed with a shrill metallic note of rather hostile timbre.

"Dear Daisy," she said. "If only she would take common sense as her guide. I suppose the guide is a Chaldean astrologer or King Nebuchadnezzar."

"Not at all," said Georgie. "It's an Egyptian called Abfou."

A momentary pang of envy shot through Lucia. She could well imagine the quality of excitement which thrilled Riseholme, how Georgie would have popped in to tell her about it, and how she would have got a ouija-board too, and obtained twice as many messages as Daisy. She hated the thought of Daisy having Abfou all her own way, and gave another little shrill laugh.

"Daisy is priceless," she said. "And what has Abfou told her?"

"Well, it was very odd," said Georgie. "The morning I got your letter Abfou wrote 'L from L,' and if that doesn't mean 'Letter from Lucia,' I don't know what else it could be."

"It might just as well mean 'Lozenges from Leamington,' " said Lucia witheringly. "And what else?"

Georgie felt the conversation was beginning to border rather dangerously on the Museum, and tried a light-hearted sortie into another subject.

"Oh, just things of that sort," he said. "And then she had a terrible time over her garden. She dismissed Simkinson for doing crossword puzzles instead of the lawn, and determined to do it all herself. She sowed sprouts in that round bed under the dining-room window."

"No!" said Peppino, who was listening with qualms of homesickness to these chronicles.

"Yes, and the phlox in the kitchen garden," said Georgie.

He looked at Lucia, and became aware that her gimlet-eye was on him, and was afraid he had made the transition from Abfou to horticulture rather too eagerly. He went volubly on.

"And she dug up all the seeds that Simkinson had planted, and pruned the roots of her mulberry tree and probably killed it," he said. "Then in that warm weather last week, no, the week before, I got out my painting things again, and am doing a sketch of my house from the green. Foljambe is very well, and, and . . ." he could think of nothing else except the Museum.

Lucia waited till he had quite run down.

"And what more did Abfou say?" she asked. "His message of 'L to L' would not have made you busy for very long."

Georgie had to reconsider the wisdom of silence. Lucia clearly suspected something, and when she came down for her weekend, and found the affairs of the Museum entirely engrossing the whole of Riseholme, his reticence, if he persisted in it, would wear a very suspicious aspect.

"Oh yes, the Museum," he said with feigned lightness. "Abfou told us to start a museum, and it's getting on splendidly. That tithe-barn of Colonel Boucher's. And Daisy's given all the things she was going to make into a rockery, and I'm giving my Roman glass and two sketches, and Colonel Boucher his Samian ware and an ordnance map, and there are lots of fossils and some coins."

"And a committee?" asked Lucia.

"Yes. Daisy and Mrs Boucher and I, and we co-opted Robert," he said with affected carelessness.

Again some nameless pang shot through Lucia. Absent or present, she ought to have been the chairman of the committee and told them exactly what to do, and how to do it. But she felt no doubt that she could remedy all that when she came down to Riseholme for a weekend. In the meantime, it was sufficient to have pulled his secret out of Georgie, like a cork, with a loud pop, and an effusion of contents.

"Most interesting," she said. "I must think what I can give you for your museum. Well, that's a nice little gossip."

Georgie could not bring himself to tell her that the stocks had already been moved from the village green to the tithe-barn, for he seemed to remember that Lucia and Peppino had presented them to the Parish Council. Now the Parish Council had presented them to the Museum, but that was a reason the more why the Parish Council and not he should face the donors.

"A nice little gossip," said Lucia. "And what a pleasant party last night. I just popped over, to congratulate dear Olga on the favourable, indeed the very favourable reception of Lucrezia, for I thought she would be hurt — artists are so sensitive — if I did not add my little tribute, and then you saw how she refused to let me go, but insisted that I should come in. And I found it all most pleasant: one met many friends, and I was very glad to be able to look in."

This expressed very properly what Lucia meant to convey. She did not in the least want to put Olga in her place, but to put herself, in Georgie's eyes, in her own place. She had just, out of kindness, stepped across to congratulate Olga, and then had been dragged in. Unfortunately Georgie did not believe a single word of it: he had already made up his mind that Lucia had laid an ambush for Olga, so swiftly and punctually had she come out of the shadow of the gas-lamp on her arrival. He answered her therefore precisely in the spirit in which she had spoken. Lucia would know very well . . .

"It was good of you," he said enthusiastically. "I'm sure Olga appreciated your coming immensely. How forgetful of her not to have asked you at first! And as for Lucrezia just having a favourable reception, I thought it was the most brilliant success it is possible to imagine."

Lucia felt that her attitude hadn't quite produced the impression she had intended. Though she did not want Georgie (and Riseholme) to think she joined in the uncritical adulation of Olga, she certainly did not want Georgie to tell Olga that she didn't. And she still wanted to hear the Princess's name.

"No doubt, dear Georgie," she said, "it was a great success. And she was in wonderful voice, and looked most charming. As you know, I am terribly critical, but I can certainly say that. Yes. And her party delicious. So many pleasant people. I saw you having great jokes with the Princess."

Peppino having been asleep when Lucia came back last night, and not having seen her this morning, had not heard about the Princess.

"Indeed, who was that?" he asked Lucia.

Very tiresome of Peppino. But Lucia's guide (better than poor Daisy's Abfou) must have been very attentive to her needs that morning, for Peppino had hardly uttered these awkward words, when the telephone rang. She could easily therefore trip across to it, protesting at these tiresome interruptions, and leave Georgie to answer.

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