E. F. Benson - The Complete Works of E. F. Benson (Illustrated Edition)

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Musaicum Books presents to you this carefully created collection of 'THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition)'. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Edward Frederic Benson (1867-1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E.F. Benson. He started his novel writing career in 1893 with the fashionably controversial Dodo, which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, with sequels to this novel, but the greatest success came relatively late in his career with The Mapp and Lucia series consisting of six novels and two short stories. The novels feature humorous incidents in the lives of (mainly) upper-middle-class British people in the 1920s and 1930s, vying for social prestige and one-upmanship in an atmosphere of extreme cultural snobbery. Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories.
Table of Contents:
Make Way For Lucia:
Queen Lucia
Miss Mapp
Lucia in London
Mapp and Lucia
Lucia's Progress or The Worshipful Lucia
Trouble for Lucia
The Male Impersonator
Desirable Residences
Novels:
Dodo; A Detail of the Day
Dodo's Daughter or Dodo the Second
Dodo Wonders
David Blaize
David Blaize and the Blue Door
David Blaize of King's
The Rubicon
The Judgement Books
The Vintage
Mammon and Co.
Scarlet and Hyssop
The Relentless City
The Valkyries
The Angel of Pain
The House of Defence
The Blotting Book
Daisy's Aunt
Mrs. Ames
Thorley Weir
Arundel
Michael
Up and Down
Across the Stream
Paying Guests
Short Story Collections:
The Room in the Tower, and Other Stories
The Countess of Lowndes Square, and Other Stories
Visible and Invisible
Spook Stories
More Spook Stories
Historical Works:
Deutschland Über Allah
Crescent and Iron Cross
Charlotte Bronte

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Now from opposite, across the narrow space of the square, Lucia had seen the arrival of all these cars. In order to see them better she had gone on to the balcony of her drawing-room, and noted their occupants with her opera-glasses. There was Lord Limpsfield, and the Italian Ambassadress, and Mr Garroby-Ashton, and Cortese, and some woman to whom Mr Garroby-Ashton bowed and Mrs Garroby-Ashton curtsied. Up they streamed. And there was the Duchess of Whitby, (Marcia, for Lucia had heard her called that) coming up the steps, and curtseying too, but as yet Olga and Georgie quite certainly had not come. It seemed strange that so many brilliant guests should arrive before their hostess, but Lucia saw at once that this was the most chic informality that it was possible to conceive. No doubt Mr Shuttleworth was there to receive them, but how wonderful it all was! . . . And then the thought occurred to her that Olga would arrive, and with her would be Georgie, and she felt herself turning bright green all over with impotent jealousy. Georgie in that crowd! It was impossible that Georgie should be there, and not she, but that was certainly what would happen unless she thought of something. Georgie would go back to Riseholme and describe this gathering, and he would say that Lucia was not there: he supposed she had not been asked.

Lucia thought of something; she hurried downstairs and let herself out. Motors were still arriving, but perhaps she was not too late. She took up her stand in the central shadow of a gas-lamp close to Olga's door and waited.

Up the square came yet another car, and she could see it was full of flowers. Olga stepped out, and she darted forward.

"O Mrs Shuttleworth," she said. "Splendid! Glorious! Marvellous! If only Beethoven was alive! I could not think of going to bed, without just popping across to thank you for a revelation! Georgie, dear! Just to shake your hand: that is all. All! I won't detain you. I see you have a party! You wonderful Queen of Song."

Olga at all times was good-natured. Her eye met Georgie's for a moment.

"Oh, but come in," she said. "Do come in. It isn't a party: it's just anybody. Georgie, be a dear, and help to carry all those flowers in. How nice of you to come across, Mrs Lucas! I know you'll excuse my running on ahead, because all — at least I hope all — my guests have come, and there's no one to look after them."

Lucia, following closely in her wake, and taking no further notice of Georgie, slipped into the little front drawing-room behind her. It was crammed, and it was such a little room. Why had she not foreseen this, why had she not sent a note across to Olga earlier in the day, asking her to treat Lucia's house precisely as her own, and have her party in the spacious music-room? It would have been only neighbourly. But the bitterness of such regrets soon vanished in the extraordinary sweetness of the present, and she was soon in conversation with Mrs Garroby-Ashton, and distributing little smiles and nods to all the folk with whom she had the slightest acquaintance. By the fireplace was standing the Royal lady, and that for the moment was the only chagrin, for Lucia had not the vaguest idea who she was. Then Georgie came in, looking like a flower-stall, and then came a slight second chagrin, for Olga led him up to the Royal lady, and introduced him. But that would be all right, for she could easily get Georgie to tell her who she was, without exactly asking him, and then poor Georgie made a very awkward sort of bow, and dropped a large quantity of flowers, and said 'tarsome.'

Lucia glided away from Mrs Garroby-Ashton and stood near the Duchess of Whitby. Marcia did not seem to recognise her at first, but that was quickly remedied, and after a little pleasant talk, Lucia asked her to lunch to meet Olga, and fixed in her mind that she must ask Olga to lunch on the same day to meet the Duchess of Whitby. Then edging a little nearer to the centre of attraction, she secured Lord Limpsfield by angling for him with the bait of dearest Aggie, to whom she must remember to telephone early next morning, to ask her to come and meet Lord Limpsfield.

That would do for the present, and Lucia abandoned herself to the joys of the moment. A move was made downstairs to supper, and Lucia, sticking like a limpet to Lord Limpsfield, was wafted in azure to Olga's little tiny dining-room, and saw at once that there were not nearly enough seats for everybody. There were two small round tables, and that was absolutely all: the rest would have to stand and forage at the narrow buffet which ran along the wall.

"It's musical chairs," said Olga cheerfully, "those who are quick get seats, and the others don't. Tony, go and sit next the Princess, and Cortese, you go the other side. We shall all get something to eat sometime. Georgie, go and stand by the buffet, there's a dear, and make yourself wonderfully useful, and oh, rush upstairs first, and bring the cigarettes; they stay the pangs of hunger. Now we're getting on beautifully. Darling Marcia, there's just one chair let. Slip into it."

Lucia had lingered for a moment at the door to ask Olga to lunch the day after tomorrow, and Olga said she would be delighted, so there was a wonderful little party arranged for. To complete her content it was only needful to be presented to the hitherto anonymous Princess and learn her name. By dexterously picking up her fan for her and much admiring it, as she made a low curtsey, she secured a few precious words with her, but the name was still denied her. To ask anybody what it was would faintly indicate that she didn't know it, and that was not to be thought of.

* * *

Georgie popped in, as they all said at Riseholme, to see Lucia next morning when Olga had gone to a rehearsal at Covent Garden, and found her in her music-room, busy over Stravinski. Olga's party had not been in The Times, which was annoying, and Lucia was still unaware what the Princess's name was. Though the previous evening had been far the most rewarding she had yet spent, it was wiser to let Georgie suppose that such an affair was a very ordinary occurrence, and not to allude to it for some time.

"Ah, Georgino!" she said. "How nice of you to pop in. By buona fortuna I have got a spare hour this morning, before Sophy Alingsby — dear Sophy, such a brain — fetches me to go to some private view or other, so we can have a good chat. Yes, this is the music-room, and before you go, I must trot you round to see the rest of our little establishment. Not a bad room — those are the famous Chippendale chairs — as soon as we get a little more settled, I shall give an evening party or two with some music. You must come."

"Should love to," said Georgie.

"Such a whirl it has been, and it gets worse every day," went on Lucia. "Sometimes Peppino and I go out together, but often he dines at one house and I at another — they do that in London, you know — and sometimes I hardly set eyes on him all day. I haven't seen him this morning, but just now they told me he had gone out. He enjoys it so much that I do not mind how tired I get. Ah! that telephone, it never ceases ringing. Sometimes I think I will have it taken out of the house altogether, for I get no peace. Somebody always seems to be wanting Peppino or me."

She hurried, all the same, with considerable alacrity to the machine, and really there was no thought in her mind of having the telephone taken out, for it had only just been installed. The call, however, was rather a disappointment, for it only concerned a pair of walking-shoes. There was no need, however, to tell Georgie that, and pressing her finger to her forehead she said, "Yes, I can manage half-past three" (which meant nothing) and quickly rang off.

"Not a moment's peace," said Lucia. "Ting-a-ting-a-ting from morning till night. Now tell me all about Riseholme, Georgie; that will give me such a delicious feeling of tranquillity. Dear me, who is this coming to interrupt us now?"

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