Robert Browning - The Complete Works of Robert Browning - Poems, Plays, Letters & Biographies in One Edition

*I have been told that, far from becoming careless in the use of these things from his practically unbounded command of them, he developed for them an almost superstitious reverence. He could never endure to see a scrap of writing-paper wasted.

Many circumstances conspired to secure to the coming poet a happier childhood and youth than his father had had. His path was to be smoothed not only by natural affection and conscientious care, but by literary and artistic sympathy. The second Mr. Browning differed, in certain respects, as much from the third as from the first. There were, nevertheless, strong points in which, if he did not resemble, he at least distinctly foreshadowed him; and the genius of the one would lack some possible explanation if we did not recognize in great measure its organized material in the other. Much, indeed, that was genius in the son existed as talent in the father. The moral nature of the younger man diverged from that of the older, though retaining strong points of similarity; but the mental equipments of the two differed far less in themselves than in the different uses to which temperament and circumstances trained them.

The most salient intellectual characteristic of Mr. Browning senior was his passion for reading. In his daughter’s words, ‘he read in season, and out of season;’ and he not only read, but remembered. As a schoolboy, he knew by heart the first book of the ‘Iliad’, and all the odes of Horace; and it shows how deeply the classical part of his training must have entered into him, that he was wont, in later life, to soothe his little boy to sleep by humming to him an ode of Anacreon. It was one of his amusements at school to organize Homeric combats among the boys, in which the fighting was carried on in the manner of the Greeks and Trojans, and he and his friend Kenyon would arm themselves with swords and shields, and hack at each other lustily, exciting themselves to battle by insulting speeches derived from the Homeric text. *

*This anecdote is partly quoted from Mrs. Andrew Crosse, who has introduced it into her article ‘John Kenyon and his Friends’, ‘Temple Bar’, April 1890. She herself received it from Mr. Dykes Campbell.

Mr. Browning had also an extraordinary power of versifying, and taught his son from babyhood the words he wished him to remember, by joining them to a grotesque rhyme; the child learned all his Latin declensions in this way. His love of art had been proved by his desire to adopt it as a profession; his talent for it was evidenced by the life and power of the sketches, often caricatures, which fell from his pen or pencil as easily as written words. Mr. Barrett Browning remembers gaining a very early elementary knowledge of anatomy from comic illustrated rhymes (now in the possession of their old friend, Mrs. Fraser Corkran) through which his grandfather impressed upon him the names and position of the principal bones of the human body.

Even more remarkable than his delight in reading was the manner in which Mr. Browning read. He carried into it all the preciseness of the scholar. It was his habit when he bought a book — which was generally an old one allowing of this addition — to have some pages of blank paper bound into it. These he filled with notes, chronological tables, or such other supplementary matter as would enhance the interest, or assist the mastering, of its contents; all written in a clear and firm though by no means formal handwriting. More than one book thus treated by him has passed through my hands, leaving in me, it need hardly be said, a stronger impression of the owner’s intellectual quality than the acquisition by him of the finest library could have conveyed. One of the experiences which disgusted him with St. Kitt’s was the frustration by its authorities of an attempt he was making to teach a negro boy to read, and the understanding that all such educative action was prohibited.

In his faculties and attainments, as in his pleasures and appreciations, he showed the simplicity and genuineness of a child. He was not only ready to amuse, he could always identify himself with children, his love for whom never failed him in even his latest years. His more than childlike indifference to pecuniary advantages had been shown in early life. He gave another proof of it after his wife’s death, when he declined a proposal, made to him by the Bank of England, to assist in founding one of its branch establishments in Liverpool. He never indeed, personally, cared for money, except as a means of acquiring old, i.e. rare books, for which he had, as an acquaintance declared, the scent of a hound and the snap of a bulldog. His eagerness to possess such treasures was only matched by the generosity with which he parted with them; and his daughter well remembers the feeling of angry suspicion with which she and her brother noted the periodical arrival of a certain visitor who would be closeted with their father for hours, and steal away before the supper time, when the family would meet, with some precious parcel of books or prints under his arm.

It is almost superfluous to say that he was indifferent to creature comforts. Miss Browning was convinced that, if on any occasion she had said to him, ‘There will be no dinner to-day,’ he would only have looked up from his book to reply, ‘All right, my dear, it is of no consequence.’ In his bank-clerk days, when he sometimes dined in Town, he left one restaurant with which he was not otherwise dissatisfied, because the waiter always gave him the trouble of specifying what he would have to eat. A hundred times that trouble would not have deterred him from a kindly act. Of his goodness of heart, indeed, many distinct instances might be given; but even this scanty outline of his life has rendered them superfluous.

Mr. Browning enjoyed splendid physical health. His early love of reading had not precluded a wholesome enjoyment of athletic sports; and he was, as a boy, the fastest runner and best base-ball player in his school. He died, like his father, at eighty-four (or rather, within a few days of eighty-five), but, unlike him, he had never been ill; a French friend exclaimed when all was over, ‘Il n’a jamais ete vieux.’ His faculties were so unclouded up to the last moment that he could watch himself dying, and speculate on the nature of the change which was befalling him. ‘What do you think death is, Robert?’ he said to his son; ‘is it a fainting, or is it a pang?’ A notice of his decease appeared in an American newspaper. It was written by an unknown hand, and bears a stamp of genuineness which renders the greater part of it worth quoting.

‘He was not only a ruddy, active man, with fine hair, that retained its strength and brownness to the last, but he had a courageous spirit and a remarkably intelligent mind. He was a man of the finest culture, and was often, and never vainly, consulted by his son Robert concerning the more recondite facts relating to the old characters, whose bones that poet liked so well to disturb. His knowledge of old French, Spanish, and Italian literature was wonderful. The old man went smiling and peaceful to his long rest, preserving his faculties to the last, insomuch that the physician, astonished at his continued calmness and good humour, turned to his daughter, and said in a low voice, “Does this gentleman know that he is dying?” The daughter said in a voice which the father could hear, “He knows it;” and the old man said with a quiet smile, “Death is no enemy in my eyes.” His last words were spoken to his son Robert, who was fanning him, “I fear I am wearying you, dear.”‘

Four years later one of his English acquaintances in Paris, Mr. Frederick Locker, now Mr. Locker-Lampson, wrote to Robert Browning as follows:

Dec. 26, 1870.

My dear Browning, — I have always thought that you or Miss Browning, or some other capable person, should draw up a sketch of your excellent father so that, hereafter, it might be known what an interesting man he was.