Robert Browning - The Complete Works of Robert Browning - Poems, Plays, Letters & Biographies in One Edition

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This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices.
Robert Browning (1812–1889) was an English poet and playwright whose mastery of the dramatic monologue made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humour, social commentary, historical settings, and challenging vocabulary and syntax.
Contents:
Life and Letters of Robert Browning:
Life and Letters of Robert Browning by Mrs. Sutherland Orr
The Brownings: Their Life and Art
Letters
Life of Robert Browning by William Sharp
Robert Browning by G.K. Chesterton
Poetry:
Bells and Pomegranates No. III: Dramatic Lyrics
Bells and Pomegranates No. VII: Dramatic Romances and Lyrics
Pauline: A Fragment of a Confession
Sordello
Asolando
Men and Women
Dramatis Personae
The Ring and the Book
Balaustion's Adventure
Prince Hohenstiel-Schwangau, Saviour of Society
Fifine at the Fair
Red Cotton Nightcap Country
Aristophanes' Apology
The Inn Album
Pacchiarotto, and How He Worked in Distemper
La Saisiaz and the Two Poets of Croisic
Dramatic Idylls
Dramatic Idylls: Second Series
Christmas-Eve and Easter-Day
Jocoseria
Ferishtah's Fancies
Parleyings with Certain People of Importance in Their Day
Plays:
Strafford
Paracelsus
Bells and Pomegranates No. I: Pippa Passes
Bells and Pomegranates No. II: King Victor and King Charles
Bells and Pomegranates No. IV: The Return of the Druses
Bells and Pomegranates No. V: A Blot in the 'scutcheon
Bells and Pomegranates No. VI: Colombe's Birthday
Bells and Pomegranates No. VIII: Luria and a Soul's Tragedy
Herakles
The Agamemnon of Aeschylus

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Well, yes, the king’s behavior has been admirable; what a chance the poor Pope has thrown away in not preceding him! If the “Prisoner of the Vatican” had quietly walked out of his confinement, with a Cross before him, and an attendant on each side, and passed on to Naples and the hospitals “braving all danger in imitation of his Master,” I verily believe there might have happened a revolution. Such events from much less causes being frequent enough. Where is the “wisdom of the serpent”?

Dearest friend, my sister writes, all love to Edith, all love to you, from your ever affectionate

Robert Browning.

On their return to London the letters to Mrs. Bronson again resume the story of this interesting life:

“... I have got rid of my last proof-sheets, and all of a sudden it occurs to me to ask—now that alteration is impossible, I suppose—whether I have offended in just dating the last poem from the place where I wrote it—the Giustiniani? The first poem was dated at the inn, and the last seemed to belong to the beloved place where it was penned, as I wanted to remember, or be remembered, rather. Have I done wrong? (I hear at this moment my sister actually singing in the next room,—so completely is she re-established in health.) By letters we find that the admirable weather at St. Moritz was continued up to the end of the last week; here the weather is fine, and finer than usual, but the sparkle is off the wine, the wonderful freshness of St. Moritz does not incline one to dance rather than walk.

“I am in absolute peace and quietude, and so thoroughly prepared to enjoy your coming,—if that may be....”

The next letter speaks of American friends:

19, Warwick Crescent, W.

Oct. 14, ’84.

Dearest Friend,—I waited a little before replying to your letter, wanting to be sure when I could say that Pen would be in Paris; he proposed to go there yesterday, and you will certainly have a visit from him as soon as he can manage to do what I know he desires very much.

Here are your verses which I try to be as severe about as possible, with no success, at all, worth speaking of! You will take my corrections (infinitesimal, this time) for what they are worth, and continue to send me what you write, will you not?

I was surprised two days ago by a note from Mr. Lowell, inviting me and my sister to meet the Storys at dinner to-morrow, they being his guests during a short stay in London; and yesterday afternoon they called on my sister, both the Storys and Mr. Lowell; the former are flourishing, and go in a few days to Rome. Where they have passed the summer, we were not told. Last evening at a dinner given by Sidney Colvin, I met Mr. James, who showed great interest in hearing how you were, and how much nearer you were likely to be. On the other hand, there will be a sad visitor to Venice presently, Professor Huxley, in a deplorable state of health, from over-work. I hate to speak of what is only too present with me,—your own health,—I trust you have got rid of that cough, (all dreadful things go with a cough in my memory.)...

... My book, which you kindly inquire about, is out of my hands and in print, but the publishing, the when and how, concerns the publisher. I do not expect to see the completed thing for another month.

Yes, I felt so lovingly to the Giustinian-Reconnati that I could not bear cutting the link allowed by the Place and Date that were appended to the Ms., and you permit, so all is well, if you remember me as ever affectionately yours,

Robert Browning.

Under date of October 23, 1884, Browning says in one letter:

“I saw Huxley’s brother-in-law, Sir Robert Collier, last evening, at Dr. Granville’s, and inquired about the stay in Venice. It will be a very short one as he has to return almost immediately for the marriage of his daughter Rachel; I can hardly think he will re-return, the ceremony at an end, yet he may; and in that case he shall be informed of your goodness to himward, in apostolically appropriate language. He is a thoroughly admirable person in all but his inconsiderateness in this waste of a precious life. I duly told the Storys how much you wanted to see them, and they probably have seen you by this time. Mrs. Story meant to rest at Paris, and forego the Amiens route. She has been unwell, but I thought her appearance very satisfactory. I dined with them last week at Mr. Lowell’s, and called there on Sunday. I met Henry James the other day, and surprised as well as inspirited him by the news that you were so near, and, as I believed, so soon to be nearer. Now write to me, tell me all you are about to do; how is dear Edith?...

O, no, Pen is none of mine to outward view, but wholly his mother’s—in some respects, at least. At the same age there was small difference between Pen’s face and that of the brother she lost,—to judge by a drawing I possess....”

To the Marchesa Peruzzi di’ Medici who sent to him a translation she had made of the “Ricordo Autobiografici” of Giovanni Duprè, Browning thus writes: [16]

“It is not so very ‘little’ an affair, and in the fear that when my sister has finished it, I may have to begin my own reading, and end it so late as to lead you to suppose that either book or letter has gone wrong, on this account I write at once to thank you most heartily. My sister says the Autobiography is fascinating; I can well believe it, for I never knew such a work to be without interest, and this of Duprè must abound in precisely the matters that interest me most.... When I have thoroughly gone through the book I will write you again, if you permit me, as I know your old memories will be indulgent in the case. We may be in Italy this autumn, and if you are within reach you will be certain to see the old friend who always rejoices when he hears of your well-being, and trusts it may continue.... Pen is very well; at Dinard just now, painting landscape in the open air. I have told him already of the book which he will take delight in reading. I am occupied this very day in sending his statue of ‘Dryope’ to Brussels, where the Exhibition will give it a chance of being judged by better knowledge than is found here.”

The following letter indicates, in Browning’s own charming way, the warm attachment that both he and his sister had for Mrs. Bronson:

19, Warwick Crescent, W.

Feb. 15, ’85.

Dearest Mrs. Bronson,—This dull morning grew to near blackness itself, when, at breakfast, my sister said once again, “No news of her from Venice,”—and I once again calculated and found by this time it was a month and a full half since we heard from you. Why should this be? If I had simply and rationally written a line, instead of thinking a thought, I should have known, as your dear goodness will let me know, as soon as you receive this, how you are, how Edith is, now that the winter is over and gone with the incentives to that cough which was still vexatious when we had your last letter.

Do not let us mind high-days and holidays: be sure of this, that every day will be truly festal that brings us a word from you, for other clouds than the material ones make us melancholy just now; and how this turbid element about us contrasts with the golden hours near the beloved friends,—perhaps more vivid,—certainly more realized as valuable, than ever! I do not mean to write much because what I want to impress on your generosity is that just a half sheet, with mere intelligence about you, will be a true comfort and sustainment to me and to my sister,—the barest account of yourself, and what we appreciate with you; and, for our part, you shall hear, at least, that we are well, or ailing, stationary, or about to move.

In the early spring Browning again writes to Mrs. Bronson:

19, Warwick Crescent, W.

April 8, ’85.

Dearest Friend,—This is not a letter, for I have this minute returned from a funeral, in pitiful weather, and am unable either in body or soul to write one, much as I hope to do, with something of my warm self in it. But I find Burne Jones’s pretty and touching letter, and want this leaf to serve as an envelope to what may please you, who deserve so thoroughly that it should. I will write in a day or two. I heard from Pen this morning, who is at Dinard, being too ill to remain in Paris, but finds himself already better. He told me and re-told me how good you had been to him. How I trust all is going well with you,—certainly you need no assurance of,—enough that I love you with all my heart. Bless you and your Edith. It is an Edith,—Proctor’s (Barry Cornwall’s) daughter, whom I have been following to her grave. Some fifty years ago her father said to me while caressing her, “Ah, Browning, this is the Poetry.” “I know it.” “No, you know nothing about it.” Well, if I was ignorant then, I am instructed now. So, dear Two Poems, long may I have you to read and to enjoy!

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