Robert Browning - The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition

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The Ring and the Book is a long dramatic narrative poem, and, more specifically, a verse novel, of 21,000 lines. The book tells the story of a murder trial in Rome in 1698, whereby an impoverished nobleman, Count Guido Franceschini, is found guilty of the murders of his young wife Pompilia Comparini and her parents, having suspected his wife was having an affair with a young cleric, Giuseppe Caponsacchi. Dramatis Personae is a poetry collection. The poems are dramatic, with a wide range of narrators. The narrator is usually in a situation that reveals to the reader some aspect of his personality. Dramatic Lyrics is a collection of English poems, entitled Bells and Pomegranates. It is most famous as the first appearance of Browning's poem The Pied Piper of Hamelin, but also contains several of the poet's other best-known pieces, including My Last Duchess, Soliloquy of the Spanish Cloister, Porphyria's Lover…
Table of Contents: Introduction: Robert Browning by G.K. Chesterton Collections of Poetry: Bells and Pomegranates No. III: Dramatic Lyrics Bells and Pomegranates No. VII: Dramatic Romances and Lyrics Pauline: A Fragment of a Confession Sordello Asolando Men and Women Dramatis Personae The Ring and the Book Balaustion's Adventure Prince Hohenstiel-Schwangau, Saviour of Society Fifine at the Fair Red Cotton Nightcap Country Aristophanes' Apology The Inn Album Pacchiarotto, and How He Worked in Distemper La Saisiaz and the Two Poets of Croisic Dramatic Idylls Dramatic Idylls: Second Series Christmas-Eve and Easter-Day Jocoseria Ferishtah's Fancies Parleyings with Certain People of Importance in Their Day
Robert Browning (1812–1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets.

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Quick and sharp rang the rings down the net-poles,

While, busy beneath,

Your priest and his brother tugged at them,

The rain in their teeth:

And out upon all the flat houseroofs

Where split figs lay drying,

The girls took the frails under cover:

Nor use seemed in trying

To get out the boats and go fishing,

For, under the cliff,

Fierce the black water frothed o’er the blind-rock.

No seeing our skiff

Arrive about noon from Amalfi,

— Our fisher arrive

And pitch down his basket before us,

All trembling alive

With pink and grey jellies, your sea-fruit;

— You touch the strange lumps,

And mouths gape there, eyes open, all manner

Of horns and of humps,

Which only the fisher looks grave at,

While round him like imps

Cling screaming the children as naked

And brown as his shrimps;

Himself too as bare to the middle —

— You see round his neck

The string and its brass coin suspended,

That saves him from wreck.

But to-day not a boat reached Salerno,

So back, to a man,

Came our friends, with whose help in the vineyards

Grape-harvest began:

In the vat, halfway up in our house-side,

Like blood the juice spins,

While your brother all bare-legged is dancing

Till breathless he grins

Dead-beaten in effort on effort

To keep the grapes under,

Since still when he seems all but master,

In pours the fresh plunder

From girls who keep coming and going

With basket on shoulder,

And eyes shut against the rain’s driving;

Your girls that are older, —

For under the hedges of aloe,

And where, on its bed

Of the orchard’s black mould, the love-apple

Lies pulpy and red,

All the young ones are kneeling and filling

Their laps with the snails

Tempted out by this first rainy weather, —

Your best of regales,

As tonight will be proved to my sorrow,

When, supping in state,

We shall feast our grape-gleaners (two dozen,

Three over one plate)

With lasagne so tempting to swallow

In slippery ropes,

And gourds fried in great purple slices,

That colour of popes.

Meantime, see the grape bunch they’ve brought you, —

The rainwater slips

O’er the heavy blue bloom on each globe

Which the wasp to your lips

Still follows with fretful persistence —

Nay, taste, while awake,

This half of a curd-white smooth cheese-ball

That peels, flake by flake,

Like an onion, each smoother and whiter;

Next, sip this weak wine

From the thin green glass flask, with its stopper,

A leaf of the vine, —

And end with the prickly-pear’s red flesh

That leaves thro’ its juice

The stony black seeds on your pearl-teeth.

… Scirocco is loose!

Hark, the quick, whistling pelt of the olives

Which, thick in one’s track,

Tempt the stranger to pick up and bite them,

Tho’ not yet half black!

How the old twisted olive trunks shudder,

The medlars let fall

Their hard fruit, and the brittle great figtrees

Snap off, figs and all, —

For here comes the whole of the tempest!

No refuge, but creep

Back again to my side and my shoulder,

And listen or sleep.

O how will your country show next week,

When all the vine-boughs

Have been stripped of their foliage to pasture

The mules and the cows?

Last eve, I rode over the mountains;

Your brother, my guide,

Soon left me, to feast on the myrtles

That offered, each side,

Their fruit-balls, black, glossy and luscious, —

Or strip from the sorbs

A treasure, so rosy and wondrous,

Those hairy gold orbs!

But my mule picked his sure sober path out,

Just stopping to neigh

When he recognized down in the valley

His mates on their way

With the faggots and barrels of water;

And soon we emerged

From the plain, where the woods could scarce follow;

And still as we urged

Our way, the woods wondered, and left us,

As up still we trudged

Though the wild path grew wilder each instant,

And place was e’en grudged

‘Mid the rock-chasms and piles of loose stones

(Like the loose broken teeth

Of some monster which climbed there to die

From the ocean beneath)

Place was grudged to the silver-grey fume-weed

That clung to the path,

And dark rosemary ever a-dying

That, ‘spite the wind’s wrath,

So loves the salt rock’s face to seaward, —

And lentisks as staunch

To the stone where they root and bear berries, —

And … what shows a branch

Coral-coloured, transparent, with circlets

Of pale seagreen leaves —

Over all trod my mule with the caution

Of gleaners o’er sheaves,

Still, foot after foot like a lady —

Till, round after round,

He climbed to the top of Calvano,

And God’s own profound

Was above me, and round me the mountains,

And under, the sea,

And within me my heart to bear witness

What was and shall be.

Oh, heaven and the terrible crystal!

No rampart excludes

Your eye from the life to be lived

In the blue solitudes.

Oh, those mountains, their infinite movement!

Still moving with you —

For, ever some new head and breast of them

Thrusts into view

To observe the intruder — you see it

If quickly you turn

And before they escape you surprise them.

They grudge you should learn

How the soft plains they look on, lean over

And love (they pretend)

— Cower beneath them, the flat sea-pine crouches,

The wild fruit-trees bend,

E’en the myrtle-leaves curl, shrink and shut —

All is silent and grave —

’Tis a sensual and timorous beauty —

How fair! but a slave.

So, I turned to the sea, — and there slumbered

As greenly as ever

Those isles of the siren, your Galli;

No ages can sever

The Three, nor enable their sister

To join them, — half way

On the voyage, she looked at Ulysses —

No farther to-day,

Tho’ the small one, just launched in the wave,

Watches breast-high and steady

From under the rock, her bold sister

Swum halfway already.

Fortù, shall we sail there together

And see from the sides

Quite new rocks show their faces — new haunts

Where the siren abides?

Shall we sail round and round them, close over

The rocks, tho’ unseen,

That ruffle the grey glassy water

To glorious green?

Then scramble from splinter to splinter,

Reach land and explore,

On the largest, the strange square black turret

With never a door,

Just a loop to admit the quick lizards;

Then, stand there and hear

The birds’ quiet singing, that tells us

What life is, so clear!

The secret they sang to Ulysses

When, ages ago,

He heard and he knew this life’s secret

I hear and I know!

Ah, see! The sun breaks o’er Calvano —

He strikes the great gloom

And flutters it o’er the mount’s summit

In airy gold fume.

All is over! Look out, see the gipsy,

Our tinker and smith,

Has arrived, set up bellows and forge,

And down-squatted forthwith

To his hammering, under the wall there;

One eye keeps aloof

The urchins that itch to be putting

His jews’-harps to proof,

While the other, thro’ locks of curled wire,

Is watching how sleek

Shines the hog, come to share in the windfall

— An abbot’s own cheek!

All is over! Wake up and come out now,

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