Robert Browning - The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition

Здесь есть возможность читать онлайн «Robert Browning - The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

The Ring and the Book is a long dramatic narrative poem, and, more specifically, a verse novel, of 21,000 lines. The book tells the story of a murder trial in Rome in 1698, whereby an impoverished nobleman, Count Guido Franceschini, is found guilty of the murders of his young wife Pompilia Comparini and her parents, having suspected his wife was having an affair with a young cleric, Giuseppe Caponsacchi. Dramatis Personae is a poetry collection. The poems are dramatic, with a wide range of narrators. The narrator is usually in a situation that reveals to the reader some aspect of his personality. Dramatic Lyrics is a collection of English poems, entitled Bells and Pomegranates. It is most famous as the first appearance of Browning's poem The Pied Piper of Hamelin, but also contains several of the poet's other best-known pieces, including My Last Duchess, Soliloquy of the Spanish Cloister, Porphyria's Lover…
Table of Contents: Introduction: Robert Browning by G.K. Chesterton Collections of Poetry: Bells and Pomegranates No. III: Dramatic Lyrics Bells and Pomegranates No. VII: Dramatic Romances and Lyrics Pauline: A Fragment of a Confession Sordello Asolando Men and Women Dramatis Personae The Ring and the Book Balaustion's Adventure Prince Hohenstiel-Schwangau, Saviour of Society Fifine at the Fair Red Cotton Nightcap Country Aristophanes' Apology The Inn Album Pacchiarotto, and How He Worked in Distemper La Saisiaz and the Two Poets of Croisic Dramatic Idylls Dramatic Idylls: Second Series Christmas-Eve and Easter-Day Jocoseria Ferishtah's Fancies Parleyings with Certain People of Importance in Their Day
Robert Browning (1812–1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets.

The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Table of Contents

I.

I SPRANG to the stirrup, and Joris, and he;

I galloped, Dirck galloped, we galloped all three;

“Good speed!” cried the watch, as the gate-bolts undrew;

“Speed!” echoed the wall to us galloping through;

Behind shut the postern, the lights sank to rest,

And into the midnight we galloped abreast.

II.

Not a word to each other; we kept the great pace

Neck by neck, stride by stride, never changing our place;

I turned in my saddle and made its girths tight,

Then shortened each stirrup, and set the pique right,

Rebuckled the cheek-strap, chained slacker the bit,

Nor galloped less steadily Roland a whit.

III.

’Twas moonset at starting; but while we drew near

Lokeren, the cocks crew and twilight dawned clear;

At Boom, a great yellow star came out to see;

At Düffeld, ’twas morning as plain as could be;

And from Mecheln church-steeple we heard the half-chime,

So, Joris broke silence with, “Yet there is time!”

IV.

At Aerschot, up leaped of a sudden the sun,

And against him the cattle stood black every one,

To stare thro’ the mist at us galloping past,

And I saw my stout galloper Roland at last,

With resolute shoulders, each butting away

The haze, as some bluff river headland its spray:

V.

And his low head and crest, just one sharp ear bent back

For my voice, and the other pricked out on his track;

And one eye’s black intelligence, — ever that glance

O’er its white edge at me, his own master, askance!

And the thick heavy spume-flakes which aye and anon

His fierce lips shook upwards in galloping on.

VI.

By Hasselt, Dirck groaned; and cried Joris, “Stay spur!

“Your Roos galloped bravely, the fault’s not in her,

“We’ll remember at Aix” — for one heard the quick wheeze

Of her chest, saw the stretched neck and staggering knees,

And sunk tail, and horrible heave of the flank,

As down on her haunches she shuddered and sank.

VII.

So, we were left galloping, Joris and I,

Past Looz and past Tongres, no cloud in the sky;

The broad sun above laughed a pitiless laugh,

‘Neath our feet broke the brittle bright stubble like chaff;

Till over by Dalhem a dome-spire sprang white,

And “Gallop,” gasped Joris, “for Aix is in sight!”

VIII.

“How they’ll greet us!” — and all in a moment his roan

Rolled neck and croup over, lay dead as a stone;

And there was my Roland to bear the whole weight

Of the news which alone could save Aix from her fate,

With his nostrils like pits full of blood to the brim,

And with circles of red for his eye-sockets’ rim.

IX.

Then I cast loose my buffcoat, each holster let fall,

Shook off both my jack-boots, let go belt and all,

Stood up in the stirrup, leaned, patted his ear,

Called my Roland his pet-name, my horse without peer;

Clapped my hands, laughed and sang, any noise, bad or good,

Till at length into Aix Roland galloped and stood.

X.

And all I remember is, friends flocking round

As I sat with his head ‘twixt my knees on the ground;

And no voice but was praising this Roland of mine,

As I poured down his throat our last measure of wine,

Which (the burgesses voted by common consent)

Was no more than his due who brought good news from Ghent.

Pictor Ignotus

Table of Contents

[Florence, 15 — .]

I COULD have painted pictures like that youth’s

Ye praise so. How my soul springs up! No bar

Stayed me — ah, thought which saddens while it soothes! —

Never did fate forbid me, star by star,

To outburst on your night, with all my gift

Of fires from God: nor would my flesh have shrunk

From seconding my soul, with eyes uplift

And wide to heaven, or, straight like thunder, sunk

To the centre, of an instant; or around

Turned calmly and inquisitive, to scan

The license and the limit, space and bound,

Allowed to Truth made visible in man.

And, like that youth ye praise so, all I saw,

Over the canvas could my hand have flung,

Each face obedient to its passion’s law,

Each passion clear proclaimed without a tongue:

Whether Hope rose at once in all the blood,

A tip-toe for the blessing of embrace,

Or Rapture drooped the eyes, as when her brood

Pull down the nesting dove’s heart to its place;

Or Confidence lit swift the forehead up,

And locked the mouth fast, like a castle braved, —

O human faces! hath it spilt, my cup?

What did ye give me that I have not saved?

Nor will I say I have not dreamed (how well!)

Of going — I, in each new picture, — forth,

As, making new hearts beat and bosoms swell,

To Pope or Kaiser, East, West, South, or North,

Bound for the calmly satisfied great State,

Or glad aspiring little burgh, it went,

Flowers cast upon the car which bore the freight,

Through old streets named afresh from the event,

Till it reached home, where learned Age should greet

My face, and Youth, the star not yet distinct

Above his hair, lie learning at my feet! —

Oh, thus to live, I and my picture, linked

With love about, and praise, till life should end,

And then not go to Heaven, but linger here,

Here on my earth, earth’s every man my friend,

The thought grew frightful, ’twas so wildly dear!

But a voice changed it. Glimpses of such sights

Have scared me, like the revels through a door

Of some strange house of idols at its rites!

This world seemed not the world it was, before:

Mixed with my loving trusting ones, there trooped

… Who summoned those cold faces that begun

To press on me and judge me? Though I stooped

Shrinking, as from the soldiery a nun,

They drew me forth, and spite of me … enough!

These buy and sell our pictures, take and give,

Count them for garniture and household-stuff,

And where they live needs must our pictures live

And see their faces, listen to their prate,

Partakers of their daily pettiness,

Discussed of, — ”This I love, or this I hate,

This likes me more, and this affects me less!”

Wherefore I chose my portion. If at whiles

My heart sinks, as monotonous I paint

These endless cloisters and eternal aisles

With the same series, Virgin, Babe, and Saint,

With the same cold calm beautiful regard, —

At least no merchant traffics in my heart;

The sanctuary’s gloom at least shall ward

Vain tongues from where my pictures stand apart:

Only prayer breaks the silence of the shrine

While, blackening in the daily candle-smoke,

They moulder on the damp wall’s travertine,

’Mid echoes the light footstep never woke.

So, die my pictures! surely, gently die!

O youth, men praise so, — holds their praise its worth?

Blown harshly, keeps the trump its golden cry?

Tastes sweet the water with such specks of earth?

The Italian in England

Table of Contents

THAT second time they hunted me

From hill to plain, from shore to sea,

And Austria, hounding far and wide

Her bloodhounds thro’ the countryside,

Breathed hot and instant on my trace, —

I made six days a hiding-place

Of that dry green old aqueduct

Where I and Charles, when boys, have plucked

The fireflies from the roof above,

Bright creeping thro’ the moss they love:

— How long it seems since Charles was lost!

Six days the soldiers crossed and crossed

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition»

Представляем Вашему вниманию похожие книги на «The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition»

Обсуждение, отзывы о книге «The Complete Poems of Robert Browning - 22 Poetry Collections in One Edition» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x