Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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Thus Daisy passed more or less definitely out of Eugene’s life, although he was to see her briefly on visits, but with decreasing frequency, in the years that followed. The grocery clerk was making the one daring gesture of his life: he was breaking away from the cotton town, in which all the years of his life had been passed, and from the long lazy hours of grocery clerks, the languorous gossip of lank cotton farmers and townsmen, to which he had been used. He had found employment as a commercial traveller for a food products company: his headquarters was to be in Augusta, Georgia, but he was to travel into the far South.

This rooting up of his life, this adventure into new lands, the effort to improve his fortune and his state, was his wedding gift to his wife — a bold one, but imperilled already by distrust, fear, and his peasant suspicion of new scenes, new faces, new departures, of any life that differed from that of his village.

“There’s no place like Henderson,” said he, with complacent and annoying fidelity, referring to that haven of enervation, red clay, ignorance, slander, and superstition, in whose effluent rays he had been reared.

But he went to Augusta, and began his new life with Daisy in a lodging house. She was twenty-one, a slender, blushing girl who played the piano beautifully, accurately, academically, with a rippling touch, and no imagination. Eugene could never remember her very well.

In the early autumn after her marriage, Gant made the journey to Augusta, taking Eugene with him. The inner excitement of both was intense; the hot wait at the sleepy junction of Spartanburg, the ride in the dilapidated day coaches of the branch line that ran to Augusta, the hot baked autumnal land, rolling piedmont and pine woods, every detail of the landscape they drank in with thirsty adventurous eyes. Gant’s roving spirit was parched for lack of travel: for Eugene, Saint Louis was a faint unreality, but there burned in him a vision of the opulent South, stranger even than his passionate winter nostalgia for the snow-bound North, which the drifted but short-lived snows in Altamont, the seizure of the unaccustomed moment for sledding and skating on the steep hills awakened in him with a Northern desire, a desire for the dark, the storm, the winds that roar across the earth and the triumphant comfort of warm walls which only a Southerner perhaps can know.

And he saw the town of Augusta first not in the drab hues of reality, but as one who bursts a window into the faery pageant of the world, as one who has lived in prison, and finds life and the earth in rosy dawn, as one who has lived in all the fabulous imagery of books, and finds in a journey only an extension and verification of it — so did he see Augusta, with the fresh washed eyes of a child, with glory, with enchantment.

They were gone two weeks. He remembered chiefly the brown stains of the recent flood, which had flowed through the town and inundated its lower floors, the broad main street, the odorous and gleaming drugstore, scented to him with all the spices of his fancy, the hills and fields of Aiken, in South Carolina, where he sought vainly for John D. Rockefeller, a legendary prince who, he heard, went there for sport, marvelling that two States could join imperceptibly, without visible markings, and the cotton gin where he saw the great press mash the huge raw bales cleanly into tight bundles half their former size.

Once, some children on the street had taunted him because of his long hair, and he had fallen into a cursing fury; once, in a rage at some quarrel with his sister, he set off on a world adventure, walking furiously for hours down a country road by the river and cotton fields, captured finally by Gant who sought for him in a hired rig.

They went to the theatre: it was one of the first plays he had seen. The play was a biblical one, founded on the story of Saul and Jonathan, and he whispered to Gant from scene to scene the trend of coming events — a precocity which pleased his father mightily, and to which he referred for months.

Just before they came home, Joe Gambell, in a fit of concocted petulance, resigned his position, and announced that he was returning to Henderson. His adventure had lasted three months.

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Table of Contents

In the years that followed, up to his eleventh or twelfth year when he could no longer travel on half fares, Eugene voyaged year by year into the rich mysterious South. Eliza, who, during her first winter at Dixieland, had been stricken by severe attacks of rheumatism, induced partly by kidney trouble, which caused her flesh to swell puffily, and which was diagnosed by the doctor as Blight’s Disease, began to make extensive, although economical, voyages into Florida and Arkansas in search of health and, rather vaguely, in search of wealth.

She always spoke hopefully of the possibility of opening a boarding-house at some tropical winter resort, during the seasons there and in Altamont. In winter now, she rented Dixieland for a few months, sometimes for a year, although she really had no intention of allowing the place to slip through her fingers during the profitable summer season: usually, she let the place go, more or less deliberately, to some unscrupulous adventuress of lodging houses, good for a month’s or two months’ rent, but incapable of the sustained effort that would support it for a longer time. On her return from her journey, with rents in arrears, or with some other violation of the contract as an entering wedge, Eliza would surge triumphantly into battle, making a forced entrance with police, plain-clothes men, warrants, summonses, writs, injunctions, and all the other artillery of legal warfare, possessing herself forcibly, and with vindictive pleasure, of her property.

But she turned always into the South — the North for her was a land which she threatened often to explore, but which secretly she held in suspicion: there was in her no deep animosity because of an old war, her feeling was rather one of fear, distrust, alienation — the “Yankee” to whom she humorously referred was foreign and remote. So, she turned always into the South, the South that burned like Dark Helen in Eugene’s blood, and she always took him with her. They still slept together.

His feeling for the South was not so much historic as it was of the core and desire of dark romanticism — that unlimited and inexplicable drunkenness, the magnetism of some men’s blood that takes them into the heart of the heat, and beyond that, into the polar and emerald cold of the South as swiftly as it took the heart of that incomparable romanticist who wrote The Rime of the Ancient Mariner, beyond which there is nothing. And this desire of his was unquestionably enhanced by all he had read and visioned, by the romantic halo that his school history cast over the section, by the whole fantastic distortion of that period where people were said to live in “mansions,” and slavery was a benevolent institution, conducted to a constant banjo-strumming, the strewn largesses of the colonel and the shuffle-dance of his happy dependents, where all women were pure, gentle, and beautiful, all men chivalrous and brave, and the Rebel horde a company of swagger, death-mocking cavaliers. Years later, when he could no longer think of the barren spiritual wilderness, the hostile and murderous intrenchment against all new life — when their cheap mythology, their legend of the charm of their manner, the aristocratic culture of their lives, the quaint sweetness of their drawl, made him writhe — when he could think of no return to their life and its swarming superstition without weariness and horror, so great was his fear of the legend, his fear of their antagonism, that he still pretended the most fanatic devotion to them, excusing his Northern residence on grounds of necessity rather than desire.

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