Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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Presently, when he had grown quiet, she would send him off to the store for pickles, cakes, cold bottled drinks; he would depart with red eyes, his cheeks furrowed dirtily by his tears, wondering desperately as he went down the street why the thing had happened, and drawing his foot sharply off the ground and craning his neck convulsively as shame burnt in him.

There was in Helen a restless hatred of dullness, respectability. Yet she was at heart a severely conventional person, in spite of her occasional vulgarity, which was merely a manifestation of her restless energy, a very naïve, a childishly innocent person about even the simple wickedness of the village. She had several devoted young men on her list — plain, hard-drinking country types: one, a native, lean, red-faced, alcoholic, a city surveyor, who adored her; another, a strapping florid blond from the Tennessee coal fields; another, a young South Carolinian, townsman of her older sister’s fiancé.

These young men — Hugh Parker, Jim Phelps, and Joe Cathcart, were innocently devoted; they liked her tireless and dominant energy, the eager monopoly of her tongue, her big sincerity and deep kindliness. She played and sang for them — threw all her energy into entertaining them. They brought her boxes of candy, little presents, were divided jealously among themselves, but united in their affirmation that she was “a fine girl.”

And she would get Jim Phelps and Hugh Parker to bring her a drink of whisky as well: she had begun to depend on small potations of alcohol for the stimulus it gave her fevered body — a small drink was enough to operate electrically in her blood: it renewed her, energized her, gave her a temporary and hectic vitality. Thus, although she never drank much at a time and showed, beyond the renewed vitality and gaiety, no sign of intoxication, she nibbled at the bottle.

“I’ll take a drink whenever I can get it,” she said.

She liked, almost invariably, young fast women. She liked the hectic pleasure of their lives, the sense of danger, their humor and liberality. She was drawn magnetically to all the wedded harlotry, which, escaping the Sunday discipline of a Southern village, and the Saturday lust of sodden husbands, came gaily to Altamont in summer. She liked people who, as she said, “didn’t mind taking a little drink now and then.”

She liked Mary Thomas, a tall jolly young prostitute who came from Kentucky: she was a manicurist in an Altamont Hotel.

“There are two things I want to see,” said Mary, “a rooster’s you-know-what and a hen’s what-is-it.” She was full of loud compelling laughter. She had a small room with a sleeping porch, at the front of the house upstairs. Eugene brought her some cigarettes once: she stood before the window in a thin petticoat, her feet wide apart, her long sensual legs outlined against the light.

Helen wore her dresses, hats, and silk stockings. Sometimes they drank together. And, with humorous sentimentality, she defended her.

“Well, she’s no hypocrite. That’s one thing sure. She doesn’t care who knows it.” Or,

“She’s no worse than a lot of your little goody-goodies, if the truth’s known. She’s only more open about it.”

Or again, irritated at some implied criticism of her own friendliness with the girl, she would say angrily:

“What do you know about her? You’d better be careful how you talk about people. You’ll get into trouble about it some day.”

Nevertheless, she was scrupulous in her public avoidance of the girl and, illogically, in a moment of unreasoning annoyance she would attack Eliza:

“Why do you keep such people in your house, mama? Every one in town knows about her. Your place is getting the reputation of a regular chippyhouse all over town.”

Eliza pursed her lips angrily:

“I don’t pay any attention to them,” she said. “I consider myself as good as any one. I hold my head up, and I expect every one else to do likewise. You don’t catch me associating with them.”

It was part of her protective mechanism. She pretended to be proudly oblivious to any disagreeable circumstance which brought her in money. As a result, by that curious impalpable advertisement which exists among easy women, Dixieland became known to them — they floated casually in-the semi-public, clandestine prostitutes of a tourist town.

Helen had drifted apart from most of her friends of high school days — the hard-working plain-faced Genevieve Pratt, daughter of a schoolmaster, “Teeney” Duncan, Gertrude Brown. Her companions now were livelier, if somewhat more vulgar, young women — Grace Deshaye, a plumber’s daughter, an opulent blonde; Pearl Hines, daughter of a Baptist saddlemaker: she was heavy of body and face, but she had a powerful rag-time singing voice.

Her closest companion, however, was a girl whose name was Nan Gudger: she was a brisk, slender, vital girl, with a waist so tightly corsetted that a man’s hands might go around it. She was the trusted, accurate, infallible bookkeeper of a grocery store. She contributed largely to the support of her family — a mother whom Eugene looked upon with sick flesh, because of the heavy goitre that sagged from her loose neck; a crippled sister who moved about the house by means of crutches and the propulsive strength of her powerful shoulders; and two brothers, hulking young thugs of twenty and eighteen years, who always bore upon their charmed bodies fresh knife-wounds, blue lumps and swellings, and other marks of their fights in poolroom and brothel. They lived in a two-story shack of rickety lumber on Clingman Street: the women worked uncomplainingly in the support of the young men. Eugene went here with Helen often: she liked the vulgarity, the humor, the excitement of their lives — and it amused her particularly to listen to Mary’s obscene earthy conversation.

Upon the first of every month, Nan and Mary gave to the boys a portion of their earnings, for pocket money and for their monthly visit to the women of Eagle Crescent.

“Oh, SURELY not, Mary? Good heavens!” said Helen with eager unbelief.

“Why, hell yes, honey,” said Mary, grinning her coarse drawl, taking her snuff-stick out of the brown corner of her mouth, and holding it in her strong hand. “We always give the boys money fer a woman once a month.”

“Oh, NO! You’re joking,” Helen said, laughing.

“Good God, child, don’t you know THAT?” said Mary, spitting inaccurately at the fire. “Hit’s good for their health. They’d git sick if we didn’t.”

Eugene began to slide helplessly toward the floor. He got an instant panorama of the whole astonishing picture of humor and solemn superstition — the women contributing their money, in the interests of sanitation and health, to the debauches of the two grinning hairy nicotined young louts.

“What’re you laughin’ at, son?” said Mary, gooching him roughly in the ribs, as he lay panting and prostrate. “You ain’t hardly out of didies yet.”

She had all the savage passion of a mountaineer: crippled, she lived in the coarse heat of her brothers’ lust. They were crude, kindly, ignorant, and murderous people. Nan was scrupulously respectable and well-mannered: she had thick negroid lips that turned outward, and hearty tropical laughter. She replaced the disreputable furniture of the house by new shiny Grand Rapids chairs and tables. There was a varnished bookcase, forever locked, stored with stiff sets of unread books — The Harvard Classics, and a cheap encyclopædia.

When Mrs. Selborne first came to Dixieland from the hot South she was only twenty-three but she looked older. Ripeness with her was all: she was a tall heavy-bodied blonde, well kept and elegant. She moved leisurely with a luxurious sensual swing of the body: her smile was tender and full of vague allurement, her voice gentle, her sudden laughter, bubbling out of midnight secrecy, rich and full. She was one of several handsome and bacchic daughters of a depleted South Carolinian of good family; she had married at sixteen a red heavy man who came and went from her incomparable table, eating rapidly and heartily, muttering, when pressed, a few shy-sullen words, and departing to the closed leather-and-horse smell of his little office in the livery-stable he owned. She had two children by him, both girls: she moved with wasted stealth around all the quiet slander of a South Carolina mill-town, committing adultery carefully with a mill owner, a banker, and a lumber man, walking circumspectly with her tender blonde smile by day past all the sly smiles of town and trade, knowing that the earth was mined below her feet, and that her name, with clerk and merchant, was a sign for secret laughter. The natives, the men in particular, treated her with even more elaborate respect than a woman is usually given in a Southern town, but their eyes, behind the courteous unctions of their masks, were shiny with invitation.

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