Thomas Wolfe - Thomas Wolfe - Of Time and the River, You Can't Go Home Again & Look Homeward, Angel

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"You Can't Go Home Again" – George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
"Look Homeward, Angel" is an American coming-of-age story. The novel is considered to be autobiographical and the character of Eugene Gant is generally believed to be a depiction of Thomas Wolfe himself. Set in the fictional town and state of Altamont, Catawba, it covers the span of time from Eugene's birth to the age of 19.
"Of Time and the River" is the continuation of the story of Eugene Gant, detailing his early and mid-twenties. During that time Eugene attends Harvard University, moves to New York City, teaches English at a university there, and travels overseas with his friend Francis Starwick.

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Eliza pursed her lips more and more thoughtfully, went to town by way of Spring Street more and more often.

“That’s going to be a good piece of property some day,” she said to Gant.

He made no complaint. He felt suddenly the futility of opposing an implacable, an inexorable desire.

“Do you want it?” he said.

She pursed her lips several times: “It’s a good buy,” she said.

“You’ll never regret it as long as you live, W. O.,” said Dick Gudger, the agent.

“It’s her house, Dick,” said Gant wearily. “Make out the papers in her name.”

She looked at him.

“I never want to own another piece of property as long as I live,” said Gant. “It’s a curse and a care, and the tax-collector gets all you have in the end.”

Eliza pursed her lips and nodded.

She bought the place for seventy-five hundred dollars. She had enough money to make the first payment of fifteen hundred. The balance was to be paid in installments of fifteen hundred dollars a year. This she knew she had to pay chiefly from the earnings of the house.

In the young autumn when the maples were still full and green, and the migratory swallows filled secretly the trees with clamor, and swooped of an evening in a black whirlwind down, drifting at its funnel end, like dead leaves, into their chosen chimney, Eliza moved into Dixieland. There was clangor, excitement, vast curiosity in the family about the purchase, but no clear conception of what had really happened. Gant and Eliza, although each felt dumbly that they had come to a decisive boundary in their lives, talked vaguely about their plans, spoke of Dixieland evasively as “a good investment,” said nothing clearly. In fact, they felt their approaching separation instinctively: Eliza’s life was moving by a half-blind but inevitable gravitation toward the centre of its desire — the exact meaning of her venture she would have been unable to define, but she had a deep conviction that the groping urge which had led her so blindly into death and misery at Saint Louis had now impelled her in the right direction. Her life was on the rails.

And however vaguely, confusedly, and casually they approached this complete disruption of their life together, the rooting up of their clamorous home, when the hour of departures came, the elements resolved themselves immutably and without hesitation.

Eliza took Eugene with her. He was the last tie that bound her to all the weary life of breast and cradle; he still slept with her of nights; she was like some swimmer who ventures out into a dark and desperate sea, not wholly trusting to her strength and destiny, but with a slender cord bound to her which stretches still to land.

With scarcely a word spoken, as if it had been known anciently and forever, Helen stayed with Gant.

The time for Daisy’s marriage was growing near: she had been sought by a tall middle-aged shaven life-insurance agent, who wore spats, collars of immaculate starchiness five inches in height, who spoke with an unctuous and insane croon, chortling gently in his throat from time to time for no reason at all. His name was Mr. McKissem, and she had screwed up enough courage, after an arduous siege, to refuse him, upon the private grounds of insanity.

She had promised herself to a young South Carolinian, who was connected rather vaguely with the grocery trade. His hair was parted in the middle of his low forehead, his voice was soft, drawling, amiable, his manner hearty and insistent, his habits large and generous. He brought Gant cigars on his visits, the boys large boxes of assorted candies. Every one felt that he had favorable prospects.

As for the others — Ben and Luke only — they were left floating in limbo; for Steve, since his eighteenth year, had spent most of his life away from home, existing for months by semi-vagabondage, scrappy employment, and small forgeries upon his father, in New Orleans, Jacksonville, Memphis, and reappearing to his depressed family after long intervals by telegraphing that he was desperately sick or, through the intermediacy of a crony who borrowed the title of “doctor” for the occasion, that he was dying, and would come home in a box if he was not sent for in the emaciated flesh.

Thus, before he was eight, Eugene gained another roof and lost forever the tumultuous, unhappy, warm centre of his home. He had from day to day no clear idea where the day’s food, shelter, lodging was to come from, although he was reasonably sure it would be given: he ate wherever he happened to hang his hat, either at Gant’s or at his mother’s; occasionally, although infrequently, he slept with Luke in the sloping, alcoved, gabled back room, rude with calcimine, with the high drafty steps that slanted to the kitchen porch, with the odor of old stacked books in packing-cases, with the sweet orchard scents. There were two beds; he exulted in his unaccustomed occupancy of an entire mattress, dreaming of the day of manlike privacy. But Eliza did not allow this often: he was riven into her flesh.

Forgetful of him during the day’s press, she summoned him at night over the telephone, demanding his return, and upbraiding Helen for keeping him. There was a bitter submerged struggle over him between Eliza and her daughter: absorbed in the management of Dixieland for days, she would suddenly remember his absence from meals, and call for him angrily across the phone.

“Good heavens, mama,” Helen would answer irritably. “He’s your child, not mine. I’m not going to see him starve.”

“What do you mean? What do you mean? He ran off while dinner was on the table. I’ve got a good meal fixed for him here. H-m! A GOOD meal.”

Helen put her hand over the mouthpiece, making a face at him as he stood catlike and sniggering by, burlesquing the Pentland manner, tone, mouthing.

“H-m! Why, law me, child, yes — it’s GOOD soup.”

He was convulsed silently.

And then aloud: “Well, it’s your own lookout, not mine. If he doesn’t want to stay up there, I can’t help it.”

When he returned to Dixieland, Eliza would question him with bitter working lips; she would prick at his hot pride in an effort to keep him by her.

“What do you mean by running off to your papa’s like that? If I were you, I’d have too much pride for that. I’d be a-sha-a-med!” Her face worked with a bitter hurt smile. “Helen can’t be bothered with you. She doesn’t want you around.”

But the powerful charm of Gant’s house, of its tacked and added whimsy, its male smell, its girdling rich vines, its great gummed trees, its roaring internal seclusiveness, the blistered varnish, the hot calfskin, the comfort and abundance, seduced him easily away from the great chill tomb of Dixieland, particularly in winter, since Eliza was most sparing of coal.

Gant had already named it “The Barn”; in the morning now, after his heavy breakfast at home, he would swing gauntly toward town by way of Spring Street, composing en route the invective that he had formerly reserved to his sitting-room. He would stride through the wide chill hall of Dixieland, bursting in upon Eliza, and two or three negresses, busy preparing the morning meal for the hungry boarders who rocked energetically upon the porch. All of the objections, all of the abuse that had not been uttered when she bought the place, were vented now.

“Woman, you have deserted my bed and board, you have made a laughing stock of me before the world, and left your children to perish. Fiend that you are, there is nothing that you would not do to torture, humiliate and degrade me. You have deserted me in my old age; you have left me to die alone. Ah, Lord! It was a bitter day for us all when your gloating eyes first fell upon this damnable, this awful, this murderous and bloody Barn. There is no ignominy to which you will not stoop if you think it will put a nickel in your pocket. You have fallen so low not even your own brothers will come near you. ‘Nor beast, nor man hath fallen so far.’”

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