Stephen Crane - The Complete Short Stories of Stephen Crane

Within reach of the youth's hand was one who lay with yellow breast and shoulders bare to the cold drafts. One arm hung over the side of the cot, and the fingers lay full length upon the wet cement floor of the room. Beneath the inky brows could be seen the eyes of the man exposed by the partly opened lids. To the youth it seemed that he and this corpse-like being were exchanging a prolonged stare, and that the other threatened with his eyes. He drew back watching his neighbour from the shadows of his blanket edge. The man did not move once through the night, but lay in this stillness as of death like a body stretched out expectant of the surgeon's knife.

And all through the room could be seen the tawny hues of naked flesh, limbs thrust into the darkness, projecting beyond the cots; upreared knees, arms hanging long and thin over the cot edges. For the most part they were statuesque, carven, dead. With the curious lockers standing all about like tombstones, there was a strange effect of a graveyard where bodies were merely flung.

Yet occasionally could be seen limbs wildly tossing in fantastic nightmare gestures, accompanied by guttural cries, grunts, oaths. And there was one fellow off in a gloomy corner, who in his dreams was oppressed by some frightful calamity, for of a sudden he began to utter long wails that went almost like yells from a hound, echoing wailfully and weird through this chill place of tombstones where men lay like the dead.

The sound in its high piercing beginnings, that dwindled to final melancholy moans, expressed a red and grim tragedy of the unfathomable possibilities of the man's dreams. But to the youth these were not merely the shrieks of a vision-pierced man: they were an utterance of the meaning of the room and its occupants. It was to him the protest of the wretch who feels the touch of the imperturbable granite wheels, and who then cries with an impersonal eloquence, with a strength not from him, giving voice to the wail of a whole section, a class, a people. This, weaving into the young man's brain, and mingling with his views of the vast and sombre shadows that, like mighty black fingers, curled around the naked bodies, made the young man so that he did not sleep, but lay carving the biographies for these men from his meagre experience. At times the fellow in the corner howled in a writhing agony of his imaginations.

Finally a long lance-point of grey light shot through the dusty panes of the window. Without, the young man could see roofs drearily white in the dawning. The point of light yellowed and grew brighter, until the golden rays of the morning sun came in bravely and strong. They touched with radiant colour the form of a small fat man, who snored in stuttering fashion. His round and shiny bald head glowed suddenly with the valour of a decoration. He sat up, blinked at the sun, swore fretfully, and pulled his blanket over the ornamental splendours of his head.

The youth contentedly watched this rout of the shadows before the bright spears of the sun, and presently he slumbered. When he awoke he heard the voice of the assassin raised in valiant curses. Putting up his head, he perceived his comrade seated on the side of the cot engaged in scratching his neck with long finger-nails that rasped like files.

"Hully Jee, dis is a new breed. They've got can-openers on their feet." He continued in a violent tirade.

The young man hastily unlocked his closet and took out his shoes and hat. As he sat on the side of the cot lacing his shoes, he glanced about and saw that daylight had made the room comparatively common-place and uninteresting. The men, whose faces seemed stolid, serene or absent, were engaged in dressing, while a great crackle of bantering conversation arose.

A few were parading in unconcerned nakedness. Here and there were men of brawn, whose skins shone clear and ruddy. They took splendid poses, standing massively like chiefs. When they had dressed in their ungainly garments there was an extraordinary change. They then showed bumps and deficiencies of all kinds.

There were others who exhibited many deformities. Shoulders were slanting, humped, pulled this way and pulled that way. And notable among these latter men was the little fat man, who had refused to allow his head to be glorified. His pudgy form, builded like a pear, bustled to and fro, while he swore in fish-wife fashion. It appeared that some article of his apparel had vanished.

The young man attired speedily, and went to his friend the assassin. At first the latter looked dazed at the sight of the youth. This face seemed to be appealing to him through the cloud wastes of his memory. He scratched his neck and reflected. At last he grinned, a broad smile gradually spreading until his countenance was a round illumination. "Hello, Willie," he cried cheerily.

"Hello," said the young man. "Are yeh ready t' fly?"

"Sure." The assassin tied his shoe carefully with some twine and came ambling.

When he reached the street the young man experienced no sudden relief from unholy atmospheres. He had forgotten all about them, and had been breathing naturally, and with no sensation of discomfort or distress.

He was thinking of these things as he walked along the street, when he was suddenly startled by feeling the assassin's hand, trembling with excitement, clutching his arm, and when the assassin spoke, his voice went into quavers from a supreme agitation.

"I'll be hully, bloomin' blowed if there wasn't a feller with a nightshirt on up there in that joint."

The youth was bewildered for a moment, but presently he turned to smile indulgently at the assassin's humour.

"Oh, you're a d——d liar," he merely said.

Whereupon the assassin began to gesture extravagantly, and take oath by strange gods. He frantically placed himself at the mercy of remarkable fates if his tale were not true.

"Yes, he did! I cross m'heart thousan' times!" he protested, and at the moment his eyes were large with amazement, his mouth wrinkled in unnatural glee.

"Yessir! A nightshirt! A hully white nightshirt!"

"You lie!"

"No, sir! I hope ter die b'fore I kin git anudder ball if there wasn't a jay wid a hully, bloomin' white nightshirt!"

His face was filled with the infinite wonder of it. "A hully white nightshirt," he continually repeated.

The young man saw the dark entrance to a basement restaurant. There was a sign which read "No mystery about our hash!" and there were other age-stained and world-battered legends which told him that the place was within his means. He stopped before it and spoke to the assassin. "I guess I'll git somethin' t' eat."

At this the assassin, for some reason, appeared to be quite embarrassed. He gazed at the seductive front of the eating place for a moment. Then he started slowly up the street. "Well, good-bye, Willie," he said bravely.

For an instant the youth studied the departing figure. Then he called out, "Hol' on a minnet." As they came together he spoke in a certain fierce way, as if he feared that the other would think him to be charitable. "Look-a-here, if yeh wanta git some breakfas' I'll lend yeh three cents t' do it with. But say, look-a-here, you've gota git out an' hustle. I ain't goin' t' support yeh, or I'll go broke b'fore night. I ain't no millionaire."

"I take me oath, Willie," said the assassin earnestly, "th' on'y thing I really needs is a ball. Me t'roat feels like a fryin'-pan. But as I can't get a ball, why, th' next bes' thing is breakfast, an' if yeh do that for me, b' Gawd, I say yeh was th' whitest lad I ever see."

They spent a few moments in dexterous exchanges of phrases, in which they each protested that the other was, as the assassin had originally said, "a respecter'ble gentlem'n." And they concluded with mutual assurances that they were the souls of intelligence and virtue. Then they went into the restaurant.