Stephen Crane - The Complete Short Stories of Stephen Crane

The sentry and the prisoner remained immovably waxen, and over in the gloom the head thrust from the floor watched them with its silver eyes.

Finally, the prisoner slipped from the feed-box, and raising his arms, yawned at great length. "Oh, well," he remarked, "you boys will get a good licking if you fool around here much longer. That's some satisfaction, anyhow, even if you did bag me. You'll get a good walloping." He reflected for a moment, and decided: "I'm sort of willing to be captured if you fellows only get a d——d good licking for being so smart."

The sentry looked up and smiled a superior smile. "Licking, hey? Nixey!" He winked exasperatingly at the prisoner. "You fellows are not fast enough, my boy. Why didn't you lick us at ——? and at ——? and at ——?" He named some of the great battles.

To this the captive officer blurted in angry astonishment: "Why, we did!"

The sentry winked again in profound irony. "Yes, I know you did. Of course. You whipped us, didn't you? Fine kind of whipping that was! Why, we——"

He suddenly ceased, smitten mute by a sound that broke the stillness of the night. It was the sharp crack of a distant shot that made wild echoes among the hills. It was instantly followed by the hoarse cry of a human voice, a far-away yell of warning, singing of surprise, peril, fear of death. A moment later there was a distant, fierce spattering of shots. The sentry and the prisoner stood facing each other, their lips apart, listening.

The orchard at that instant awoke to sudden tumult. There were the thud and scramble and scamper of feet, the mellow, swift clash of arms, men's voices in question, oath, command, hurried and unhurried, resolute and frantic. A horse sped along the road at a raging gallop. A loud voice shouted, "What is it, Ferguson?" Another voice yelled something incoherent. There was a sharp, discordant chorus of command. An uproarious volley suddenly rang from the orchard. The prisoner in grey moved from his intent, listening attitude. Instantly the eyes of the sentry blazed, and he said with a new and terrible sternness: "Stand where you are!"

The prisoner trembled in his excitement. Expressions of delight and triumph bubbled to his lips. "A surprise, by Gawd! Now—now, you'll see!"

The sentry stolidly swung his carbine to his shoulder. He sighted carefully along the barrel until it pointed at the prisoner's head, about at his nose. "Well, I've got you, anyhow. Remember that! Don't move!"

The prisoner could not keep his arms from nervously gesturing. "I won't; but——"

"And shut your mouth!"

The three comrades of the sentry flung themselves into view.

"Pete—devil of a row!—can you——"

"I've got him," said the sentry calmly and without moving. It was as if the barrel of the carbine rested on piers of stone. The three comrades turned and plunged into the darkness.

In the orchard it seemed as if two gigantic animals were engaged in a mad, floundering encounter, snarling, howling in a whirling chaos of noise and motion. In the barn the prisoner and his guard faced each other in silence.

As for the girl at the knot-hole, the sky had fallen at the beginning of this clamour. She would not have been astonished to see the stars swinging from their abodes, and the vegetation, the barn, all blow away. It was the end of everything, the grand universal murder. When two of the three miraculous soldiers who formed the original feed-box corps emerged in detail from the hole under the beam, and slid away into the darkness, she did no more than glance at them.

Suddenly she recollected the head with silver eyes. She started forward and again applied her eyes to the knot-hole. Even with the din resounding from the orchard, from up the road and down the road, from the heavens and from the deep earth, the central fascination was this mystic head. There, to her, was the dark god of the tragedy.

The prisoner in grey at this moment burst into a laugh that was no more than a hysterical gurgle. "Well, you can't hold that gun out for ever! Pretty soon you'll have to lower it."

The sentry's voice sounded slightly muffled, for his cheek was pressed against the weapon. "I won't be tired for some time yet."

The girl saw the head slowly rise, the eyes fixed upon the sentry's face. A tall, black figure slunk across the cow-stalls and vanished back of old Santo's quarters. She knew what was to come to pass. She knew this grim thing was upon a terrible mission, and that it would reappear again at the head of the little passage between Santo's stall and the wall, almost at the sentry's elbow; and yet when she saw a faint indication as of a form crouching there, a scream from an utterly new alarm almost escaped her.

The sentry's arms, after all, were not of granite. He moved restively. At last he spoke in his even, unchanging tone: "Well, I guess you'll have to climb into that feed-box. Step back and lift the lid."

"Why, you don't mean——"

"Step back!"

The girl felt a cry of warning arising to her lips as she gazed at this sentry. She noted every detail of his facial expression. She saw, moreover, his mass of brown hair bunching disgracefully about his ears, his clear eyes lit now with a hard, cold light, his forehead puckered in a mighty scowl, the ring upon the third finger of the left hand. "Oh, they won't kill him! Surely they won't kill him!" The noise of the fight in the orchard was the loud music, the thunder and lightning, the rioting of the tempest which people love during the critical scene of a tragedy.

When the prisoner moved back in reluctant obedience, he faced for an instant the entrance of the little passage, and what he saw there must have been written swiftly, graphically in his eyes. And the sentry read it and knew then that he was upon the threshold of his death. In a fraction of time, certain information went from the grim thing in the passage to the prisoner, and from the prisoner to the sentry. But at that instant the black formidable figure arose, towered, and made its leap. A new shadow flashed across the floor when the blow was struck.

As for the girl at the knot-hole, when she returned to sense she found herself standing with clenched hands and screaming with her might.

As if her reason had again departed from her, she ran around the barn, in at the door, and flung herself sobbing beside the body of the soldier in blue.

The uproar of the fight became at last coherent, inasmuch as one party was giving shouts of supreme exultation. The firing no longer sounded in crashes; it was now expressed in spiteful crackles, the last words of the combat, spoken with feminine vindictiveness.

Presently there was a thud of flying feet. A grimy, panting, red-faced mob of troopers in blue plunged into the barn, became instantly frozen to attitudes of amazement and rage, and then roared in one great chorus: "He's gone!"

The girl who knelt beside the body upon the floor turned toward them her lamenting eyes and cried: "He's not dead, is he? He can't be dead?"

They thronged forward. The sharp lieutenant who had been so particular about the feed-box knelt by the side of the girl, and laid his head against the chest of the prostrate soldier. "Why, no," he said, rising and looking at the man. "He's all right. Some of you boys throw some water on him."

"Are you sure?" demanded the girl feverishly.

"Of course! He'll be better after awhile."

"Oh!" said she softly, and then looked down at the sentry. She started to arise, and the lieutenant reached down and hoisted rather awkwardly at her arm.

"Don't you worry about him. He's all right."

She turned her face with its curving lips and shining eyes once more toward the unconscious soldier upon the floor. The troopers made a lane to the door, the lieutenant bowed, the girl vanished.