Arnold Bennett - Arnold Bennett - Buried Alive, The Old Wives' Tale & The Card (3 Books in One Edition)

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The hero of a novel Buried Alive is Mr Priam Farll, a painter of considerable ability. He is, however, extremely shy – so shy that when his valet, Henry Leek, dies suddenly, the doctor believes the dead man to be Priam Farll and the live man the valet. The artist does not try to disabuse him. After the funeral , Priam Farll marries a widow and lives a happy life until the loss of his wife's money means he has to take up painting again. A connoisseur of art recognises his style but thinks the paintings are by an imposter. He makes a fortune by buying his works through a small dealer and selling them in America as genuine. Meanwhile Priam Farll refuses through his obstinate shyness to prove his own identity. The Old Wives Tale (1908), a novel set in part in the Potteries district of North Staffordshire, where Bennett grew up, is generally considered his single masterpiece. The Card is a short comic novel written by Arnold Bennett in 1911. It chronicles the rise of Edward Henry («Denry») Machin from washerwoman's son to Mayor of Bursley (a fictitious town based on Burslem). This is accomplished through luck, initiative and a fair bit of chutzpah (in slang a card is a 'character', an 'original'; a clever, audacious, person).
Arnold Bennett (1867-1931) was an English journalist, novelist, and writer. After working as a rent collector and solicitor's clerk, Bennett won a writing contest which convinced him to become a journalist. He later turned to the writing of novels, including his most famous Clayhanger and Anna of the five towns.

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The whole mystery stood explained.

"Absolutely!" he said.

And felt the skin creeping in the small of his back.

Chapter 3

The Photograph

Table of Contents

From the moment of Mrs. Challice's remarks in favour of matrimonial agencies Priam Farll's existence became a torture to him. She was what he had always been accustomed to think of as "a very decent woman"; but really...! The sentence is not finished because Priam never finished it in his own mind. Fifty times he conducted the sentence as far as 'really,' and there it dissolved into an uncomfortable cloud.

"I suppose we shall have to be going," said she, when her ice had been eaten and his had melted.

"Yes," said he, and added to himself, "But where?"

However, it would be a relief to get out of the restaurant, and he called for the bill.

While they were waiting for the bill the situation grew more strained. Priam was aware of a desire to fling down sovereigns on the table and rush wildly away. Even Mrs. Challice, vaguely feeling this, had a difficulty in conversing.

"You are like your photograph!" she remarked, glancing at his face which--it should be said--had very much changed within half-an-hour. He had a face capable of a hundred expressions per day. His present expression was one of his anxious expressions, medium in degree. It can be figured in the mask of a person who is locked up in an iron strongroom, and, feeling ill at ease, notices that the walls are getting red-hot at the corners.

"Like my photograph?" he exclaimed, astonished that he should resemble Leek's photograph.

"Yes," she asseverated stoutly. "I knew you at once. Especially by the nose."

"Have you got it here?" he asked, interested to see what portrait of Leek had a nose like his own.

And she pulled out of her handbag a photograph, not of Leek, but of Priam Farll. It was an unmounted print of a negative which he and Leek had taken together for the purposes of a pose in a picture, and it had decidedly a distinguished appearance. But why should Leek dispatch photographs of his master to strange ladies introduced through a matrimonial agency? Priam Farll could not imagine--unless it was from sheer unscrupulous, careless bounce.

She gazed at the portrait with obvious joy.

"Now, candidly, don't you think it's very, very good?" she demanded.

"I suppose it is," he agreed. He would probably have given two hundred pounds for the courage to explain to her in a few well-chosen words that there had been a vast mistake, a huge impulsive indiscretion. But two hundred thousand pounds would not have bought that courage.

"I love it," she ejaculated fervently--with heat, and yet so nicely! And she returned the photograph to her little bag.

She lowered her voice.

"You haven't told me whether you were ever married. I've been waiting for that."

He blushed. She was disconcertingly personal.

"No," he said.

"And you've always lived like that, alone like; no home; travelling about; no one to look after you, properly?" There was distress in her voice.

He nodded. "One gets accustomed to it."

"Oh yes," she said. "I can understand that."

"No responsibilities," he added.

"No. I can understand all that." Then she hesitated. "But I do feel so sorry for you... all these years!"

And her eyes were moist, and her tone was so sincere that Priam Farll found it quite remarkably affecting. Of course she was talking about Henry Leek, the humble valet, and not about Leek's illustrious master. But Priam saw no difference between his lot and that of Leek. He felt that there was no essential difference, and that, despite Leek's multiple perfections as a valet, he never had been looked after--properly. Her voice made him feel just as sorry for himself as she was sorry for him; it made him feel that she had a kind heart, and that a kind heart was the only thing on earth that really mattered. Ah! If Lady Sophia Entwistle had spoken to him in such accents...!

The bill came. It was so small that he was ashamed to pay it. The suppression of gratuities enabled the monarch of this bevelled palace to offer a complete dinner for about the same price as a thimbleful of tea and ten drachms of cake a few yards away. Happily the monarch, foreseeing his shame, had arranged a peculiar method of payment through a little hole, where the receiver could see nothing but his blushing hands. As for the conjurers in evening dress, they apparently never soiled themselves by contact with specie.

Outside on the pavement, he was at a loss what to do. You see, he was entirely unfamiliar with Mrs. Challice's code of etiquette.

"Would you care to go to the Alhambra or somewhere?" he suggested, having a notion that this was the correct thing to say to a lady whose presence near you was directly due to her desire for marriage.

"It's very good of you," said she. "But I'm sure you only say it out of kindness--because you're a gentleman. It wouldn't be quite nice for you to go to a music-hall to-night. I know I said I was free for the evening, but I wasn't thinking. It wasn't a hint--no, truly! I think I shall go home--and perhaps some other----"

"I shall see you home," said he quickly. Impulsive, again!

"Would you really like to? Can you?" In the bluish glare of an electricity that made the street whiter than day, she blushed. Yes, she blushed like a girl.

She led him up a side-street where was a kind of railway station unfamiliar to Priam Farll's experience, tiled like a butcher's shop and as clean as Holland. Under her direction he took tickets for a station whose name he had never heard of, and then they passed through steel railings which clacked behind them into a sort of safe deposit, from which the only emergence was a long dim tunnel. Painted hands, pointing to the mysterious word 'lifts,' waved you onwards down this tunnel. "Hurry up, please," came a voice out of the spectral gloom. Mrs. Challice thereupon ran. Now up the tunnel, opposing all human progress there blew a steady trade-wind of tremendous force. Immediately Priam began to run the trade-wind removed his hat, which sailed buoyantly back towards the street. He was after it like a youth of twenty, and he recaptured it. But when he reached the extremity of the tunnel his amazed eyes saw nothing but a great cage of human animals pressed tightly together behind bars. There Was a click, and the whole cage sank from his sight into the earth.

He felt that there was more than he had dreamt of in the city of miracles. In a couple of minutes another cage rose into the tunnel at a different point, vomited its captives and descended swiftly again with Priam and many others, and threw him and the rest out into a white mine consisting of numberless galleries. He ran about these interminable galleries underneath London, at the bidding of painted hands, for a considerable time, and occasionally magic trains without engines swept across his vision. But he could not find even the spirit of Mrs. Alice Challice in this nether world.

The Nest

On letter-paper headed "Grand Babylon Hotel, London," he was writing in a disguised backward hand a note to the following effect: "Duncan Farll, Esq. Sir,--If any letters or telegrams arrive for me at Selwood Terrace, be good enough to have them forwarded to me at once to the above address.--Yours truly, H. Leek." It cost him something to sign the name of the dead man; but he instinctively guessed that Duncan Farll might be a sieve which (owing to its legal-mindedness) would easily get clogged up even by a slight suspicion. Hence, in order to be sure of receiving a possible letter or telegram from Mrs. Challice, he must openly label himself as Henry Leek. He had lost Mrs. Challice; there was no address on her letter; he only knew that she lived at or near Putney, and the sole hope of finding her again lay in the fact that she had the Selwood Terrace address. He wanted to find her again; he desired that ardently, if merely to explain to her that their separation was due to a sudden caprice of his hat, and that he had searched for her everywhere in the mine, anxiously, desperately. She would surely not imagine that he had slipped away from her on purpose? No! And yet, if incapable of such an enormity, why had she not waited for him on one of the platforms? However, he hoped for the best. The best was a telegram; the second-best a letter. On receipt of which he would fly to her to explain.... And besides, he wanted to see her--simply. Her answer to his suggestion of a music-hall, and the tone of it, had impressed him. And her remark, "I do feel so sorry for you all these years," had--well, somewhat changed his whole outlook on life. Yes, he wanted to see her in order to satisfy himself that he had her respect. A woman impossible socially, a woman with strange habits and tricks of manner (no doubt there were millions such); but a woman whose respect one would not forfeit without a struggle!

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