Arnold Bennett - Arnold Bennett - Buried Alive, The Old Wives' Tale & The Card (3 Books in One Edition)

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The hero of a novel Buried Alive is Mr Priam Farll, a painter of considerable ability. He is, however, extremely shy – so shy that when his valet, Henry Leek, dies suddenly, the doctor believes the dead man to be Priam Farll and the live man the valet. The artist does not try to disabuse him. After the funeral , Priam Farll marries a widow and lives a happy life until the loss of his wife's money means he has to take up painting again. A connoisseur of art recognises his style but thinks the paintings are by an imposter. He makes a fortune by buying his works through a small dealer and selling them in America as genuine. Meanwhile Priam Farll refuses through his obstinate shyness to prove his own identity. The Old Wives Tale (1908), a novel set in part in the Potteries district of North Staffordshire, where Bennett grew up, is generally considered his single masterpiece. The Card is a short comic novel written by Arnold Bennett in 1911. It chronicles the rise of Edward Henry («Denry») Machin from washerwoman's son to Mayor of Bursley (a fictitious town based on Burslem). This is accomplished through luck, initiative and a fair bit of chutzpah (in slang a card is a 'character', an 'original'; a clever, audacious, person).
Arnold Bennett (1867-1931) was an English journalist, novelist, and writer. After working as a rent collector and solicitor's clerk, Bennett won a writing contest which convinced him to become a journalist. He later turned to the writing of novels, including his most famous Clayhanger and Anna of the five towns.

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As the cab tinkled through canyons of familiar stucco, he looked further at the Telegraph . He was rather surprised to find more than a column of enticing palaces, each in the finest position in London; London, in fact, seemed to be one unique, glorious position. And it was so welcome, so receptive, so wishful to make a speciality of your comfort, your food, your bath, your sanitation! He remembered the old boarding-houses of the eighties. Now all was changed, for the better. The Telegraph was full of the better, crammed and packed with tight columns of it. The better burst aspiringly from the tops of columns on the first page and outsoared the very title of the paper. He saw there, for instance, to the left of the title, a new, refined tea-house in Piccadilly Circus, owned and managed by gentlewomen, where you had real tea and real bread-and butter and real cakes in a real drawing-room. It was astounding.

The cab stopped.

"Is this it?" he asked the driver.

"This is 250, sir."

And it was. But it did not resemble even a private hotel. It exactly resembled a private house, narrow and tall and squeezed in between its sister and its brother. Priam Farll was puzzled, till the solution occurred to him. "Of course," he said to himself. "This is the quietude, the discretion. I shall like this." He jumped down.

"I'll keep you," he threw to the cabman, in the proper phrase (which he was proud to recall from his youth), as though the cabman had been something which he had ordered on approval.

There were two bell-knobs. He pulled one, and waited for the portals to open on discreet vistas of luxurious furniture. No response! Just as he was consulting the Telegraph to make sure of the number, the door silently swung back, and disclosed the figure of a middle-aged woman in black silk, who regarded him with a stern astonishment.

"Is this----?" he began, nervous and abashed by her formidable stare.

"Were you wanting rooms?" she asked.

"Yes," said he. "I was. If I could just see----"

"Will you come in?" she said. And her morose face, under stringent commands from her brain, began an imitation of a smile which, as an imitation, was wonderful. It made you wonder how she had ever taught her face to do it.

Priam Farll found himself blushing on a Turkey carpet, and a sort of cathedral gloom around him. He was disconcerted, but the Turkey carpet assured him somewhat. As his eyes grew habituated to the light he saw that the cathedral was very narrow, and that instead of the choir was a staircase, also clothed in Turkey carpet. On the lowest step reposed an object whose nature he could not at first determine.

"Would it be for long?" the lips opposite him muttered cautiously.

His reply--the reply of an impulsive, shy nature--was to rush out of the palace. He had identified the object on the stairs. It was a slop-pail with a wrung cloth on its head.

He felt profoundly discouraged and pessimistic. All his energy had left him. London had become hard, hostile, cruel, impossible. He longed for Leek with a great longing.

Tea

An hour later, having at the kind suggestion of the cabman deposited Leek's goods at the cloak-room of South Kensington Station, he was wandering on foot out of old London into the central ring of new London, where people never do anything except take the air in parks, lounge in club-windows, roll to and fro in peculiar vehicles that have ventured out without horses and are making the best of it, buy flowers and Egyptian cigarettes, look at pictures, and eat and drink. Nearly all the buildings were higher than they used to be, and the street wider; and at intervals of a hundred yards or so cranes that rent the clouds and defied the law of gravity were continually swinging bricks and marble into the upper layers of the air. Violets were on sale at every corner, and the atmosphere was impregnated with an intoxicating perfume of methylated spirits. Presently he arrived at an immense arched façade bearing principally the legend 'Tea,' and he saw within hundreds of persons sipping tea; and next to that was another arched façade bearing principally the word 'Tea,' and he saw within more hundreds sipping tea; and then another; and then another; and then suddenly he came to an open circular place that seemed vaguely familiar.

"By Jove!" he said. "This is Piccadilly Circus!"

And just at that moment, over a narrow doorway, he perceived the image of a green tree, and the words, 'The Elm Tree.' It was the entrance to the Elm Tree Tea Rooms, so well spoken of in the Telegraph . In certain ways he was a man of advanced and humane ideas, and the thought of delicately nurtured needy gentlewomen bravely battling with the world instead of starving as they used to starve in the past, appealed to his chivalry. He determined to assist them by taking tea in the advertised drawing-room. Gathering together his courage, he penetrated into a corridor lighted by pink electricity, and then up pink stairs. A pink door stopped him at last. It might have hid mysterious and questionable things, but it said laconically 'Push,' and he courageously pushed... He was in a kind of boudoir thickly populated with tables and chairs. The swift transmigration from the blatant street to a drawing-room had a startling effect on him: it caused him to whip off his hat as though his hat had been red hot. Except for two tall elegant creatures who stood together at the other end of the boudoir, the chairs and tables had the place to themselves. He was about to stammer an excuse and fly, when one of the gentlewomen turned her eye on him for a moment, and so he sat down. The gentlewomen then resumed their conversation. He glanced cautiously about him. Elm-trees, firmly rooted in a border of Indian matting, grew round all the walls in exotic profusion, and their topmost branches splashed over on to the ceiling. A card on the trunk of a tree, announcing curtly, "Dogs not allowed," seemed to enhearten him. After a pause one of the gentlewomen swam haughtily towards him and looked him between the eyes. She spoke no word, but her firm, austere glance said:

"Now, out with it, and see you behave yourself!"

He had been ready to smile chivalrously. But the smile was put to sudden death.

"Some tea, please," he said faintly, and his intimidated tone said, "If it isn't troubling you too much."

"What do you want with it?" asked the gentlewoman abruptly, and as he was plainly at a loss she added, "Crumpets or tea-cake?"

"Tea-cake," he replied, though he hated tea-cake. But he was afraid.

"You've escaped this time," said the drapery of her muslins as she swam from his sight. "But no nonsense while I'm away!"

When she sternly and mutely thrust the refection before him, he found that everything on the table except the tea-cakes and the spoon was growing elm-trees.

After one cup and one slice, when the tea had become stewed and undrinkable, and the tea-cake a material suitable for the manufacture of shooting boots, he resumed, at any rate partially, his presence of mind, and remembered that he had done nothing positively criminal in entering the boudoir or drawing-room and requesting food in return for money. Besides, the gentlewomen were now pretending to each other that he did not exist, and no other rash persons had been driven by hunger into the virgin forest of elm-trees. He began to meditate, and his meditations taking--for him--an unusual turn, caused him surreptitiously to examine Henry Leek's pocket-book (previously only known to him by sight). He had not for many years troubled himself concerning money, but the discovery that, when he had paid for the deposit of luggage at the cloak-room, a solitary sovereign rested in the pocket of Leek's trousers, had suggested to him that it would be advisable sooner or later to consider the financial aspect of existence.

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