Alexandre Dumas - The Three Musketeers (Complete Series)

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Set in 1625, «The Three Musketeers» recounts the adventures of a young man named d'Artagnan after he leaves home to travel to Paris, to join the Musketeers of the Guard. Although D'Artagnan is not able to join this elite corps immediately, he befriends the three most formidable musketeers of the age: Athos, Porthos and Aramis and gets involved in affairs of the state and court. Dumas frequently works into the plot various injustices, abuses and absurdities of the old regime, giving the story an additional political aspect at a time when the debate in France between republicans and monarchists was still fierce.
The novel Twenty Years After follows events in France during the Fronde, during the childhood reign of Louis XIV. The musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.
The Vicomte de Bragelonne, Louise de la Vallière and The Man in the Iron Mask are set between 1660 and 1667 against the background of the transformation of Louis XIV from child monarch to Sun King.
Alexandre Dumas, père (1802-1870) was a French writer whose works have been translated into nearly 100 languages and he is one of the most widely read French authors. His most famous works are The Count of Monte Cristo and The Three Musketeers.

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Fortunately, he had no opportunity to give the duke this proof of his devotion, and the young woman and the handsome Musketeer entered the Louvre by the wicket of the Echelle without any interference.

As for d’Artagnan, he immediately repaired to the cabaret of the Pomme-de-Pin, where he found Porthos and Aramis awaiting him. Without giving them any explanation of the alarm and inconvenience he had caused them, he told them that he had terminated the affair alone in which he had for a moment believed he should need their assistance.

Meanwhile, carried away as we are by our narrative, we must leave our three friends to themselves, and follow the Duke of Buckingham and his guide through the labyrinths of the Louvre.

Chapter 12

George Villiers, Duke of Buckingham

Table of Contents

Mme. Bonacieux and the duke entered the Louvre without difficulty. Mme. Bonacieux was known to belong to the queen; the duke wore the uniform of the Musketeers of M. de Treville, who, as we have said, were that evening on guard. Besides, Germain was in the interests of the queen; and if anything should happen, Mme. Bonacieux would be accused of having introduced her lover into the Louvre, that was all. She took the risk upon herself. Her reputation would be lost, it is true; but of what value in the world was the reputation of the little wife of a mercer?

Once within the interior of the court, the duke and the young woman followed the wall for the space of about twenty-five steps. This space passed, Mme. Bonacieux pushed a little servants’ door, open by day but generally closed at night. The door yielded. Both entered, and found themselves in darkness; but Mme. Bonacieux was acquainted with all the turnings and windings of this part of the Louvre, appropriated for the people of the household. She closed the door after her, took the duke by the hand, and after a few experimental steps, grasped a balustrade, put her foot upon the bottom step, and began to ascend the staircase. The duke counted two stories. She then turned to the right, followed the course of a long corridor, descended a flight, went a few steps farther, introduced a key into a lock, opened a door, and pushed the duke into an apartment lighted only by a lamp, saying, “Remain here, my Lord Duke; someone will come.” She then went out by the same door, which she locked, so that the duke found himself literally a prisoner.

Nevertheless, isolated as he was, we must say that the Duke of Buckingham did not experience an instant of fear. One of the salient points of his character was the search for adventures and a love of romance. Brave, rash, and enterprising, this was not the first time he had risked his life in such attempts. He had learned that the pretended message from Anne of Austria, upon the faith of which he had come to Paris, was a snare; but instead of regaining England, he had, abusing the position in which he had been placed, declared to the queen that he would not depart without seeing her. The queen had at first positively refused; but at length became afraid that the duke, if exasperated, would commit some folly. She had already decided upon seeing him and urging his immediate departure, when, on the very evening of coming to this decision, Mme. Bonacieux, who was charged with going to fetch the duke and conducting him to the Louvre, was abducted. For two days no one knew what had become of her, and everything remained in suspense; but once free, and placed in communication with Laporte, matters resumed their course, and she accomplished the perilous enterprise which, but for her arrest, would have been executed three days earlier.

Buckingham, left alone, walked toward a mirror. His Musketeer’s uniform became him marvelously.

At thirty-five, which was then his age, he passed, with just title, for the handsomest gentleman and the most elegant cavalier of France or England.

The favorite of two kings, immensely rich, all-powerful in a kingdom which he disordered at his fancy and calmed again at his caprice, George Villiers, Duke of Buckingham, had lived one of those fabulous existences which survive, in the course of centuries, to astonish posterity.

Sure of himself, convinced of his own power, certain that the laws which rule other men could not reach him, he went straight to the object he aimed at, even were this object were so elevated and so dazzling that it would have been madness for any other even to have contemplated it. It was thus he had succeeded in approaching several times the beautiful and proud Anne of Austria, and in making himself loved by dazzling her.

George Villiers placed himself before the glass, as we have said, restored the undulations to his beautiful hair, which the weight of his hat had disordered, twisted his mustache, and, his heart swelling with joy, happy and proud at being near the moment he had so long sighed for, he smiled upon himself with pride and hope.

At this moment a door concealed in the tapestry opened, and a woman appeared. Buckingham saw this apparition in the glass; he uttered a cry. It was the queen!

Anne of Austria was then twenty-six or twenty-seven years of age; that is to say, she was in the full splendor of her beauty.

Her carriage was that of a queen or a goddess; her eyes, which cast the brilliancy of emeralds, were perfectly beautiful, and yet were at the same time full of sweetness and majesty.

Her mouth was small and rosy; and although her underlip, like that of all princes of the House of Austria, protruded slightly beyond the other, it was eminently lovely in its smile, but as profoundly disdainful in its contempt.

Her skin was admired for its velvety softness; her hands and arms were of surpassing beauty, all the poets of the time singing them as incomparable.

Lastly, her hair, which, from being light in her youth, had become chestnut, and which she wore curled very plainly, and with much powder, admirably set off her face, in which the most rigid critic could only have desired a little less rouge, and the most fastidious sculptor a little more fineness in the nose.

Buckingham remained for a moment dazzled. Never had Anne of Austria appeared to him so beautiful, amid balls, fetes, or carousals, as she appeared to him at this moment, dressed in a simple robe of white satin, and accompanied by Donna Estafania—the only one of her Spanish women who had not been driven from her by the jealousy of the king or by the persecutions of Richelieu.

Anne of Austria took two steps forward. Buckingham threw himself at her feet, and before the queen could prevent him, kissed the hem of her robe.

“Duke, you already know that it is not I who caused you to be written to.”

“Yes, yes, madame! Yes, your Majesty!” cried the duke. “I know that I must have been mad, senseless, to believe that snow would become animated or marble warm; but what then! They who love believe easily in love. Besides, I have lost nothing by this journey because I see you.”

“Yes,” replied Anne, “but you know why and how I see you; because, insensible to all my sufferings, you persist in remaining in a city where, by remaining, you run the risk of your life, and make me run the risk of my honor. I see you to tell you that everything separates us—the depths of the sea, the enmity of kingdoms, the sanctity of vows. It is sacrilege to struggle against so many things, my Lord. In short, I see you to tell you that we must never see each other again.”

“Speak on, madame, speak on, Queen,” said Buckingham; “the sweetness of your voice covers the harshness of your words. You talk of sacrilege! Why, the sacrilege is the separation of two hearts formed by God for each other.”

“My Lord,” cried the queen, “you forget that I have never said that I love you.”

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