Alexandre Dumas - The Three Musketeers (Complete Series)

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Set in 1625, «The Three Musketeers» recounts the adventures of a young man named d'Artagnan after he leaves home to travel to Paris, to join the Musketeers of the Guard. Although D'Artagnan is not able to join this elite corps immediately, he befriends the three most formidable musketeers of the age: Athos, Porthos and Aramis and gets involved in affairs of the state and court. Dumas frequently works into the plot various injustices, abuses and absurdities of the old regime, giving the story an additional political aspect at a time when the debate in France between republicans and monarchists was still fierce.
The novel Twenty Years After follows events in France during the Fronde, during the childhood reign of Louis XIV. The musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.
The Vicomte de Bragelonne, Louise de la Vallière and The Man in the Iron Mask are set between 1660 and 1667 against the background of the transformation of Louis XIV from child monarch to Sun King.
Alexandre Dumas, père (1802-1870) was a French writer whose works have been translated into nearly 100 languages and he is one of the most widely read French authors. His most famous works are The Count of Monte Cristo and The Three Musketeers.

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It may be judged whether d’Artagnan looked or listened with avidity. Unfortunately the light had been removed into another chamber; but the eyes of the young man were accustomed to the night. Besides, the eyes of the Gascons have, as it is asserted, like those of cats, the faculty of seeing in the dark.

D’Artagnan then saw that the young woman took from her pocket a white object, which she unfolded quickly, and which took the form of a handkerchief. She made her interlocutor observe the corner of this unfolded object.

This immediately recalled to d’Artagnan’s mind the handkerchief which he had found at the feet of Mme. Bonacieux, which had reminded him of that which he had dragged from under the feet of Aramis.

“What the devil could that handkerchief signify?”

Placed where he was, d’Artagnan could not perceive the face of Aramis. We say Aramis, because the young man entertained no doubt that it was his friend who held this dialogue from the interior with the lady of the exterior. Curiosity prevailed over prudence; and profiting by the preoccupation into which the sight of the handkerchief appeared to have plunged the two personages now on the scene, he stole from his hiding place, and quick as lightning, but stepping with utmost caution, he ran and placed himself close to the angle of the wall, from which his eye could pierce the interior of Aramis’s room.

Upon gaining this advantage d’Artagnan was near uttering a cry of surprise; it was not Aramis who was conversing with the nocturnal visitor, it was a woman! D’Artagnan, however, could only see enough to recognize the form of her vestments, not enough to distinguish her features.

At the same instant the woman inside drew a second handkerchief from her pocket, and exchanged it for that which had just been shown to her. Then some words were spoken by the two women. At length the shutter closed. The woman who was outside the window turned round, and passed within four steps of d’Artagnan, pulling down the hood of her mantle; but the precaution was too late, d’Artagnan had already recognized Mme. Bonacieux.

Mme. Bonacieux! The suspicion that it was she had crossed the mind of d’Artagnan when she drew the handkerchief from her pocket; but what probability was there that Mme. Bonacieux, who had sent for M. Laporte in order to be reconducted to the Louvre, should be running about the streets of Paris at half past eleven at night, at the risk of being abducted a second time?

This must be, then, an affair of importance; and what is the most important affair to a woman of twenty-five! Love.

But was it on her own account, or on account of another, that she exposed herself to such hazards? This was a question the young man asked himself, whom the demon of jealousy already gnawed, being in heart neither more nor less than an accepted lover.

There was a very simple means of satisfying himself whither Mme. Bonacieux was going; that was to follow her. This method was so simple that d’Artagnan employed it quite naturally and instinctively.

But at the sight of the young man, who detached himself from the wall like a statue walking from its niche, and at the noise of the steps which she heard resound behind her, Mme. Bonacieux uttered a little cry and fled.

D’Artagnan ran after her. It was not difficult for him to overtake a woman embarrassed with her cloak. He came up with her before she had traversed a third of the street. The unfortunate woman was exhausted, not by fatigue, but by terror, and when d’Artagnan placed his hand upon her shoulder, she sank upon one knee, crying in a choking voice, “Kill me, if you please, you shall know nothing!”

D’Artagnan raised her by passing his arm round her waist; but as he felt by her weight she was on the point of fainting, he made haste to reassure her by protestations of devotedness. These protestations were nothing for Mme. Bonacieux, for such protestations may be made with the worst intentions in the world; but the voice was all. Mme. Bonacieux thought she recognized the sound of that voice; she reopened her eyes, cast a quick glance upon the man who had terrified her so, and at once perceiving it was d’Artagnan, she uttered a cry of joy, “Oh, it is you, it is you! Thank God, thank God!”

“Yes, it is I,” said d’Artagnan, “it is I, whom God has sent to watch over you.”

“Was it with that intention you followed me?” asked the young woman, with a coquettish smile, whose somewhat bantering character resumed its influence, and with whom all fear had disappeared from the moment in which she recognized a friend in one she had taken for an enemy.

“No,” said d’Artagnan; “no, I confess it. It was chance that threw me in your way; I saw a woman knocking at the window of one of my friends.”

“One of your friends?” interrupted Mme. Bonacieux.

“Without doubt; Aramis is one of my best friends.”

“Aramis! Who is he?”

“Come, come, you won’t tell me you don’t know Aramis?”

“This is the first time I ever heard his name pronounced.”

“It is the first time, then, that you ever went to that house?”

“Undoubtedly.”

“And you did not know that it was inhabited by a young man?”

“No.”

“By a Musketeer?”

“No, indeed!”

“It was not he, then, you came to seek?”

“Not the least in the world. Besides, you must have seen that the person to whom I spoke was a woman.”

“That is true; but this woman is a friend of Aramis—”

“I know nothing of that.”

“—since she lodges with him.”

“That does not concern me.”

“But who is she?”

“Oh, that is not my secret.”

“My dear Madame Bonacieux, you are charming; but at the same time you are one of the most mysterious women.”

“Do I lose by that?”

“No; you are, on the contrary, adorable.”

“Give me your arm, then.”

“Most willingly. And now?”

“Now escort me.”

“Where?”

“Where I am going.”

“But where are you going?”

“You will see, because you will leave me at the door.”

“Shall I wait for you?”

“That will be useless.”

“You will return alone, then?”

“Perhaps yes, perhaps no.”

“But will the person who shall accompany you afterward be a man or a woman?”

“I don’t know yet.”

“But I will know it!”

“How so?”

“I will wait until you come out.”

“In that case, adieu.”

“Why so?”

“I do not want you.”

“But you have claimed—”

“The aid of a gentleman, not the watchfulness of a spy.”

“The word is rather hard.”

“How are they called who follow others in spite of them?”

“They are indiscreet.”

“The word is too mild.”

“Well, madame, I perceive I must do as you wish.”

“Why did you deprive yourself of the merit of doing so at once?”

“Is there no merit in repentance?”

“And do you really repent?”

“I know nothing about it myself. But what I know is that I promise to do all you wish if you allow me to accompany you where you are going.”

“And you will leave me then?”

“Yes.”

“Without waiting for my coming out again?”

“Yes.”

“Word of honor?”

“By the faith of a gentleman. Take my arm, and let us go.”

D’Artagnan offered his arm to Mme. Bonacieux, who willingly took it, half laughing, half trembling, and both gained the top of Rue de la Harpe. Arriving there, the young woman seemed to hesitate, as she had before done in the Rue Vaugirard. She seemed, however, by certain signs, to recognize a door, and approaching that door, “And now, monsieur,” said she, “it is here I have business; a thousand thanks for your honorable company, which has saved me from all the dangers to which, alone I was exposed. But the moment is come to keep your word; I have reached my destination.”

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