Alexandre Dumas - The Three Musketeers (Complete Series)

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Set in 1625, «The Three Musketeers» recounts the adventures of a young man named d'Artagnan after he leaves home to travel to Paris, to join the Musketeers of the Guard. Although D'Artagnan is not able to join this elite corps immediately, he befriends the three most formidable musketeers of the age: Athos, Porthos and Aramis and gets involved in affairs of the state and court. Dumas frequently works into the plot various injustices, abuses and absurdities of the old regime, giving the story an additional political aspect at a time when the debate in France between republicans and monarchists was still fierce.
The novel Twenty Years After follows events in France during the Fronde, during the childhood reign of Louis XIV. The musketeers are valiant and just in their efforts to protect young Louis XIV and the doomed Charles I from their attackers.
The Vicomte de Bragelonne, Louise de la Vallière and The Man in the Iron Mask are set between 1660 and 1667 against the background of the transformation of Louis XIV from child monarch to Sun King.
Alexandre Dumas, père (1802-1870) was a French writer whose works have been translated into nearly 100 languages and he is one of the most widely read French authors. His most famous works are The Count of Monte Cristo and The Three Musketeers.

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She allowed, therefore, half an hour to pass away; and as at that moment all was silence in the old castle, as nothing was heard but the eternal murmur of the waves—that immense breaking of the ocean—with her pure, harmonious, and powerful voice, she began the first couplet of the psalm then in great favor with the Puritans:

“Thou leavest thy servants, Lord, To see if they be strong; But soon thou dost afford Thy hand to lead them on.”

These verses were not excellent—very far from it; but as it is well known, the Puritans did not pique themselves upon their poetry.

While singing, Milady listened. The soldier on guard at her door stopped, as if he had been changed into stone. Milady was then able to judge of the effect she had produced.

Then she continued her singing with inexpressible fervor and feeling. It appeared to her that the sounds spread to a distance beneath the vaulted roofs, and carried with them a magic charm to soften the hearts of her jailers. It however likewise appeared that the soldier on duty—a zealous Catholic, no doubt—shook off the charm, for through the door he called: “Hold your tongue, madame! Your song is as dismal as a ‘De profundis’; and if besides the pleasure of being in garrison here, we must hear such things as these, no mortal can hold out.”

“Silence!” then exclaimed another stern voice which Milady recognized as that of Felton. “What are you meddling with, stupid? Did anybody order you to prevent that woman from singing? No. You were told to guard her—to fire at her if she attempted to fly. Guard her! If she flies, kill her; but don’t exceed your orders.”

An expression of unspeakable joy lightened the countenance of Milady; but this expression was fleeting as the reflection of lightning. Without appearing to have heard the dialogue, of which she had not lost a word, she began again, giving to her voice all the charm, all the power, all the seduction the demon had bestowed upon it:

“For all my tears, my cares,

My exile, and my chains,

I have my youth, my prayers,

And God, who counts my pains.”

Her voice, of immense power and sublime expression, gave to the rude, unpolished poetry of these psalms a magic and an effect which the most exalted Puritans rarely found in the songs of their brethren, and which they were forced to ornament with all the resources of their imagination. Felton believed he heard the singing of the angel who consoled the three Hebrews in the furnace.

Milady continued:

“One day our doors will ope,

With God come our desire;

And if betrays that hope,

To death we can aspire.”

This verse, into which the terrible enchantress threw her whole soul, completed the trouble which had seized the heart of the young officer. He opened the door quickly; and Milady saw him appear, pale as usual, but with his eye inflamed and almost wild.

“Why do you sing thus, and with such a voice?” said he.

“Your pardon, sir,” said Milady, with mildness. “I forgot that my songs are out of place in this castle. I have perhaps offended you in your creed; but it was without wishing to do so, I swear. Pardon me, then, a fault which is perhaps great, but which certainly was involuntary.”

Milady was so beautiful at this moment, the religious ecstasy in which she appeared to be plunged gave such an expression to her countenance, that Felton was so dazzled that he fancied he beheld the angel whom he had only just before heard.

“Yes, yes,” said he; “you disturb, you agitate the people who live in the castle.”

The poor, senseless young man was not aware of the incoherence of his words, while Milady was reading with her lynx’s eyes the very depths of his heart.

“I will be silent, then,” said Milady, casting down her eyes with all the sweetness she could give to her voice, with all the resignation she could impress upon her manner.

“No, no, madame,” said Felton, “only do not sing so loud, particularly at night.”

And at these words Felton, feeling that he could not long maintain his severity toward his prisoner, rushed out of the room.

“You have done right, Lieutenant,” said the soldier. “Such songs disturb the mind; and yet we become accustomed to them, her voice is so beautiful.”

Chapter 54

Captivity: The Third Day

Table of Contents

Felton had fallen; but there was still another step to be taken. He must be retained, or rather he must be left quite alone; and Milady but obscurely perceived the means which could lead to this result.

Still more must be done. He must be made to speak, in order that he might be spoken to—for Milady very well knew that her greatest seduction was in her voice, which so skillfully ran over the whole gamut of tones from human speech to language celestial.

Yet in spite of all this seduction Milady might fail—for Felton was forewarned, and that against the least chance. From that moment she watched all his actions, all his words, from the simplest glance of his eyes to his gestures—even to a breath that could be interpreted as a sigh. In short, she studied everything, as a skillful comedian does to whom a new part has been assigned in a line to which he is not accustomed.

Face to face with Lord de Winter her plan of conduct was more easy. She had laid that down the preceding evening. To remain silent and dignified in his presence; from time to time to irritate him by affected disdain, by a contemptuous word; to provoke him to threats and violence which would produce a contrast with her own resignation—such was her plan. Felton would see all; perhaps he would say nothing, but he would see.

In the morning, Felton came as usual; but Milady allowed him to preside over all the preparations for breakfast without addressing a word to him. At the moment when he was about to retire, she was cheered with a ray of hope, for she thought he was about to speak; but his lips moved without any sound leaving his mouth, and making a powerful effort to control himself, he sent back to his heart the words that were about to escape from his lips, and went out. Toward midday, Lord de Winter entered.

It was a tolerably fine winter’s day, and a ray of that pale English sun which lights but does not warm came through the bars of her prison.

Milady was looking out at the window, and pretended not to hear the door as it opened.

“Ah, ah!” said Lord de Winter, “after having played comedy, after having played tragedy, we are now playing melancholy?”

The prisoner made no reply.

“Yes, yes,” continued Lord de Winter, “I understand. You would like very well to be at liberty on that beach! You would like very well to be in a good ship dancing upon the waves of that emerald-green sea; you would like very well, either on land or on the ocean, to lay for me one of those nice little ambuscades you are so skillful in planning. Patience, patience! In four days’ time the shore will be beneath your feet, the sea will be open to you—more open than will perhaps be agreeable to you, for in four days England will be relieved of you.”

Milady folded her hands, and raising her fine eyes toward heaven, “Lord, Lord,” said she, with an angelic meekness of gesture and tone, “pardon this man, as I myself pardon him.”

“Yes, pray, accursed woman!” cried the baron; “your prayer is so much the more generous from your being, I swear to you, in the power of a man who will never pardon you!” and he went out.

At the moment he went out a piercing glance darted through the opening of the nearly closed door, and she perceived Felton, who drew quickly to one side to prevent being seen by her.

Then she threw herself upon her knees, and began to pray.

“My God, my God!” said she, “thou knowest in what holy cause I suffer; give me, then, strength to suffer.”

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