Marcel Proust - In Search of Lost Time [volumes 1 to 7]

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"'In Search of Lost Time' is widely recognized as the major novel of the twentieth century." —Harold Bloom
"At once the last great classic of French epic prose tradition and the towering precursor of the 'nouveau roman'." —Bengt Holmqvist
"Proust so titillates my own desire for expression that I can hardly set out the sentence. Oh if I could write like that!" —Virginia Woolf
"The greatest fiction to date." —W. Somerset Maugham
"Proust is the greatest novelist of the 20th century." —Graham Greene
On the surface a traditional «Bildungsroman» describing the narrator's journey of self-discovery, this huge and complex book is also a panoramic and richly comic portrait of France in the author's lifetime, and a profound meditation on the nature of art, love, time, memory and death. But for most readers it is the characters of the novel who loom the largest: Swann and Odette, Monsieur de Charlus, Morel, the Duchesse de Guermantes, Françoise, Saint-Loup and so many others – Giants, as the author calls them, immersed in Time.
"In Search of Lost Time" is a novel in seven volumes. The novel began to take shape in 1909. Proust continued to work on it until his final illness in the autumn of 1922 forced him to break off. Proust established the structure early on, but even after volumes were initially finished he kept adding new material, and edited one volume after another for publication. The last three of the seven volumes contain oversights and fragmentary or unpolished passages as they existed in draft form at the death of the author; the publication of these parts was overseen by his brother Robert.

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As his hand stole out towards the shutters he felt a pang of shame at the thought that Odette would now know that he had suspected her, that he had returned, that he had posted himself outside her window. She had often told him what a horror she had of jealous men, of lovers who spied. What he was going to do would be extremely awkward, and she would detest him for ever after, whereas now, for the moment, for so long as he refrained from knocking, perhaps even in the act of infidelity, she loved him still. How often is not the prospect of future happiness thus sacrificed to one’s impatient insistence upon an immediate gratification. But his desire to know the truth was stronger, and seemed to him nobler than his desire for her. He knew that the true story of certain events, which he would have given his life to be able to reconstruct accurately and in full, was to be read within that window, streaked with bars of light, as within the illuminated, golden boards of one of those precious manuscripts, by whose wealth of artistic treasures the scholar who consults them cannot remain unmoved. He yearned for the satisfaction of knowing the truth which so impassioned him in that brief, fleeting, precious transcript, on that translucent page, so warm, so beautiful. And besides, the advantage which he felt—which he so desperately wanted to feel—that he had over them, lay perhaps not so much in knowing as in being able to shew them that he knew. He drew himself up on tiptoe. He knocked. They had not heard; he knocked again; louder; their conversation ceased. A man’s voice—he strained his ears to distinguish whose, among such of Odette’s friends as he knew, the voice could be—asked:

“Who’s that?”

He could not be certain of the voice. He knocked once again. The window first, then the shutters were thrown open. It was too late, now, to retire, and since she must know all, so as not to seem too contemptible, too jealous and inquisitive, he called out in a careless, hearty, welcoming tone:

“Please don’t bother; I just happened to be passing, and saw the light. I wanted to know if you were feeling better.”

He looked up. Two old gentlemen stood facing him, in the window, one of them with a lamp in his hand; and beyond them he could see into the room, a room that he had never seen before. Having fallen into the habit, When he came late to Odette, of identifying her window by the fact that it was the only one still lighted in a row of windows otherwise all alike, he had been misled, this time, by the light, and had knocked at the window beyond hers, in the adjoining house. He made what apology he could and hurried home, overjoyed that the satisfaction of his curiosity had preserved their love intact, and that, having feigned for so long, when in Odette’s company, a sort of indifference, he had not now, by a demonstration of jealousy, given her that proof of the excess of his own passion which, in a pair of lovers, fully and finally dispenses the recipient from the obligation to love the other enough. He never spoke to her of this misadventure, he ceased even to think of it himself. But now and then his thoughts in their wandering course would come upon this memory where it lay unobserved, would startle it into life, thrust it more deeply down into his consciousness, and leave him aching with a sharp, far-rooted pain. As though this had been a bodily pain, Swann’s mind was powerless to alleviate it; in the case of bodily pain, however, since it is independent of the mind, the mind can dwell upon it, can note that it has diminished, that it has momentarily ceased. But with this mental pain, the mind, merely by recalling it, created it afresh. To determine not to think of it was but to think of it still, to suffer from it still. And when, in conversation with his friends, he forgot his sufferings, suddenly a word casually uttered would make him change countenance as a wounded man does when a clumsy hand has touched his aching limb. When he came away from Odette, he was happy, he felt calm, he recalled the smile with which, in gentle mockery, she had spoken to him of this man or of that, a smile which was all tenderness for himself; he recalled the gravity of her head which she seemed to have lifted from its axis to let it droop and fall, as though against her will, upon his lips, as she had done on that first evening in the carriage; her languishing gaze at him while she lay nestling in his arms, her bended head seeming to recede between her shoulders, as though shrinking from the cold.

But then, at once, his jealousy, as it had been the shadow of his love, presented him with the complement, with the converse of that new smile with which she had greeted him that very evening,—with which, now, perversely, she was mocking Swann while she tendered her love to another—of that lowering of her head, but lowered now to fall on other lips, and (but bestowed upon a stranger) of all the marks of affection that she had shewn to him. And all these voluptuous memories which he bore away from her house were, as one might say, but so many sketches, rough plans, like the schemes of decoration which a designer submits to one in outline, enabling Swann to form an idea of the various attitudes, aflame or faint with passion, which she was capable of adopting for others. With the result that he came to regret every pleasure that he tasted in her company, every new caress that he invented (and had been so imprudent as to point out to her how delightful it was), every fresh charm that he found in her, for he knew that, a moment later, they would go to enrich the collection of instruments in his secret torture-chamber.

A fresh turn was given to the screw when Swann recalled a sudden expression which he had intercepted, a few days earlier, and for the first time, in Odette’s eyes. It was after dinner at the Verdurins’. Whether it was because Forcheville, aware that Saniette, his brother-in-law, was not in favour with them, had decided to make a butt of him, and to shine at his expense, or because he had been annoyed by some awkward remark which Saniette had made to him, although it had passed unnoticed by the rest of the party who knew nothing of whatever tactless allusion it might conceal, or possibly because he had been for some time looking out for an opportunity of securing the expulsion from the house of a fellow-guest who knew rather too much about him, and whom he knew to be so nice-minded that he himself could not help feeling embarrassed at times merely by his presence in the room, Forcheville replied to Saniette’s tactless utterance with such a volley of abuse, going out of his way to insult him, emboldened, the louder he shouted, by the fear, the pain, the entreaties of his victim, that the poor creature, after asking Mme. Verdurin whether he should stay and receiving no answer, had left the house in stammering confusion and with tears in his eyes. Odette had looked on, impassive, at this scene; but when the door had closed behind Saniette, she had forced the normal expression of her face down, as the saying is, by several pegs, so as to bring herself on to the same level of vulgarity as Forcheville; her eyes had sparkled with a malicious smile of congratulation upon his audacity, of ironical pity for the poor wretch who had been its victim; she had darted at him a look of complicity in the crime, which so clearly implied: “That’s finished him off, or I’m very much mistaken. Did you see what a fool he looked? He was actually crying,” that Forcheville, when his eyes met hers, sobered in a moment from the anger, or pretended anger with which he was still flushed, smiled as he explained: “He need only have made himself pleasant and he’d have been here still; a good scolding does a man no harm, at any time.”

One day when Swann had gone out early in the afternoon to pay a call, and had failed to find the person at home whom he wished to see, it occurred to him to go, instead, to Odette, at an hour when, although he never went to her house then as a rule, he knew that she was always at home, resting or writing letters until tea-time, and would enjoy seeing her for a moment, if it did not disturb her. The porter told him that he believed Odette to be in; Swann rang the bell, thought that he heard a sound, that he heard footsteps, but no one came to the door. Anxious and annoyed, he went round to the other little street, at the back of her house, and stood beneath her bedroom window; the curtains were drawn and he could see nothing; he knocked loudly upon the pane, he shouted; still no one came. He could see that the neighbours were staring at him. He turned away, thinking that, after all, he had perhaps been mistaken in believing that he heard footsteps; but he remained so preoccupied with the suspicion that he could turn his mind to nothing else. After waiting for an hour, he returned. He found her at home; she told him that she had been in the house when he rang, but had been asleep; the bell had awakened her; she had guessed that it must be Swann, and had run out to meet him, but he had already gone. She had, of course, heard him knocking at the window. Swann could at once detect in this story one of those fragments of literal truth which liars, when taken by surprise, console themselves by introducing into the composition of the falsehood which they have to invent, thinking that it can be safely incorporated, and will lend the whole story an air of verisimilitude. It was true that, when Odette had just done something which she did not wish to disclose, she would take pains to conceal it in a secret place in her heart. But as soon as she found herself face to face with the man to whom she was obliged to lie, she became uneasy, all her ideas melted like wax before a flame, her inventive and her reasoning faculties were paralysed, she might ransack her brain but would find only a void; still, she must say something, and there lay within her reach precisely the fact which she had wished to conceal, which, being the truth, was the one thing that had remained. She broke off from it a tiny fragment, of no importance in itself, assuring herself that, after all, it was the best thing to do, since it was a detail of the truth, and less dangerous, therefore, than a falsehood. “At any rate, this is true,” she said to herself; “that’s always something to the good; he may make inquiries; he will see that this is true; it won’t be this, anyhow, that will give me away.” But she was wrong; it was what gave her away; she had not taken into account that this fragmentary detail of the truth had sharp edges which could not: be made to fit in, except to those contiguous fragments of the truth from which she had arbitrarily detached it, edges which, whatever the fictitious details in which she might embed it, would continue to shew, by their overlapping angles and by the gaps which she had forgotten to fill, that its proper place was elsewhere.

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