Washington Irving - The Complete Works of Washington Irving - Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)

Здесь есть возможность читать онлайн «Washington Irving - The Complete Works of Washington Irving - Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: unrecognised, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated): краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

This carefully crafted ebook: «The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)» is formatted for your eReader with a functional and detailed table of contents.
Washington Irving (1783-1859) was an American author, essayist, biographer and historian of the 19th century. He is best known for his short stories Rip Van Winkle and The Legend of Sleepy Hollow both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of George Washington and Oliver Goldsmith, and several histories of 15th-century Spain, dealing with subjects such as the Moors and the Alhambra.
Contents:
INTRODUCTION SPEECH: NEW YORK, FEBRUARY 18, 1842 by Charles Dickens
COLLECTIONS OF SHORT STORIES:
THE SKETCH BOOK OF GEOFFREY CRAYON, GENT.
Rip Van Winkle
The Legend of Sleepy Hollow
Old Christmas
Roscoe
The Wife
TALES OF A TRAVELLER
Strange Stories by a Nervous Gentleman
Buckthorne and His Friends
The Italian Banditti
The Money Diggers
BRACEBRIDGE HALL
The Busy Man
The Widow
The Lovers
Family Reliques
An Old Soldier
WOLFERT'S ROOST AND MISCELLANIES
THE CRAYON PAPERS
TRAVEL SKETCHES AND MEMOIRS:
TALES OF THE ALHAMBRA
ABBOTSFORD AND NEWSTEAD ABBY
A TOUR ON THE PRAIRIES
SATIRICAL WORKS:
KNICKERBOCKER'S HISTORY OF NEW YORK
LETTERS OF JONATHAN OLDSTYLE, GENT.
HISTORICAL WORKS:
THE ADVENTURES OF CAPTAIN BONNEVILLE
ASTORIA
CHRONICLE OF THE CONQUEST OF GRANADA
LIFE OF OLIVER GOLDSMITH
LIFE OF GEORGE WASHINGTON: VOLUME I
THE STUDENT'S LIFE OF WASHINGTON
DRAMAS:
THE WILD HUNTSMAN
ABU HASSAN
POEMS:
ECHO AND SILENCE
ON PASSAIC FALLS
RHYMED ADDRESS
THE DULL LECTURE
TO MISS EMILY FOSTER ON HER BIRTHDAY
SONG
THE LAY OF THE SUNNYSIDE DUCKS
SIGNS OF THE TIMES
WRITTEN IN THE DEEP DENE ALBUM
EXTRACTS FROM ABU HASSAN
SONG FROM THE WILD HUNTSMAN
CORRESPONDENCE BETWEEN WASHINGTON IRVING AND EDGAR ALLAN POE
BIOGRAPHY:
WASHINGTON IRVING by Charles Dudley Warner

The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated) — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Don Ambrosio paused for a moment in perplexity, but was too adroit to be easily confounded. “That your father is a prisoner,” replied he, “I have long known. I have concealed it from you, to save you from fruitless anxiety. You now know the real reason of the restraint I have put upon your liberty: I have been protecting instead of detaining you. Every exertion has been made in your father’s favour; but I regret to say, the proofs of the offences of which he stands charged have been too strong to be controverted. Still,” added he, “I have it in my power to save him; I have influence, I have means at my beck; it may involve me, it is true, in difficulties, perhaps in disgrace; but what would I not do, in the hope of being rewarded by your favour? Speak, beautiful Inez,” said he, his eyes kindling with sudden eagerness; “it is with you to say the word that seals your father’s fate. One kind word—say but you will be mine, and you will behold me at your feet, your father at liberty and in affluence, and we shall all be happy!”

Inez drew back from him with scorn and disbelief. “My father,” exclaimed she, “is too innocent and blameless to be convicted of crime; this is some base, some cruel artifice!” Don Ambrosio repeated his asseverations, and with them also his dishonourable proposals; but his eagerness overshot its mark: her indignation and her incredulity were alike awakened by his base suggestions; and he retired from her presence, checked and awed by the sudden pride and dignity of her demeanour.

The unfortunate Inez now became a prey to the most harrowing anxieties. Don Ambrosio saw that the mask had fallen from his face, and that the nature of his machinations was revealed. He had gone too far to retrace his steps, and assume the affectation of tenderness and respect; indeed, he was mortified and incensed at her insensibility to his attractions, and now only sought to subdue her through her fears. He daily represented to her the dangers that threatened her father, and that it was in his power alone to avert them. Inez was still incredulous. She was too ignorant of the nature of the inquisition, to know that even innocence was not always a protection from its cruelties; and she confided too surely in the virtue of her father, to believe that any accusation could prevail against him.

At length Don Ambrosio, to give an effectual blow to her confidence, brought her the proclamation of the approaching auto da fé, in which the prisoners were enumerated. She glanced her eye over it, and beheld her father’s name, condemned to the stake for sorcery!

For a moment she stood transfixed with horror. Don Ambrosio seized upon the transient calm. “Think, now, beautiful Inez,” said he, with a tone of affected tenderness, “his life is still in your hands; one word from you, one kind word, and I can yet save him.”

“Monster! wretch!” cried she, coming to herself, and recoiling from him with insuperable abhorrence: “’Tis you that are the cause of this—’tis you that are his murderer!” Then, wringing her hands, she broke forth into exclamations of the most frantic agony.

The perfidious Ambrosio saw the torture of her soul, and anticipated from it a triumph. He saw that she was in no mood, during her present paroxysm, to listen to his words; but he trusted that the horrors of lonely rumination would break down her spirit, and subdue her to his will. In this, however, he was disappointed. Many were the vicissitudes of mind of the wretched Inez; at one time, she would embrace his knees, with piercing supplications; at another, she would shrink with nervous horror at his very approach; but any intimation of his passion only excited the same emotion of loathing and detestation.

At length the fatal day drew nigh. “Tomorrow,” said Don Ambrosio, as he left her one evening, “tomorrow is the auto da fé. Tomorrow you will hear the sound of the bell that tolls your father to his death. You will almost see the smoke that rises from the funeral pile. I leave you to yourself. It is yet in my power to save him. Think whether you can stand tomorrow’s horrors without shrinking! Think whether you can endure the after-reflection, that you were the cause of his death, and that merely through a perversity in refusing proffered happiness.”

What a night was it to Inez!—her heart already harassed and almost broken, by repeated and protracted anxieties; her strength wasted and enfeebled. On every side, horrors awaited her; her father’s death, her own dishonour—there seemed no escape from misery or perdition. “Is there no relief from man—no pity in heaven?” exclaimed she. “What —what have we done, that we should be thus wretched?”

As the dawn approached, the fever of her mind arose to agony; a thousand times did she try the doors and windows of her apartment, in the desperate hope of escaping. Alas! with all the splendour of her prison, it was too faithfully secured for her weak hands to work deliverance. Like a poor bird, that beats its wings against its gilded cage, until it sinks panting in despair, so she threw herself on the floor in hopeless anguish. Her blood grew hot in her veins, her tongue was parched, her temples throbbed with violence, she gasped rather than breathed; it seemed as if her brain was on fire. “Blessed Virgin!” exclaimed she, clasping her hands and turning up her strained eyes, “look down with pity, and support me in this dreadful hour!”

Just as the day began to dawn, she heard a key turn softly in the door of her apartment. She dreaded lest it should be Don Ambrosio; and the very thought of him gave her a sickening pang. It was a female clad in a rustic dress, with her face concealed by her mantilla. She stepped silently into the room, looked cautiously round, and then, uncovering her face, revealed the well-known features of the ballad-singer. Inez uttered an exclamation of surprise, almost of joy. The unknown started back, pressed her finger on her lips enjoining silence, and beckoned her to follow. She hastily wrapped herself in her veil, and obeyed. They passed with quick, but noiseless steps through an antechamber, across a spacious hall, and along a corridor; all was silent; the household was yet locked in sleep. They came to a door, to which the unknown applied a key. Inez’s heart misgave her; she knew not but some new treachery was menacing her; she laid her cold hand on the stranger’s arm: “Whither are you leading me?” said she. “To liberty,” replied the other, in a whisper.

“Do you know the passages about this mansion?”

“But too well!” replied the girl, with a melancholy shake of the head. There was an expression of sad veracity in her countenance, that was not to be distrusted. The door opened on a small terrace, which was overlooked by several windows of the mansion.

“We must move across this quickly,” said the girl, “or we may be observed.”

They glided over it, as if scarce touching the ground. A flight of steps led down into the garden; a wicket at the bottom was readily unbolted: they passed with breathless velocity along one of the alleys, still in sight of the mansion, in which, however, no person appeared to be stirring. At length they came to a low private door in the wall, partly hidden by a fig-tree. It was secured by rusty bolts, that refused to yield to their feeble efforts.

“Holy Virgin!” exclaimed the stranger, “what is to be done? one moment more, and we may be discovered.”

She seized a stone that lay near by: a few blows, and the bolt flew back; the door grated harshly as they opened it, and the next moment they found themselves in a narrow road.

“Now,” said the stranger, “for Granada as quickly as possible! The nearer we approach it, the safer we shall be; for the road will be more frequented.”

The imminent risk they ran of being pursued and taken, gave supernatural strength to their limbs; they flew, rather than ran. The day had dawned; the crimson streaks on the edge of the horizon gave tokens of the approaching sunrise; already the light clouds that floated in the western sky were tinged with gold and purple; though the broad plain of the Vega, which now began to open upon their view, was covered with the dark haze of morning. As yet they only passed a few straggling peasants on the road, who could have yielded them no assistance in case of their being overtaken. They continued to hurry forward, and had gained a considerable distance, when the strength of Inez, which had only been sustained by the fever of her mind, began to yield to fatigue: she slackened her pace, and faltered.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)»

Представляем Вашему вниманию похожие книги на «The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)»

Обсуждение, отзывы о книге «The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x