Washington Irving - The Complete Works of Washington Irving - Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)

Washington Irving! Why, gentlemen, I don’t go upstairs to bed two nights out of the seven - as a very creditable witness near at hand can testify - I say I do not go to bed two nights out of the seven without taking Washington Irving under my arm; and, when I don’t take him, I take his own brother, Oliver Goldsmith. Washington Irving! Why, of whom but him was I thinking the other day when I came up by the Hog’s Back, the Frying Pan, Hell Gate, and all these places? Why, when, not long ago, I visited Shakespeare’s birthplace, and went beneath the roof where he first saw light, whose name but his was pointed out to me upon the wall? Washington Irving - Diedrich Knickerbocker - Geoffrey Crayon - why, where can you go that they have not been there before? Is there an English farm - is there an English stream, an English city, or an English country-seat, where they have not been? Is there no Bracebridge Hall in existence? Has it no ancient shades or quiet streets?

In bygone times, when Irving left that Hall, he left sitting in an old oak chair, in a small parlour of the Boar’s Head, a little man with a red nose, and an oilskin hat. When I came away he was sitting there still! - not a man like him, but the same man - with the nose of immortal redness and the hat of an undying glaze! Crayon, while there, was on terms of intimacy with a certain radical fellow, who used to go about, with a hatful of newspapers, wofully out at elbows, and with a coat of great antiquity. Why, gentlemen, I know that man - Tibbles the elder, and he has not changed a hair; and, when I came away, he charged me to give his best respects to Washington Irving!

Leaving the town and the rustic life of England - forgetting this man, if we can - putting out of mind the country churchyard and the broken heart - let us cross the water again, and ask who has associated himself most closely with the Italian peasantry and the bandits of the Pyrenees? When the traveller enters his little chamber beyond the Alps - listening to the dim echoes of the long passages and spacious corridors - damp, and gloomy, and cold - as he hears the tempest beating with fury against his window, and gazes at the curtains, dark, and heavy, and covered with mould - and when all the ghost-stories that ever were told come up before him - amid all his thick-coming fancies, whom does he think of? Washington Irving.

Go farther still: go to the Moorish Mountains, sparkling full in the moonlight - go among the water-carriers and the village gossips, living still as in days of old - and who has travelled among them before you, and peopled the Alhambra and made eloquent its shadows? Who awakes there a voice from every hill and in every cavern, and bids legends, which for centuries have slept a dreamless sleep, or watched unwinkingly, start up and pass before you in all their life and glory?

But leaving this again, who embarked with Columbus upon his gallant ship, traversed with him the dark and mighty ocean, leaped upon the land and planted there the flag of Spain, but this same man, now sitting by my side? And being here at home again, who is a more fit companion for money-diggers? and what pen but his has made Rip Van Winkle, playing at ninepins on that thundering afternoon, as much part and parcel of the Catskill Mountains as any tree or crag that they can boast?

But these are topics familiar from my boyhood, and which I am apt to pursue; and lest I should be tempted now to talk too long about them, I will, in conclusion, give you a sentiment, most appropriate, I am sure, in the presence of such writers as Bryant, Halleck, and - but I suppose I must not mention the ladies here -

THE LITERATURE OF AMERICA:

She well knows how to do honour to her own literature and to that of other lands, when she chooses Washington Irving for her representative in the country of Cervantes.

Table of Contents

Table of Contents

THE AUTHOR’S ACCOUNT OF HIMSELF

THE VOYAGE

ROSCOE

THE WIFE

RIP VAN WINKLE

ENGLISH WRITERS ON AMERICA

RURAL LIFE IN ENGLAND

THE BROKEN HEART

THE ART OF BOOK-MAKING

A ROYAL POET

THE COUNTRY CHURCH

THE WIDOW AND HER SON

A SUNDAY IN LONDON

THE BOAR’S HEAD TAVERN, EASTCHEAP

THE MUTABILITY OF LITERATURE

RURAL FUNERALS

THE INN KITCHEN

THE SPECTRE BRIDEGROOM

WESTMINSTER ABBEY

CHRISTMAS

THE STAGECOACH

CHRISTMAS EVE

CHRISTMAS DAY

THE CHRISTMAS DINNER

LONDON ANTIQUES

LITTLE BRITAIN

STRATFORD-ON-AVON

TRAITS OF INDIAN CHARACTER

PHILIP OF POKANOKET

JOHN BULL

THE PRIDE OF THE VILLAGE

THE ANGLER

THE LEGEND OF SLEEPY HOLLOW

L’ENVOY

“I have no wife nor children, good or bad, to provide for. A mere spectator of other men’s fortunes and adventures, and how they play their parts; which, methinks, are diversely presented unto me, as from a common theatre or scene.” — BURTON.

THE following papers, with two exceptions, were written in England, and formed but part of an intended series for which I had made notes and memorandums. Before I could mature a plan, however, circumstances compelled me to send them piecemeal to the United States, where they were published from time to time in portions or numbers. It was not my intention to publish them in England, being conscious that much of their contents could be interesting only to American readers, and, in truth, being deterred by the severity with which American productions had been treated by the British press.

By the time the contents of the first volume had appeared in this occasional manner, they began to find their way across the Atlantic, and to be inserted, with many kind encomiums, in the London Literary Gazette. It was said, also, that a London bookseller intended to publish them in a collective form. I determined, therefore, to bring them forward myself, that they might at least have the benefit of my superintendence and revision. I accordingly took the printed numbers which I had received from the United States, to Mr. John Murray, the eminent publisher, from whom I had already received friendly attentions, and left them with him for examination, informing him that should he be inclined to bring them before the public, I had materials enough on hand for a second volume. Several days having elapsed without any communication from Mr. Murray, I addressed a note to him, in which I construed his silence into a tacit rejection of my work, and begged that the numbers I had left with him might be returned to me. The following was his reply:

MY DEAR SIR: I entreat you to believe that I feel truly obliged by your kind intentions towards me, and that I entertain the most unfeigned respect for your most tasteful talents. My house is completely filled with workpeople at this time, and I have only an office to transact business in; and yesterday I was wholly occupied, or I should have done myself the pleasure of seeing you.

If it would not suit me to engage in the publication of your present work, it is only because I do not see that scope in the nature of it which would enable me to make those satisfactory accounts between us, without which I really feel no satisfaction in engaging — but I will do all I can to promote their circulation, and shall be most ready to attend to any future plan of yours.