Washington Irving - The Complete Works of Washington Irving - Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated)

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Washington Irving (1783-1859) was an American author, essayist, biographer and historian of the 19th century. He is best known for his short stories Rip Van Winkle and The Legend of Sleepy Hollow both of which appear in his book The Sketch Book of Geoffrey Crayon, Gent. His historical works include biographies of George Washington and Oliver Goldsmith, and several histories of 15th-century Spain, dealing with subjects such as the Moors and the Alhambra.
Contents:
INTRODUCTION SPEECH: NEW YORK, FEBRUARY 18, 1842 by Charles Dickens
COLLECTIONS OF SHORT STORIES:
THE SKETCH BOOK OF GEOFFREY CRAYON, GENT.
Rip Van Winkle
The Legend of Sleepy Hollow
Old Christmas
Roscoe
The Wife
TALES OF A TRAVELLER
Strange Stories by a Nervous Gentleman
Buckthorne and His Friends
The Italian Banditti
The Money Diggers
BRACEBRIDGE HALL
The Busy Man
The Widow
The Lovers
Family Reliques
An Old Soldier
WOLFERT'S ROOST AND MISCELLANIES
THE CRAYON PAPERS
TRAVEL SKETCHES AND MEMOIRS:
TALES OF THE ALHAMBRA
ABBOTSFORD AND NEWSTEAD ABBY
A TOUR ON THE PRAIRIES
SATIRICAL WORKS:
KNICKERBOCKER'S HISTORY OF NEW YORK
LETTERS OF JONATHAN OLDSTYLE, GENT.
HISTORICAL WORKS:
THE ADVENTURES OF CAPTAIN BONNEVILLE
ASTORIA
CHRONICLE OF THE CONQUEST OF GRANADA
LIFE OF OLIVER GOLDSMITH
LIFE OF GEORGE WASHINGTON: VOLUME I
THE STUDENT'S LIFE OF WASHINGTON
DRAMAS:
THE WILD HUNTSMAN
ABU HASSAN
POEMS:
ECHO AND SILENCE
ON PASSAIC FALLS
RHYMED ADDRESS
THE DULL LECTURE
TO MISS EMILY FOSTER ON HER BIRTHDAY
SONG
THE LAY OF THE SUNNYSIDE DUCKS
SIGNS OF THE TIMES
WRITTEN IN THE DEEP DENE ALBUM
EXTRACTS FROM ABU HASSAN
SONG FROM THE WILD HUNTSMAN
CORRESPONDENCE BETWEEN WASHINGTON IRVING AND EDGAR ALLAN POE
BIOGRAPHY:
WASHINGTON IRVING by Charles Dudley Warner

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The English, in fact, are strongly gifted with the rural feeling. They possess a quick sensibility to the beauties of nature, and a keen relish for the pleasures and employments of the country. This passion seems inherent in them. Even the inhabitants of cities, born and brought up among brick walls and bustling streets, enter with facility into rural habits, and evince a tact for rural occupation. The merchant has his snug retreat in the vicinity of the metropolis, where he often displays as much pride and zeal in the cultivation of his flower-garden, and the maturing of his fruits, as he does in the conduct of his business, and the success of a commercial enterprise. Even those less fortunate individuals, who are doomed to pass their lives in the midst of din and traffic, contrive to have something that shall remind them of the green aspect of nature. In the most dark and dingy quarters of the city, the drawing-room window resembles frequently a bank of flowers; every spot capable of vegetation has its grassplot and flowerbed; and every square its mimic park, laid out with picturesque taste, and gleaming with refreshing verdure.

Those who see the Englishman only in town, are apt to form an unfavorable opinion of his social character. He is either absorbed in business, or distracted by the thousand engagements that dissipate time, thought, and feeling, in this huge metropolis. He has, therefore, too commonly, a look of hurry and abstraction. Wherever he happens to be, he is on the point of going somewhere else; at the moment he is talking on one subject, his mind is wandering to another; and while paying a friendly visit, he is calculating how he shall economize time so as to pay the other visits allotted to the morning. An immense metropolis, like London, is calculated to make men selfish and uninteresting. In their casual and transient meetings, they can but deal briefly in commonplaces. They present but the cold superfices of character — its rich and genial qualities have no time to be warmed into a flow.

It is in the country that the Englishman gives scope to his natural feelings. He breaks loose gladly from the cold formalities and negative civilities of town; throws off his habits of shy reserve, and becomes joyous and freehearted. He manages to collect round him all the conveniences and elegancies of polite life, and to banish its restraints. His country-seat abounds with every requisite, either for studious retirement, tasteful gratification, or rural exercise. Books, paintings, music, horses, dogs, and sporting implements of all kinds, are at hand. He puts no constraint, either upon his guests or himself, but, in the true spirit of hospitality, provides the means of enjoyment, and leaves every one to partake according to his inclination.

The taste of the English in the cultivation of land, and in what is called landscape gardening, is unrivalled. They have studied Nature intently, and discovered an exquisite sense of her beautiful forms and harmonious combinations. Those charms which, in other countries, she lavishes in wild solitudes, are here assembled round the haunts of domestic life. They seem to have caught her coy and furtive graces, and spread them, like witchery, about their rural abodes.

Nothing can be more imposing than the magnificence of English park scenery - фото 32

Nothing can be more imposing than the magnificence of English park scenery. Vast lawns that extend like sheets of vivid green, with here and there clumps of gigantic trees, heaping up rich piles of foliage. The solemn pomp of groves and woodland glades, with the deer trooping in silent herds across them; the hare, bounding away to the covert; or the pheasant, suddenly bursting upon the wing. The brook, taught to wind in natural meanderings, or expand into a glassy lake — the sequestered pool, reflecting the quivering trees, with the yellow leaf sleeping on its bosom, and the trout roaming fearlessly about its limpid waters; while some rustic temple, or sylvan statue, grown green and dank with age, gives an air of classic sanctity to the seclusion.

These are but a few of the features of park scenery but what most delights me - фото 33

These are but a few of the features of park scenery; but what most delights me, is the creative talent with which the English decorate the unostentatious abodes of middle life. The rudest habitation, the most unpromising and scanty portion of land, in the hands of an Englishman of taste, becomes a little paradise. With a nicely discriminating eye, he seizes at once upon its capabilities, and pictures in his mind the future landscape. The sterile spot grows into loveliness under his hand; and yet the operations of art which produce the effect are scarcely to be perceived. The cherishing and training of some trees; the cautious pruning of others; the nice distribution of flowers and plants of tender and graceful foliage; the introduction of a green slope of velvet turf; the partial opening to a peep of blue distance, or silver gleam of water;-all these are managed with a delicate tact, a pervading yet quiet assiduity, like the magic touchings with which a painter finishes up a favorite picture.

The residence of people of fortune and refinement in the country, has diffused a degree of taste and elegance in rural economy that descends to the lowest class. The very laborer, with his thatched cottage and narrow slip of ground, attends to their embellishment. The trim hedge, the grassplot before the door, the little flowerbed bordered with snug box, the woodbine trained up against the wall, and hanging its blossoms about the lattice; the pot of flowers in the window; the holly, providently planted about the house, to cheat winter of its dreariness, and to throw in a semblance of green summer to cheer the fireside; all these bespeak the influence of taste, flowing down from high sources, and pervading the lowest levels of the public mind. If ever Love, as poets sing, delights to visit a cottage, it must be the cottage of an English peasant.

The fondness for rural life among the higher classes of the English has had a great and salutary effect upon the national character. I do not know a finer race of men than the English gentlemen. Instead of the softness and effeminacy which characterize the men of rank in most countries, they exhibit a union of elegance and strength, a robustness of frame and freshness of complexion, which I am inclined to attribute to their living so much in the open air, and pursuing so eagerly the invigorating recreations of the country. The hardy exercises produce also a healthful tone of mind and spirits, and a manliness and simplicity of manners, which even the follies and dissipations of the town cannot easily pervert, and can never entirely destroy. In the country, too, the different orders of society seem to approach more freely, to be more disposed to blend and operate favorably upon each other. The distinctions between them do not appear to be so marked and impassable as in the cities. The manner in which property has been distributed into small estates and farms has established a regular gradation from the noblemen, through the classes of gentry, small landed proprietors, and substantial farmers, down to the laboring peasantry; and while it has thus banded the extremes of society together, has infused into each intermediate rank a spirit of independence. This, it must be confessed, is not so universally the case at present as it was formerly; the larger estates having, in late years of distress, absorbed the smaller, and, in some parts of the country, almost annihilated the sturdy race of small farmers. These, however, I believe, are but casual breaks in the general system I have mentioned.

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