The Handbook of Speech Perception

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A wide-ranging and authoritative volume exploring contemporary perceptual research on speech, updated with new original essays by leading researchers Speech perception is a dynamic area of study that encompasses a wide variety of disciplines, including cognitive neuroscience, phonetics, linguistics, physiology and biophysics, auditory and speech science, and experimental psychology.
, Second Edition, is a comprehensive and up-to-date survey of technical and theoretical developments in perceptual research on human speech. Offering a variety of perspectives on the perception of spoken language, this volume provides original essays by leading researchers on the major issues and most recent findings in the field. Each chapter provides an informed and critical survey, including a summary of current research and debate, clear examples and research findings, and discussion of anticipated advances and potential research directions. The timely second edition of this valuable resource:
Discusses a uniquely broad range of both foundational and emerging issues in the field Surveys the major areas of the field of human speech perception Features newly commissioned essays on the relation between speech perception and reading, features in speech perception and lexical access, perceptual identification of individual talkers, and perceptual learning of accented speech Includes essential revisions of many chapters original to the first edition Offers critical introductions to recent research literature and leading field developments Encourages the development of multidisciplinary research on speech perception Provides readers with clear understanding of the aims, methods, challenges, and prospects for advances in the field
, Second Edition, is ideal for both specialists and non-specialists throughout the research community looking for a comprehensive view of the latest technical and theoretical accomplishments in the field.

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Influences in early infant speech behavior have also been shown from the other direction. Speech‐production tendencies can be correlated with developing perceptual abilities (e.g. Majorano, Vihman, & DePaolis, 2014; DePaolis, Vihman, & Keren‐Portnoy, 2011). Majorano, Vihman, and DePaolis (2014) tested children learning Italian at 6, 12, and 18 months. At the end of the first year, children whose production favored a single vocal motor pattern, showed a perceptual preference for sounds resulting from those speech movement patterns.

Conclusion

None of these findings, however, elucidate how auditory feedback processing develops, nor what role hearing your own productions plays in learning to pronounce words. The findings of MacDonald et al. (2012) raise the possibility that early productions by the child are not tuning the word‐formation system on the basis of auditory‐error corrections. Instead, the early focus may be on the adult models. Cooper, Fecher, and Johnson (2018) recently showed that two‐and‐a‐half‐year‐old children preferred recordings of adults over recordings of their own and other toddlers’ speech. In fact, the children showed no familiarity effect and thus did not prefer their mother’s speech from another adult’s. As Cooper, Fecher, and Johnson (2018) suggest, the driving force in lexical acquisition may be the adult targets and not the successive shaping of children’s targets by corrective auditory feedback.

Howard and Messum (2011, 2014, Messum & Howard, 2015) have proposed a model of early word pronunciation that is consistent with this idea. According to their view, infants develop a set of vocal motor schemes (Vihman, 1991, 1993, 1996) during babbling. When early word learning takes place, infants are producing sounds that parents reinforce in the context. By this account, it is the adult who is initially solving the correspondence problem of perceiving the match between the children’s production and the adult target. Adult modeling and reinforcement guide the infants’ early lexical acquisition. Using their computational model called Elija, Howard and Messum have shown that early productions can be acquired by the model learning the associations between “infant” motor patterns and the acoustics of the adult produced in that context.

One of the key requirements for successful reinforcement learning is exploration. Sampling the control space allows the organism to learn the value of a range of different actions. In vocal learning, variability of productions allows the learner to produce a broad range of activities that can be selectively reinforced. In adult movement, it may be desirable to reduce or control peripheral or execution variability (Harris & Wolpert, 1998). However, variability such as that generated in the birdsong circuitry indicates that this type of “noise” is an essential part of the sensorimotor system (Bertram et al., 2014). Motor learning may require this variability (Dhawale, Smith, & Ölveczky, 2017) and the variable behavior of toddlers learning to produce speech may be showing exactly the prerequisite talking required to be vocal learners.

In summary, it is clear that hearing yourself speak is important to speech motor control. The precision and regularity of articulation seem to depend on auditory feedback. However, how this process works is less clear. The considerable hysteresis of degradation shown when profound hearing loss occurs, or when artificial modifications of speech feedback are introduced, suggests that auditory feedback may be an important stabilizing force in the long term but it is not essential for moment‐to‐moment control. Further, the data show that hearing others speak involves a different process from the perception of the sound of your own speech. The loose relationship shown between perceptual and production individual differences is consistent with the hypothesis that perception and production are largely separate but can influence each other at times (Dell & Chang, 2014; Kittredge & Dell, 2016).

REFERENCES

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