H. Wells - Masters of Prose - H. G. Wells

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Welcome to the Masters of Prose book series, a selection of the best works by noteworthy authors.<br /> <br /> Literary critic August Nemo selects the most important writings of each author. A selection based on the author's novels, short stories, letters, essays and biographical texts. Thus providing the reader with an overview of the author's life and work.<br /> <br /> This edition is dedicated to the English writer H. G. Wells. Prolific in many genres, he wrote dozens of novels, short stories, and works of social commentary, history, satire, biography and autobiography. His work also included two books on recreational war games. Wells is now best remembered for his science fiction novels and is often called the «father of science fiction», along with Jules Verne and the publisher Hugo Gernsback.<br /> <br /> This book contains the following writings:<br /> Novels: Time Machine; The War of the Worlds.<br /> <br /> Short Stories: A Dream Of Armageddon; The Crystal Egg; The Man Who Could Work Miracles; The Flowering of the Strange Orchid; The Sea Riders; The Apple; The Argonauts of the Air.<br /> <br /> Biographical: H.G. Wells by J.D. Beresford.<br /> <br /> If you appreciate good literature, be sure to check out the other Tacet Books titles!

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Finally I come to the collection of various papers issued in 1914 under the title An Englishman Looks at the World—a book that I may pass with the comment that it exhibits Mr Wells in his more captious moods, deliberately more captious in some instances, no doubt, inasmuch as the various papers were written for serial publication—and that Confession of Faith and Rule of Life, published in 1907 as First and Last Things. The opening is unnecessarily complicated by the exposition of a metaphysic that is quite uncharacteristic and has little to do with the personal exposition that follows; and, indeed, I feel with regard to the whole work that it attempts to define the indefinable. I deprecate the note of finality implied in the title. "It is as it stands now," I read in the Introduction, "the frank confession of what one man of the early Twentieth Century has found in life and himself," but that man has found much since then, and will continue to find much as he grows continually richer in experience. So that while no student of Wells' writings can afford to overlook First and Last Things, I would warn him against the danger of concluding that in that book he will find at last the ultimate expression of character and belief, set out in the form of a categorical creed. Again I find a spirit and overlook the letter. I choose to take as representative such a passage as the following, with all its splendid vagueness and lack of dogma, rather than a definite expression of belief that Mr Wells does not believe in a personal immortality. This passage runs: "It seems to me that the whole living creation may be regarded as walking in its sleep, as walking in the sleep of individualised illusion, and that now out of it all rises man, beginning to perceive his larger self, his universal brotherhood, and a collective synthetic purpose to increase Power and realise Beauty...."

And now that I have attempted my interpretation, I look back and confess that it is a very personal reading of my subject. I may have sought too eagerly for all those passages in which I found a note that roused in me the most thrilling response. I may have omitted to display vital issues that more truly characterise H.G. Wells than the appealing urgencies, idealisms, and fluencies that I have found most sympathetic and most admirable. But if I appear to have done him an injustice in some particulars, it is rather because I have been absorbed by the issue I sought to reveal, than because I deliberately weighed and rejected others. This short essay can be no more than an introduction to the works it describes. It was never intended to be critical. I have had no intention of discussing technique, nor of weighing Mr Wells against his contemporaries in any literary scale. But I have attempted to interpret the spirit and the message that I have found in his books; and I have made the essay in the hope that any reader who may consequently be stirred to read or to re-read Wells will do so with a mind prepared to look below the surface expression.

I feel no shade of hesitation when I say that H.G. Wells is a great writer. His fecundity, his mastery of language, his comprehension of character are gifts and abilities that certain of his contemporaries have in equal, or in some particulars in larger measure. But he alone has used his perfected art for a definite end. He has not been content to record his observations of the world as he has seen it, to elaborate this or that analysis of human motive, or to relate the history of a few selected lives. He has done all this, but he has done infinitely more by pointing the possible road of our endeavour. Through all his work moves the urgency of one who would create something more than a mere work of art to amuse the multitude or afford satisfaction to the critic. His chief achievement is that he has set up the ideal of a finer civilisation, of a more generous life than that in which we live; an ideal that, if it is still too high for us of this generation, will be appreciated and followed by the people of the future.

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