GEORGE SHAW - The Complete Works

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Musaicum Books presents to you this meticulously edited George Bernard Shaw collection:
Introduction:
Mr. Bernard Shaw (by G. K. Chesterton)
Novels:
Cashel Byron's Profession
An Unsocial Socialist
Love Among The Artists
The Irrational Knot
Plays:
Plays Unpleasant:
Widowers' Houses (1892)
The Philanderer (1898)
Mrs. Warren's Profession (1898)
Plays Pleasant:
Arms And The Man: An Anti-Romantic Comedy in Three Acts (1894)
Candida (1898)
You Never Can Tell (1897)
Three Plays for Puritans:
The Devil's Disciple
Caesar And Cleopatra
Captain Brassbound's Conversion
Other Plays:
The Man Of Destiny
The Gadfly Or The Son of the Cardinal
The Admirable Bashville Or Constancy Unrewarded
Man And Superman: A Comedy and A Philosophy
John Bull's Other Island
How He Lied To Her Husband
Major Barbara
Passion, Poison, And Petrifaction
The Doctor's Dilemma: A Tragedy
The Interlude At The Playhouse
Getting Married
The Shewing-Up Of Blanco Posnet
Press Cuttings
Misalliance
The Dark Lady Of The Sonnets
Fanny's First Play
Androcles And The Lion
Overruled: A Demonstration
Pygmalion
Great Catherine (Whom Glory Still Adores)
The Music Cure
Beauty's Duty (Unfinished)
O'Flaherty, V. C.
The Inca Of Perusalem: An Almost Historical Comedietta
Augustus Does His Bit
Skit For The Tiptaft Revue
Annajanska, The Bolshevik Empress
Heartbreak House
Back To Methuselah: A Metabiological Pentateuch
In the Beginning
The Gospel of the Brothers Barnabas
The Thing Happens
Tragedy of an Elderly Gentleman
As Far as Thought Can Reach
The War Indemnities (Unfinished)
Saint Joan
The Glimpse Of Reality: A Tragedietta
Fascinating Foundling: Disgrace To The Author
The Apple Cart: A Political Extravaganza
Too True to Be Good
Village Wooing: A Comedietta for Two Voices
On the Rocks: A Political Comedy
The Simpleton of the Unexpected Isles
The Six of Calais
Arthur and the Acetone
The Millionairess
Cymbeline Refinished: A Variation on Shakespeare's Ending
Geneva
"In Good King Charles' Golden Days"
Playlet on the British Party System
Buoyant Billions: A Comedy of No Manners
Shakes versus Shav
Farfetched Fables
Why She Would Not
Miscellaneous Works:
What do Men of Letters Say? – The New York Times Articles on War (1915):
"Common Sense About the War" by G. B. Shaw
"Shaw's Nonsense About Belgium" By Arnold Bennett
"Bennett States the German Case" by G. B. Shaw
Flaws in Shaw's Logic By Cunninghame Graham
Editorial Comment on Shaw By The New York World
Comment by Readers of Shaw To the Editor of The New York Times
Open Letter to President Wilson by G. B. Shaw
A German Letter to G. Bernard Shaw By Herbert Eulenberg
"Mr. G. Bernard Shaw on Socialism" (Speech)
The Miraculous Revenge
Quintessence Of Ibsenism
The Basis of Socialism Economic
The Transition to Social Democracy
The Impossibilities Of Anarchism
The Perfect Wagnerite, Commentary on the Niblung's Ring
Letter to Beatrice Webb
The Revolutionist's Handbook And Pocket Companion
Maxims For Revolutionists
The New Theology
How to Write A Popular Play: An Essay
A Treatise on Parents and Children: An Essay
Memories of Oscar Wilde
The Intelligent Women's Guide to Socialism and Capitalism: Excerpts
Women in the Labour Market
Socialism and Marriage
Socialism and Children
Letter to Frank Harris
How These Doctors Love One Another!
The Black Girl in Search of God
The Political Madhouse in America and Nearer Home
On Capital Punishment
Essays on Bernard Shaw:
George Bernard Shaw by G. K. Chesterton
The Quintessence of Shaw by James Huneker
Old and New Masters: Bernard Shaw by Robert Lynd
George Bernard Shaw: A Poem by Oliver Herford

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“If you please, miss, Bashville is wishful to know can he speak to you a moment?”

Permission being given, Bashville entered. Since his wrestle with Cashel he had never quite recovered his former imperturbability. His manner and speech were as smooth and respectful as before, but his countenance was no longer steadfast; he was on bad terms with the butler because he had been reproved by him for blushing. On this occasion he came to beg leave to absent himself during the afternoon. He seldom asked favors of this kind, and was of course never refused.

“The road is quite thronged to-day,” she observed, as he thanked her. “Do you know why?”

“No, madam,” said Bashville, and blushed.

“People begin to shoot on the twelfth,” she said; “but I suppose it cannot have anything to do with that. Is there a race, or a fair, or any such thing in the neighborhood?”

“Not that I am aware of, madam.”

Lydia dipped her pen in the ink and thought no more of the subject. Bashville returned to the castle, attired himself like a country gentleman of sporting tastes, and went out to enjoy his holiday.

The forenoon passed away peacefully. There was no sound in the Warren Lodge except the scratching of Lydia’s pen, the ticking of her favorite skeleton clock, an occasional clatter of crockery from the kitchen, and the voices of the birds and maids without. The hour for lunch approached, and Lydia became a little restless. She interrupted her work to look at the clock, and brushed a speck of dust from its dial with the feather of her quill. Then she looked absently through the window along the elm vista, where she had once seen, as she had thought, a sylvan god. This time she saw a less romantic object — a policeman. She looked again, incredulously, there he was still, a blackbearded, helmeted man, making a dark blot in the green perspective, and surveying the landscape cautiously. Lydia rang the bell, and bade Phoebe ask the man what he wanted.

The girl soon returned out of breath, with the news that there were a dozen more constables hiding in the road, and that the one she had spoken to had given no account of himself, but had asked her how many gates there were to the park; whether they were always locked, and whether she had seen many people about. She felt sure that a murder had been committed somewhere. Lydia shrugged her shoulders, and ordered luncheon, during which Phoebe gazed eagerly through the window, and left her mistress to wait on herself.

“Phoebe,” said Lydia, when the dishes were removed; “you may go to the gate lodge, and ask them there what the policemen want. But do not go any further. Stay. Has Ellen gone to the castle with the things?”

Phoebe reluctantly admitted that Ellen had.

“Well, you need not wait for her to return; but come back as quickly as you can, in case I should want anybody.”

“Directly, miss,” said Phoebe, vanishing.

Lydia, left alone, resumed her work leisurely, occasionally pausing to gaze at the distant woodland, and note with transient curiosity a flock of sheep on the slope, or a flight of birds above the tree-tops. Something more startling occurred presently. A man, apparently half-naked, and carrying a black object under his arm, darted through a remote glade with the swiftness of a stag, and disappeared. Lydia concluded that he had been disturbed while bathing in the canal, and had taken flight with his wardrobe under his arm. She laughed at the idea, turned to her manuscript again, and wrote on. Suddenly there was a rustle and a swift footstep without. Then the latch was violently jerked up, and Cashel Byron rushed in as far as the threshold, where he stood, stupefied at the presence of Lydia, and the change in the appearance of the room.

He was himself remarkably changed. He was dressed in a pea-jacket, which evidently did not belong to him, for it hardly reached his middle, and the sleeves were so short that his forearms were half bare, showing that he wore nothing beneath this borrowed garment. Below it he had on white knee-breeches, with green stains of bruised grass on them. The breeches were made with a broad ilap in front, under which, and passing round his waist, was a scarf of crimson silk. From his knees to his socks, the edges of which had fallen over his laced boots, his legs were visible, naked, and muscular. On his face was a mask of sweat, dust, and blood, partly rubbed away in places by a sponge, the borders of its passage marked by black streaks. Underneath his left eye was a mound of bluish flesh nearly as large as a walnut. The jaw below it, and the opposite cheek, were severely bruised, and his lip was cut through at one corner. He had no hat; his close-cropped hair was disordered, and his ears were as though they had been rubbed with coarse sand-paper.

Lydia looked at him for some seconds, and he at her, speechless. Then she tried to speak, failed, and sunk into her chair.

“I didn’t know there was any one here,” he said, in a hoarse, panting whisper. “The police are after me. I have fought for an hour, and run over a mile, and I’m dead beat — I can go no farther. Let me hide in the back room, and tell them you haven’t seen any one, will you?”

“What have you done?” she said, conquering her weakness with an effort, and standing up.

“Nothing,” he replied, groaning occasionally as he recovered breath. “Business, that’s all.”

“Why are the police pursuing you? Why are you in such a dreadful condition?”

Cashel seemed alarmed at this. There was a mirror in the lid of a paper-case on the table. He took it up and looked at himself anxiously, but was at once relieved by what he saw. “I’m all right,” he said. “I’m not marked. That mouse” — he pointed gayly to the lump under his eye-”will run away tomorrow. I am pretty tidy, considering. But it’s bellows to mend with me at present. Whoosh! My heart is as big as a bullock’s after that run.”

“You ask me to shelter you,” said Lydia, sternly. “What have you done? Have you committed murder?”

“No!” exclaimed Cashel, trying to open his eyes widely in his astonishment, but only succeeding with one, as the other was gradually closing. “I tell you I have been fighting; and it’s illegal. You don’t want to see me in prison, do you? Confound him,” he added, reverting to her question with sudden wrath; “a steam-hammer wouldn’t kill him. You might as well hit a sack of nails. And all my money, my time, my training, and my day’s trouble gone for nothing! It’s enough to make a man cry.”

“Go,” said Lydia, with uncontrollable disgust. “And do not let me see which way you go. How dare you come to me?”

The sponge-marks on Cashel’s face grew whiter, and he began, to pant heavily again. “Very well,” he said. “I’ll go. There isn’t a boy in your stables that would give me up like that.”

As he spoke, he opened the door; but he involuntarily shut it again immediately. Lydia looked through the window, and saw a crowd of men, police and others, hurrying along the elm vista. Cashel cast a glance round, half piteous, half desperate, like a hunted animal. Lydia could not resist it. “Quick!” she cried, opening one of the inner doors. “Go in there, and keep quiet — if you can.” And, as he sulkily hesitated a moment, she stamped vehemently. He slunk in submissively. She shut the door and resumed her place at the writing-table, her heart beating with a kind of excitement she had not felt since, in her early childhood, she had kept guilty secrets from her nurse.

There was a tramping without, and a sound of voices. Then two peremptory raps at the door.

“Come in,” said Lydia, more composedly than she was aware of. The permission was not waited for. Before she ceased speaking a policeman opened the door and looked quickly round the room. He seemed rather taken aback by what he saw, and finally touched his helmet to signify respect for Lydia. He was about to speak, when Phoebe, flushed with running, pushed past him, put her hand on the door, and pertly asked what he wanted.

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