GEORGE SHAW - The Complete Works

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Musaicum Books presents to you this meticulously edited George Bernard Shaw collection:
Introduction:
Mr. Bernard Shaw (by G. K. Chesterton)
Novels:
Cashel Byron's Profession
An Unsocial Socialist
Love Among The Artists
The Irrational Knot
Plays:
Plays Unpleasant:
Widowers' Houses (1892)
The Philanderer (1898)
Mrs. Warren's Profession (1898)
Plays Pleasant:
Arms And The Man: An Anti-Romantic Comedy in Three Acts (1894)
Candida (1898)
You Never Can Tell (1897)
Three Plays for Puritans:
The Devil's Disciple
Caesar And Cleopatra
Captain Brassbound's Conversion
Other Plays:
The Man Of Destiny
The Gadfly Or The Son of the Cardinal
The Admirable Bashville Or Constancy Unrewarded
Man And Superman: A Comedy and A Philosophy
John Bull's Other Island
How He Lied To Her Husband
Major Barbara
Passion, Poison, And Petrifaction
The Doctor's Dilemma: A Tragedy
The Interlude At The Playhouse
Getting Married
The Shewing-Up Of Blanco Posnet
Press Cuttings
Misalliance
The Dark Lady Of The Sonnets
Fanny's First Play
Androcles And The Lion
Overruled: A Demonstration
Pygmalion
Great Catherine (Whom Glory Still Adores)
The Music Cure
Beauty's Duty (Unfinished)
O'Flaherty, V. C.
The Inca Of Perusalem: An Almost Historical Comedietta
Augustus Does His Bit
Skit For The Tiptaft Revue
Annajanska, The Bolshevik Empress
Heartbreak House
Back To Methuselah: A Metabiological Pentateuch
In the Beginning
The Gospel of the Brothers Barnabas
The Thing Happens
Tragedy of an Elderly Gentleman
As Far as Thought Can Reach
The War Indemnities (Unfinished)
Saint Joan
The Glimpse Of Reality: A Tragedietta
Fascinating Foundling: Disgrace To The Author
The Apple Cart: A Political Extravaganza
Too True to Be Good
Village Wooing: A Comedietta for Two Voices
On the Rocks: A Political Comedy
The Simpleton of the Unexpected Isles
The Six of Calais
Arthur and the Acetone
The Millionairess
Cymbeline Refinished: A Variation on Shakespeare's Ending
Geneva
"In Good King Charles' Golden Days"
Playlet on the British Party System
Buoyant Billions: A Comedy of No Manners
Shakes versus Shav
Farfetched Fables
Why She Would Not
Miscellaneous Works:
What do Men of Letters Say? – The New York Times Articles on War (1915):
"Common Sense About the War" by G. B. Shaw
"Shaw's Nonsense About Belgium" By Arnold Bennett
"Bennett States the German Case" by G. B. Shaw
Flaws in Shaw's Logic By Cunninghame Graham
Editorial Comment on Shaw By The New York World
Comment by Readers of Shaw To the Editor of The New York Times
Open Letter to President Wilson by G. B. Shaw
A German Letter to G. Bernard Shaw By Herbert Eulenberg
"Mr. G. Bernard Shaw on Socialism" (Speech)
The Miraculous Revenge
Quintessence Of Ibsenism
The Basis of Socialism Economic
The Transition to Social Democracy
The Impossibilities Of Anarchism
The Perfect Wagnerite, Commentary on the Niblung's Ring
Letter to Beatrice Webb
The Revolutionist's Handbook And Pocket Companion
Maxims For Revolutionists
The New Theology
How to Write A Popular Play: An Essay
A Treatise on Parents and Children: An Essay
Memories of Oscar Wilde
The Intelligent Women's Guide to Socialism and Capitalism: Excerpts
Women in the Labour Market
Socialism and Marriage
Socialism and Children
Letter to Frank Harris
How These Doctors Love One Another!
The Black Girl in Search of God
The Political Madhouse in America and Nearer Home
On Capital Punishment
Essays on Bernard Shaw:
George Bernard Shaw by G. K. Chesterton
The Quintessence of Shaw by James Huneker
Old and New Masters: Bernard Shaw by Robert Lynd
George Bernard Shaw: A Poem by Oliver Herford

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“It seems to me that you have been drinking instead of practising, since I saw you,” said Jack.

“S’ help me, governor, I’ve been practising all the afternoon. I only took a glass on my way here to set me to rights. Now, Mister, I’m ready.” Jack immediately attacked Mary’s piano with all the vigor of an orchestra; and the clarinet soon after made its entry with a brilliant cadenza. The soldier was a rapid expectant; his tone was fine; and the only varieties of expression he was capable of, the spirited and the pathetic, satisfied even Jack, who, on other points, soon began to worry the soldier by his fastidiousness.

“Stop,” he cried, “That is not the effect I want at all. It is not bright enough. Take the other clarinet. Try it in C.”

“Wot! Play all them flats on a clarinet in C! It can’t be done. Least ways I’m damned if I can — Hello! ‘Eire’s a gent for you, sir.”

Jack turned. Adrian Herbert was standing on the threshold, astonished, holding the handle of the open door. “I have been listening outside for some time,” he said politely. “I hope I do not disturb you.”

“No,” replied Jack. “Friend Charles here is worth listening to. Eh, Mr Herbert?”

Private Charles looked down modestly; jingled his spurs; coughed; and spat through the open window. Adrian did not appreciate his tone or his execution; but he did appreciate his sodden features, his weak and husky voice, and his barrack accent. Seeing a clarinet and a red handkerchief lying on a satin cushion which he had purchased for Mary at a bazaar, the looked at the soldier with disgust, and at Jack with growing indignation.

“I presume there is no one at home,” he said coldly.

“Miss Sutherland is at Mrs Beatty’s, and will not return until eleven,” said Jack, looking at Adrian with his most rugged expression, and not subduing his powerful voice, the sound of which always afflicted the artist with a sensation of insignificance. “Mrs Beatty and a lady who is visiting her called and brought her out with them. Mr Sutherland is at Eton, and will not be back till midnight. My pupil is still at Cambridge.”

“H’m” said Adrian. “I shall go on to Mrs Beatty’s. I should probably disturb you by remaining.”

Jack nodded and turned to the piano without further ceremony. Private Charles had taken one of Mary’s paint-brushes and fixed it upon the desk against his sheet of music, which was rolling itself up. This was the last thing Herbert saw before he left. As he walked away he heard the clarinet begin the slow movement of the concerto, a melody which, in spite of his annoyance, struck him as quite heavenly. He nevertheless hastened out of earshot, despising the whole art of music because a half-drunken soldier could so affect him by it.

Half a mile from the Sutherlands’ house was a gate, though which he passed into a flower-garden, in which a tall gentleman with sandy hair was smoking a cigar. This was Colonel Beatty, from whom he learnt that the ladies were in the drawing room. There he found his mother and Mrs Beatty working in colored wools, whilst Mary, at a distance from them, was reading a volume of Browning. She gave a sigh of relief as he entered.

“Is this your usual hour for making calls?” said Mrs Herbert, in response to her son’s cool “Good evening, mother.”

“Yes,” said he. “I cannot work at night.” He passed on and sat down beside Mary at the other end of the room. Mrs Beatty smiled significantly at Mrs Herbert, who shrugged her shoulders and went on with her work

“What is the matter, Adrian?” said Mary, in a low voice.

“Why?”

“You look annoyed.”

“I am not annoyed. But I am not quite satisfied with the way in which your household is managed in your absence by Mr Jack.”

“Good heavens!” exclaimed Mary, “you too! Am I never to hear the last of Mr Jack? It is bad enough to have to meet him every day, without having his misdeeds dinned into my ears from morning till night.”

“I think an end should be put to such a state of things, Mary. I have often reproached myself for having allowed you to engage this man with so little consideration. I thought his mere presence in the house could not affect you — that his business would be with Charlie only. My experience of the injury that can be done by the mere silent contact of coarse natures with fine ones should have taught me better. Mr Jack is not fit to live with you, Mary.”

“But perhaps it is our fault. He has no idea of the region of thought from which I wish I never had to descend; but, after all, we have no fault to find with him. We cannot send him away because he does not appreciate pictures.”

“No. But I have reason to believe that he is not quite so well-behaved in your absence as he is when you are at home. When I arrived tonight, for instance, I, of course, went straight to your house. There I heard a musical entertainment going forward. When I went in I was greeted with a volley of oaths which a drunken soldier was addressing to Jack. The two were in the drawingroom and did not perceive me at first, Jack being seated at your pianoforte, accompanying the soldier, who was playing a flageolet. The fellow was using your table easel for a desk, and your palette knife as a paper weight to keep his music flat. Has Jack your permission to introduce his military friends whenever you are out?”

“Certainly not,” said Mary, reddening. “I never heard of such a thing. I think Mr Jack is excessively impertinent.”

“What is the matter?” said Mrs. Beattv, perceiving that her niece was vexed.

“Nothing, aunt,” said Mary hastily. “Please do not tell Aunt Jane,” she added in an undertone to Adrian.

“Why not’”

“Oh, she will only worry about it. Pray do not mention it. What ought we to do about it, Adrian?”

“Simply dismiss Mr Jack forthwith?”

“But — Yes, I suppose we should. The only difficulty is—” Mary hesitated, and at last added, “I am afraid he will think that it is out of revenge for his telling Charlie not to take his ideas of music from my way of playing it, and because he despises my painting.”

“Despises your painting! Do you mean to say that he has been insolent to you? You should dismiss him at once. Surely such fears as you expressed just now have no weight with you, Mary?”

Mary reddened again, and said, a little angrily, “It is very easy for you to talk of dismissing people, Adrian; but if you had to do it yourself, you would feel how unpleasant it is.”

Adrian looked grave and did not reply. After a short silence Mary rose; crossed the room carelessly; and began to play the piano. Herbert, instead of sitting by her and listening, as his habit was, went out and joined the Colonel in the garden.

“What have you quarreled about, dear?” said Mrs Herbert.

“We have not quarreled,” said Mary. “What made you think that.”

“Adrian is offended.”

“Oh, no. At least I cannot imagine why he should be.”

“He is. I know what Adrian’s slightest shrug signifies.”

Mary shook her head and went on playing. Adrian did not return until they went into another room to sup. Then Mary said she must go home; and Herbert rose to accompany her.”

“Goodnight, mother,” he said. “I shall see you tomorrow. I have a bed in the town, and will go there directly when I have left Mary safely at home.” He nodded; shook hands with Mrs Beatty and the Colonel; and went out with Mary. They walked a hundred yards in silence. Then Mary said:

“Are you offended, Adrian? Mrs Herbert said you were.”

He started as if he had been stung. “I do not believe I could make a movement,” he replied indignantly, “for which my mother would not find some unworthy motive. She never loses an opportunity to disparage me and to make mischief.”

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