GEORGE SHAW - The Complete Works

But after a little while she began to be tired of sitting still, and she rose and wandered through the park for nearly an hour, trying to find the places in which she had played in her childhood during a visit to her late aunt. She recognized a great toppling Druid’s altar that had formerly reminded her of Mount Sinai threatening to fall on the head of Christian in “The Pilgrim’s Progress.” Farther on she saw and avoided a swamp in which she had once earned a scolding from her nurse by filling her stockings with mud. Then she found herself in a long avenue of green turf, running east and west, and apparently endless. This seemed the most delightful of all her possessions, and she had begun to plan a pavilion to build near it, when she suddenly recollected that this must be the elm vista of which the privacy was so stringently insisted upon, by her invalid tenant at the Warren Lodge. She fled into the wood at once, and, when she was safe there, laughed at the oddity of being a trespasser in her own domain. She made a wide detour in order to avoid intruding a second time; consequently, after walking for a quarter of an hour, she lost herself. The trees seemed never ending; she began to think she must possess a forest as well as a park. At last she saw an opening. Hastening toward it, she came again into the sunlight, and stopped, dazzled by an apparition which she at first took to be a beautiful statue, but presently recognized, with a strange glow of delight, as a living man.

To so mistake a gentleman exercising himself in the open air on a nineteenth-century afternoon would, under ordinary circumstances, imply incredible ignorance either of men or statues. But the circumstances in Miss Carew’s case were not ordinary; for the man was clad in a jersey and knee-breeches of white material, and his bare arms shone like those of a gladiator. His broad pectoral muscles, in their white covering, were like slabs of marble. Even his hair, short, crisp, and curly, seemed like burnished bronze in the evening light. It came into Lydia’s mind that she had disturbed an antique god in his sylvan haunt. The fancy was only momentary; for she perceived that there was a third person present; a man impossible to associate with classic divinity. He looked like a well to do groom, and was contemplating his companion much as a groom might contemplate an exceptionally fine horse. He was the first to see Lydia; and his expression as he did so plainly showed that he regarded her as a most unwelcome intruder. The statue-man, following his sinister look, saw her too, but with different feelings; for his lips parted, his color rose, and he stared at her with undisguised admiration and wonder. Lydia’s first impulse was to turn and fly; her next, to apologize for her presence. Finally she went away quietly through the trees.

The moment she was out of their sight she increased her pace almost to a run. The day was too warm for rapid movement, and she soon stopped and listened. There were the usual woodland sounds; leaves rustling, grasshoppers chirping, and birds singing; but not a human voice or footstep. She began to think that the godlike figure was only the Hermes of Praxiteles, suggested to her by Goethe’s classical Sabbat, and changed by a daydream into the semblance of a living reality. The groom must have been one of those incongruities characteristic of dreams — probably a reminiscence of Lucian’s statement that the tenant of the Warren Lodge had a single male attendant. It was impossible that this glorious vision of manly strength and beauty could be substantially a student broken down by excessive study. That irrational glow of delight, too, was one of the absurdities of dreamland; otherwise she should have been ashamed of it.

Lydia made her way back to the castle in some alarm as to the state of her nerves, but dwelling on her vision with a pleasure that she would not have ventured to indulge had it concerned a creature of flesh and blood. Once or twice it recurred to her so vividly that she asked herself whether it could have been real. But a little reasoning convinced her that it must have been an hallucination.

“If you please, madam,” said one of her staff of domestics, a native of Wiltstoken, who stood in deep awe of the lady of the castle, “Miss Goff is waiting for you in the drawingroom.”

The drawingroom of the castle was a circular apartment, with a dome-shaped ceiling broken into gilt ornaments resembling thick bamboos, which projected vertically downward like stalagmites. The heavy chandeliers were loaded with flattened brass balls, magnified facsimiles of which crowned the uprights of the low, broad, massively-framed chairs, which were covered in leather stamped with Japanese dragon designs in copper-colored metal. Near the fireplace was a great bronze bell of Chinese shape, mounted like a mortar on a black wooden carriage for use as a coal-scuttle. The wall was decorated with large gold crescents on a ground of light blue.

In this barbaric rotunda Miss Carew found awaiting her a young lady of twenty-three, with a well-developed, resilient figure, and a clear complexion, porcelain surfaced, and with a fine red in the cheeks. The lofty pose of her head expressed an habitual sense of her own consequence given her by the admiration of the youth of the neighborhood, which was also, perhaps, the cause of the neatness of her inexpensive black dress, and of her irreproachable gloves, boots, and hat. She had been waiting to introduce herself to the lady of the castle for ten minutes in a state of nervousness that culminated as Lydia entered.

“How do you do, Miss Goff, Have I kept you waiting? I was out.”

“Not at all,” said Miss Goff, with a confused impression that red hair was aristocratic, and dark brown (the color of her own) vulgar. She had risen to shake hands, and now, after hesitating a moment to consider what etiquette required her to do next, resumed her seat. Miss Carew sat down too, and gazed thoughtfully at her visitor, who held herself rigidly erect, and, striving to mask her nervousness, unintentionally looked disdainful.

“Miss Goff,” said Lydia, after a silence that made her speech impressive, “will you come to me on a long visit? In this lonely place I am greatly in want of a friend and companion of my own age and position. I think you must be equally so.”

Alice Goff was very young, and very determined to accept no credit that she did not deserve. With the unconscious vanity and conscious honesty of youth, she proceeded to set Miss Carew right as to her social position, not considering that the lady of the castle probably understood it better than she did herself, and indeed thinking it quite natural that she should be mistaken.

“You are very kind,” she replied, stiffly; “but our positions are quite different, Miss Carew. The fact is that I cannot afford to live an idle life. We are very poor, and my mother is partly dependent on my exertions.”

“I think you will be able to exert yourself to good purpose if you come to me,” said Lydia, unimpressed. “It is true that I shall give you very expensive habits; but I will of course enable you to support them.”

“I do not wish to contract expensive habits,” said Alice, reproachfully. “I shall have to content myself with frugal ones throughout my life.”

“Not necessarily. Tell me, frankly: how had you proposed to exert yourself? As a teacher, was it not?”

Alice flushed, but assented.

“You are not at all fitted for it; and you will end by marrying. As a teacher you could not marry well. As an idle lady, with expensive habits, you will marry very well indeed. It is quite an art to know how to be rich — an indispensable art, if you mean to marry a rich man.”

“I have no intention of marrying,” said Alice, loftily. She thought it time to check this cool aristocrat. “If I come at all I shall come without any ulterior object.”