Ford Madox Ford - The Parade's End Tetralogy - Some Do Not, No More Parades, A Man Could Stand Up & Last Post

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Parade's End is a tetralogy by Ford Madox. The four novels were originally published under the titles: Some Do Not … (1924), No More Parades (1925), A Man Could Stand Up – (1926), and Last Post (or The Last Post in the USA) (1928). It is set mainly in England and on the Western Front in World War I, where Ford served as an officer in the Welsh Regiment, a life vividly depicted in the novels. The novels chronicle the life of Christopher Tietjens, a brilliant government statistician from a wealthy landowning family who is serving in the British Army during World War I. His wife Sylvia is a flippant socialite who seems intent on ruining him. Tietjens may or may not be the father of his wife's child. Meanwhile, his incipient affair with Valentine Wannop, a high-spirited pacifist and suffragette, has not been consummated, despite what all their friends believe. The two central novels follow Tietjens in the army in France and Belgium, as well as Sylvia and Valentine in their separate paths over the course of the war.
Ford Madox Ford ( 1873 – 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature. He is now remembered best for his publications The Good Soldier, the Parade's End tetralogy and The Fifth Queen trilogy.

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‘No! I don’t remember it,’ he said. ‘Kiev? . . . Oh, it’s where we were . . . ’

‘You put half your mother’s money,’ Sylvia said, ‘into the Government of Kiev 12½ per cent. City Tramways . . .

At that Tietjens certainly winced, a type of wincing that Sylvia hadn’t wanted.

‘You’re not fit to go out to-morrow,’ she said. ‘I shall wire to old Campion.’

‘Mrs Duchemin,’ Tietjens said woodenly. ‘Mrs Macmaster that is, also used to burn a little incense in the room before the parties . . . Those Chinese stinks . . . what do they call them? Well, it doesn’t matter,’ he added resignedly, Then he went on: ‘Don’t you make any mistake. Mrs Macmaster is a very superior woman. Enormously efficient! Tremendously respected. I shouldn’t advise even you to come up against her, now she’s in the saddle.’

Mrs Tietjens said:

That sort of woman!’

Tietjens said:

‘I don’t say you ever will come up against her. Your spheres differ. But, if you do, don’t . . . I say it because you seem to have got your knife into her.’

‘I don’t like that sort of thing going on under my windows,’ Sylvia said.

Tietjens said:

‘What sort of thing? . . . I was trying to tell you a little about Mrs Macmaster . . . she’s like the woman who was the mistress of the man who burned the other fellow’s horrid book . . . I can’t remember the names.’

Sylvia said quickly:

‘Don’t try!’ In a slower tone she added: ‘I don’t in the least want to know . . . ’

‘Well, she was an Egeria!’ Tietjens said. ‘An inspiration to the distinguished. Mrs Macmaster is all that. The geniuses swarm round her, and with the really select ones she corresponds. She writes superior letters, about the Higher Morality usually; very delicate in feeling. Scotch naturally. When they go abroad she sends them snatches of London literary happenings; well done, mind you! And then, every now and then, she slips in something she wants Macmaster to have. But with great delicacy . . . Say it’s this C.B . . . she transfuses into the minds of Genius One, Two and Three the idea of a C.B. for Macmaster . . . Genius No. One lunches with the Deputy Sub-Patronage Secretary, who looks after literary honours and lunches with geniuses to get the gossip . . . ’

‘Why,’ Sylvia said, ‘did you lend Macmaster all that money?’

‘Mind you,’ Tietjens continued his own speech, ‘it’s perfectly proper. That’s the way patronage is distributed in this country; it’s the way it should be. The only clean way. Mrs Duchemin backs Macmaster because he’s a first-class fellow for his job. And she is an influence over the geniuses because she’s a first-class person for hers . . . She represents the higher, nicer morality for really nice Scots. Before long she will be getting tickets stopped from being sent to people for the Academy soirées. She already does it for the Royal Bounty dinners. A little later, when Macmaster is knighted for bashing the French in the eye, she’ll have a tiny share in auguster assemblies . . . Those people have to ask somebody for advice. Well, one day you’ll want to present some débutante. And you won’t get a ticket . . . ’

‘Then I’m glad,’ Sylvia exclaimed, ‘that I wrote to Brownie’s uncle about the woman. I was a little sorry this morning because, from what Glorvina told me, you’re in such a devil of a hole . . . ’

‘Who’s Brownie’s uncle?’ Tietjens asked. ‘Lord . . . Lord . . . The banker! I know Brownie’s in his uncle’s bank.’

‘Port Scatho!’ Sylvia said. ‘I wish you wouldn’t act forgetting people’s names. You overdo it.’

Tietjens’ face went a shade whiter . . .

‘Port Scatho,’ he said, ‘is the chairman of the Inn Billeting Committees, of course. And you wrote to him? . . . ’

‘I’m sorry,’ Sylvia said. ‘I mean, I’m sorry I said that about your forgetting . . . I wrote to him and said that as a resident of the Inn I objected to your mistress—he knows the relationship, of course!—creeping in every Friday under a heavy veil and creeping out every Saturday at four in the morning.’

‘Lord Port Scatho knows about my relationship,’ Tietjens began.

‘He saw her in your arms in the train,’ Sylvia said. ‘It upset Brownie so much he offered to shut down your overdraft and return any cheques you had out marked R.D.’

‘To please you?’ Tietjens asked. ‘Do bankers do that sort of thing? It’s a new light on British society . . .!

‘I suppose bankers try to please their women friends, like other men,’ Sylvia said. ‘I told him very emphatically it wouldn’t please me . . . But . . . ’ she hesitated, ‘I wouldn’t give him a chance to get back on you. I don’t want to interfere in your affairs. But Brownie doesn’t like you . . . ’

‘He wants you to divorce me and marry him?’ Tietjens asked.

‘How did you know?’ Sylvia asked indifferently. ‘I let him give me lunch now and then because it’s convenient to have him manage my affairs, you being away . . . But of course he hates you for being in the army. All the men who aren’t hate all the men that are. And, of course, when there’s a woman between them, the men who aren’t do all they can to do the others in. When they’re bankers they have a pretty good pull . . . ’

‘I suppose they have,’ Tietjens said vaguely; ‘of course they would have . . . ’

Sylvia abandoned the blind-cord on which she had been dragging with one hand. In order that light might fall on her face and give more impressiveness to her words, for, in a minute or two, when she felt brave enough, she meant really to let him have her bad news!—she drifted to the fireplace. He followed her round, turning on his chair to give her his face.

She said:

‘Look here, it’s all the fault of this beastly war, isn’t it? Can you deny it? . . . I mean that decent, gentlemanly fellows like Brownie have turned into beastly squits!’

‘I suppose it is,’ Tietjens said dully. ‘Yes, certainly it is. You’re quite right. It’s the incidental degeneration of the heroic impulse: if the heroic impulse has too even a strain put on it the incidental degeneration gets the upper hand. That accounts for the Brownies . . . all the Brownies . . . turning squits . . . ’

‘Then why do you go on with it?’ Sylvia said. ‘God knows, I could wangle you out if you’d back me in the least little way.’

Tietjens said:

‘Thanks I prefer to remain in it . . . How else am I to get a living? . . . ’

‘You know then,’ Sylvia exclaimed almost shrilly. ‘You know that they won’t have you back in the office if they can find a way of getting you out . . . ’

‘Oh, they’ll find that!’ Tietjens said . . . He continued his other speech: ‘When we go to war with France,’ he said dully . . . And Sylvia knew he was only now formulating his settled opinion so as not to have his active brain to give to the discussion. He must be thinking hard of the Wannop girl! With her littleness; her tweed-skirtishness . . . A provincial miniature of herself, Sylvia Tietjens . . . If she, then, had been miniature, provincial . . . But Tietjens’ words cut her as if she had been lashed with a dog-whip. ‘We shall behave more creditably,’ he had said, ‘because there will be less heroic impulse about it. We shall . . . half of us . . . be ashamed of ourselves. So there will be much less incidental degeneration.’

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