Ford Madox Ford - The Parade's End Tetralogy - Some Do Not, No More Parades, A Man Could Stand Up & Last Post

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Parade's End is a tetralogy by Ford Madox. The four novels were originally published under the titles: Some Do Not … (1924), No More Parades (1925), A Man Could Stand Up – (1926), and Last Post (or The Last Post in the USA) (1928). It is set mainly in England and on the Western Front in World War I, where Ford served as an officer in the Welsh Regiment, a life vividly depicted in the novels. The novels chronicle the life of Christopher Tietjens, a brilliant government statistician from a wealthy landowning family who is serving in the British Army during World War I. His wife Sylvia is a flippant socialite who seems intent on ruining him. Tietjens may or may not be the father of his wife's child. Meanwhile, his incipient affair with Valentine Wannop, a high-spirited pacifist and suffragette, has not been consummated, despite what all their friends believe. The two central novels follow Tietjens in the army in France and Belgium, as well as Sylvia and Valentine in their separate paths over the course of the war.
Ford Madox Ford ( 1873 – 1939) was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature. He is now remembered best for his publications The Good Soldier, the Parade's End tetralogy and The Fifth Queen trilogy.

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For that exploit the old man seemed to love Tietjens. That he loved Sylvia herself, she was quite aware. He fluttered round her tremulously, gave fantastic entertainments in her honour and was the only man she had never turned down. He had a harem, so it was said, in an enormous house at Brighton or somewhere. But it was another sort of love he bestowed on Tietjens: the rather pathetic love that the aged bestow on their possible successors in office.

Once Sir John came in to tea and quite formally and with a sort of portentousness announced that this was his seventy-first birthday, and that he was a broken man. He seriously proposed that Tietjens should come into partnership with him with the reversion of the business—not, of course, of his private fortune. Tietjens had listened amiably, asking a detail or two of Sir John’s proposed arrangement. Then he had said, with the rather caressing voice that he now and then bestowed on a pretty woman, that he didn’t think it would do. There would be too much beastly money about it. As a career it would be more congenial to him than his office . . . but there was too much beastly money about it.

Once more, a little to Sylvia’s surprise—but men are queer creatures!—Sir John seemed to see this objection as quite reasonable, though he heard it with regret and combated it feebly. He went away with a relieved jauntiness; for, if he couldn’t have Tietjens he couldn’t, and he invited Sylvia to dine with him somewhere where they were going to have something fabulous and very nasty at about two guineas the ounce on the menu. Something like that! And during dinner Sir John had entertained her by singing the praises of her husband. He said that Tietjens was much too great a gentleman to be wasted on the old-furniture trade: that was why he hadn’t persisted. But he sent by Sylvia a message to the effect that if ever Tietjens did come to be in want of money . . .

Occasionally Sylvia was worried to know why people—as they sometimes did—told her that her husband had great gifts. To her he was merely unaccountable. His actions and opinions seemed simply the products of caprice—like her own; and, since she knew that most of her own manifestations were a matter of contrariety, she abandoned the habit of thinking much about him.

But gradually and dimly she began to see that Tietjens had, at least, a consistency of character and a rather unusual knowledge of life. This came to her when she had to acknowledge that their move to the Inn of Court had been a social success and had suited herself. When they had discussed the change at Lobscheid—or rather when Sylvia had unconditionally given in to every stipulation of Tietjens!—he had predicted almost exactly what would happen, though it had been the affair of her mother’s cousin’s opera box that had most impressed her. He had told her, at Lobscheid, that he had no intention of interfering with her social level, and she was convinced that he was not going to. He had thought about it a good deal.

She hadn’t much listened to him. She had thought, firstly, that he was a fool and, secondly, that he did mean to hurt her. And she acknowledged that he had a certain right. If, after she had been off with another man, she asked this one still to extend to her the honour of his name and shelter of his roof, she had no right to object to his terms. Her only decent revenge on him was to live afterwards with such equanimity as to let him know the mortification of failure.

But at Lobscheid he had talked a lot of nonsense, as it had seemed to her: a mixture of prophecy and politics. The Chancellor of the Exchequer of that date had been putting pressure on the great landlords; the great landlords had been replying by cutting down their establishments and closing their town houses—not to any great extent, but enough to make a very effective gesture of it, and so as to raise a considerable clamour from footmen and milliners. The Tietjens—both of them—were of the great land-owning class: they could adopt that gesture of shutting up their Mayfair house and going to live in a wilderness. All the more if they made their wilderness a thoroughly comfortable affair!

He had counselled her to present this aspect of the matter to her mother’s cousin, the morosely portentous Rugeley. Rugely was a great landowner—almost the greatest of all; and he was a landowner obsessed with a sense of his duties both to his dependants and his even remote relatives. Sylvia had only, Tietjens said, to go to the Duke and tell him that the Chancellor’s exactions had forced them to this move, but that they had done it partly as a protest, and the Duke would accept it almost as a personal tribute to himself. He couldn’t, even as a protest, be expected to shut up Mexborough or reduce his expenses. But, if his humbler relatives spiritedly did, he would almost certainly make it up to them. And Rugeley’s favours were on the portentous scale of everything about him. ‘I shouldn’t wonder,’ Tietjens had said, ‘if he didn’t lend you the Rugeley box to entertain in.’

And that is exactly what had happened.

The Duke—who must have kept a register of his remotest cousins—had, shortly before their return to London, heard that this young couple had parted with every prospect of a large and disagreeable scandal. He had approached Mrs Satterthwaite—for whom he had a gloomy affection—and he had been pleased to hear that the rumour was a gross libel. So that, when the young couple actually turned up again—from Russia—Rugeley, who perceived that they were not only together, but to all appearances quite united, was determined not only to make it up to them, but to show, in order to abash their libellers, as signal a mark of his favour as he could without inconvenience to himself. He, therefore, twice—being a widower—invited Mrs Satterthwaite to entertain for him, Sylvia to invite the guests, and then had Mrs Tietjens’ name placed on the roll of those who could have the Rugeley box at the opera, on application at the Rugeley estate office, when it wasn’t wanted. This was a very great privilege and Sylvia had known how to make the most of it.

On the other hand, on the occasion of their conversation at Lobscheid, Tietjens had prophesied what at the time seemed to her a lot of tosh. It had been two or three years before, but Tietjens had said that about the time grouse-shooting began, in 1914, a European conflagration would take place which would shut up half the houses in Mayfair and beggar their inhabitants. He had patiently supported his prophecy with financial statistics as to the approaching bankruptcy of various European powers and the growingly acquisitive skill and rapacity of the inhabitants of Great Britain. She had listened to that with some attention: it had seemed to her rather like the usual nonsense talked in country houses—where, irritatingly, he never talked. But she liked to be able to have a picturesque fact or two with which to support herself when she too, to hold attention, wanted to issue moving statements as to revolutions, anarchies and strife in the offing. And she had noticed that when she magpied Tietjens’ conversations more serious men in responsible positions were apt to argue with her and to pay her more attention than before . . .

And now, walking along the table with her plate in her hand, she could not but acknowledge that, triumphantly—and very comfortably for her!—Tietjens had been right! In the third year of the war it was very convenient to have a dwelling, cheap, comfortable, almost august and so easy to work that you could have, at a pinch, run it with one maid, though the faithful Hullo Central had not let it come to that yet . . .

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