Radclyffe Hall - The Well of Loneliness

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"The Well of Loneliness" is a lesbian novel by British author Radclyffe Hall that was first published in 1928 by Jonathan Cape. It follows the life of Stephen Gordon, an Englishwoman from an upper-class family whose «sexual inversion» (homosexuality) is apparent from an early age. She finds love with Mary Llewellyn, whom she meets while serving as an ambulance driver in World War I, but their happiness together is marred by social isolation and rejection, which Hall depicts as typically suffered by «inverts», with predictably debilitating effects. The novel portrays «inversion» as a natural, God-given state and makes an explicit plea: «Give us also the right to our existence».

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The pony tugged hard and fought at his bridle; he was trembling with pleasure for he was no novice; he knew all about signs and wonders in stables, such as large feeds of corn administered early, and extra long groomings, and pink coats with brass buttons, like the hunt coat Sir Philip was wearing. He frisked down the road, a mass of affectation, demanding some skill on the part of his rider; but the child’s hands were strong yet exceedingly gentle—she possessed that rare gift, perfect hands on a horse.

‘This is better than being young Nelson,’ thought Stephen, ‘ ’cause this way I’m happy just being myself.’

Sir Philip looked down at his daughter with contentment; she was good to look upon, he decided. And yet his contentment was not quite complete, so that he looked away again quickly, sighing a little, because, somehow these days, he had taken to sighing over Stephen.

The meet was a large one. People noticed the child; Colonel Antrim, the Master, rode up and spoke kindly: ‘You’ve a fine pony there, but he’ll need a bit of holding!’ And then to her father: ‘Is she safe astride, Philip? Violet’s learning to ride, but side-saddle, I prefer it—I never think girl children get the grip astride; they aren’t built for it, haven’t the necessary muscle; still, no doubt she’ll stick on by balance.’

Stephen flushed: ‘No doubt she’ll stick on by balance!’ The words rankled, oh, very deeply they rankled. Violet was learning to ride side-saddle, that small, flabby lump who squealed if you pinched her; that terrified creature of muslins and ribbons and hair that curled over the nurse’s finger! Why, Violet could never come to tea without crying, could never play a game without getting herself hurt! She had fat, wobbly legs too, just like a rag doll—and you, Stephen, had been compared to Violet! Ridiculous of course, and yet all of a sudden you felt less impressive in your fine riding breeches. You felt—well, not foolish exactly, but self-conscious—not quite at your ease, a little bit wrong. It was almost as though you were playing at young Nelson again, were only pretending.

But you said: ‘I’ve got muscles, haven’t I, Father? Williams says I’ve got riding muscles already!’ Then you dug your heels sharply into the pony, so that he whisked round, bucking and rearing. As for you, you stuck to his back like a limpet. Wasn’t that enough to convince them?

‘Steady on, Stephen!’ came Sir Philip’s voice, warning. Then the Master’s: ‘She’s got a fine seat. I’ll admit it—Violet’s a little bit scared on a horse, but I think she’ll get confidence later; I hope so.’

And now hounds were moving away towards cover, tails waving—they looked like an army with banners. ‘Hi, Starbright—Fancy! Get in, little bitch! Hi, Frolic, get on with it, Frolic!’

The long lashes shot out with amazing precision, stinging a flank or stroking a shoulder, while the four-legged Amazons closed up their ranks for the serious business ahead. ‘Hi, Starbright!’ Whips cracked and horses grew restless; Stephen’s mount required undivided attention. She had no time to think of her muscles or her grievance, but only of the creature between her small knees.

‘All right, Stephen?’

‘Yes, Father.’

‘Well, go steady at your fences; it may be a little bit slippery this morning.’ But Sir Philip’s voice did not sound at all anxious; indeed there was a note of deep pride in his voice.

‘He knows that I’m not just a rag doll, like Violet; he knows that I’m different to her!’ thought Stephen.

3

The strange, implacable heart-broken music of hounds giving tongue as they break from cover; the cry of the huntsman as he stands in his stirrups; the thud of hooves pounding ruthlessly forward over long, green, undulating meadows. The meadows flying back as though seen from a train, the meadows streaming away behind you; the acrid smell of horse sweat caught in passing; the smell of damp leather, of earth and bruised herbage—all sudden, all passing—then the smell of wide spaces, the air smell, cool yet as potent as wine.

Sir Philip was looking back over his shoulder: ‘All right, Stephen?’

‘Oh, yes—’ Stephen’s voice sounded breathless.

‘Steady on! Steady on!’

They were coming to a fence, and Stephen’s grip tightened a little. The pony took the fence in his stride, very gaily; for an instant he seemed to stay poised in mid-air as though he had wings, then he touched earth again, and away without even pausing.

‘All right, Stephen?’

‘Yes, yes!’

Sir Philip’s broad back was bent forward over the shoulder of his hunter; the crisp auburn hair in the nape of his neck showed bright where the winter sunshine touched it; and as the child followed that purposeful back, she felt that she loved it utterly, entirely. At that moment it seemed to embody all kindness, all strength, and all understanding.

4

They killed not so very far from Worcester; it had been a stiff run, the best of the season. Colonel Antrim came jogging along to Stephen, whose prowess had amused and surprised him.

‘Well, well,’ he said, grinning, ‘so here you are, madam, still with a leg on each side of your horse—I’m going to tell Violet she’ll have to buck up. By the way, Philip, can Stephen come to tea on Monday, before Roger goes back to school? She can? Oh, splendid! And now where’s that brush? I think our young Stephen here, takes it.’

Strange it is, but unforgettable moments are often connected with very small happenings, happenings that assume fictitious proportions, especially when we are children. If Colonel Antrim had offered Stephen the crown of England on a red velvet cushion, it is doubtful whether her pride would have equalled the pride that she felt when the huntsman came forward and presented her with her first hunting trophy—the rather pathetic, bedraggled little brush, that had weathered so many hard miles. Just for an instant the child’s heart misgave her, as she looked at the soft, furry thing in her hand; but the joy of attainment was still hot upon her, and that incomparable feeling of elation that comes from the knowledge of personal courage, so that she forgot the woes of the fox in remembering the prowess of Stephen.

Sir Philip fastened the brush to her saddle. ‘You rode well,’ he said briefly, then turned to the Master.

But she knew that that day she had not failed him, for his eyes had been bright when they rested on hers; she had seen great love in those melancholy eyes, together with a curiously wistful expression of which her youth lacked understanding. And now many people smiled broadly at Stephen, patting her pony and calling him a flier.

One old farmer remarked: ‘ ’E do be a good plucked un, and so be ‘is rider—beggin’ your pardon.’

At which Stephen must blush and grow slightly mendacious, pretending to give all the credit to the pony, pretending to feel very humble of spirit, which she knew she was far from feeling.

‘Come along!’ called Sir Philip, ‘No more to-day, Stephen, your poor little fellow’s had enough for one day.’ Which was true, since Collins was all of a tremble, what with excitement and straining short legs to keep up with vainglorious hunters.

Whips touched hats: ‘Good-bye, Stephen, come out soon again—See you on Tuesday, Sir Philip, with the Croome.’ And the field settled down to the changing of horses, before drawing yet one more cover.

5

Father and daughter rode home through the twilight, and now there were no dog-roses in the hedges, the hedges stood leafless and grey with frost rime, a network of delicate branches. The earth smelt as clean as a newly washed garment—it smelt of ‘God’s washing,’ as Stephen called it—while away to the left, from a distant farm-house, came the sound of a yard-dog, barking. Small lights were glowing in cottage windows as yet uncurtained, as yet very friendly; and beyond, where the great hills of Malvern showed blue against the pale sky, many small lights were burning—lights of home newly lit on the altar of the hills to the God of both hills and homesteads. No birds were singing in the trees by the roadside, but a silence prevailed, more lovely than bird song; the thoughtful and holy silence of winter, the silence of trustfully waiting furrows. For the soil is the greatest saint of all ages, knowing neither impatience, nor fear, nor doubting; knowing only faith, from which spring all blessings that are needful to nurture man.

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