Stefano Conti - I Am The Emperor

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I Am The Emperor: краткое содержание, описание и аннотация

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Historic-archaeological Thriller
A secret hidden for centuries, places soaked with magic, a tormented love story, an occult sect: these are the ingredients of a novel where history and irony, archaeology and mystery are mixed to create a captivating story. A fascinating trip throughout space and time, from ancient romans to medieval crusades, from the byzantine empire to the Renaissance House of Medici, until today.
Tarsus (Turkey), 8 July 2010.
A university professor finds in his excavations what many looked for in vain: the tomb of Julian the Apostate, the philosophe emperor. But the sepulchre is empty and right after the discovery the archaeologist is found dead. Has he been murdered? Who stole Julian’s mortal remains? Where is the famous treasure that was buried with the roman emperor?
That’s from here that the adventure starts for Francesco Speri, a bank employee passionate about history, who, with the help of his beloved Chiara, investigates among ancient sites and ciphered codes. The intrigue gets thicker when a neo-pagan organisation will try in any way to stop the protagonist, who is willing to go on with his researches of the professor and the Apostate at all costs…

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Aturk, the oldest, was standing behind the doors from several minutes and he slams it open when he hears the noise of his father’s old car. «So, are they giving it to me?»

«Don’t we say hello anymore?» answers grouchy his dad.

«Welcome back, Mr lieutenant» says Aturk in a mockingly serious tone, then he repeats: «Will I get it?»

Karim does not answer, he enters his house, leaves the uniform jacket on the coat hanger and goes sitting on a brown armchair in the living room; his son follows him.

«They haven’t told me anything.»

«Can’t you just call them? Do you realise how important this is?»

«I know» he says grumpy. «Get me something to drink.»

The lieutenant gets up to pick up his jacket again, he takes a small black leather diary from a pocket, goes back to the armchair and dials a number on the phone: «Good evening, this is…»

«Don’t say your name!» The voice at the other side immediately interrupts him. «I told you not to call.»

«Yes… I know, but, you see…»

The mysterious voice cuts him: «Did you do what I asked?»

«Yes, Mister…»

«I told you: no names!»

«Well, that Italian: we stopped him and hold him until we could. Now he has a document from the embassy, he will get back his passport only on Monday.»

«Good! Remember: when he gets back to Ankara with the coffin, do as we told you.»

«Yes, seal it well and carve the letters…»

«Follow the instructions» stops him abruptly the voice.

The lieutenant proceeds, fearful: «Of course. I wanted to know if, as agreed, my son…»

«He can apply.»

«So, you guarantee he will…»

The voice again: «I told you he must apply: this means he will succeed!»

«I… Thank you.»

«Goodbye. Don’t call here ever again!»

«Thanks again and good night.»

Aturk enters from the kitchen, slowly and goofy watching out not to let a single drop fall from a glass full of a low-quality white wine: «So?»

«You can apply.»

His son doesn’t understand either: «I’ve got the application ready since months ago…»

«I told you to apply: the place is yours.»

«Thank you, thank you» Aturk gets closer to his dad, as to kiss him. He just hugs him, to be coldly hugged back.

«Come on, go make dinner for you and your brother now.»

The lieutenant sips his wine slowly, before going to bed, satisfied with what he had done during his day.

Saturday 17 July

I fell asleep California dreaming and I wake up in the middle of traffic noises and undistinguished yelling, while the bus gets slowly into the station: Tarsus reminds me of Palermo, which, according to the movie Johnny Stecchino is famous for its chaotic traffic.

I walk to the city centre, or at least what I imagine it to be: there is a monumental door from the roman era (might this be the renowned door where Antony met Cleopatra before Actium’s defeat?). Here no one speaks German, I just show the paper with the engineer’s address to anyone I meet: between gestures and half English words, they show me a road running along the Berdan river. My classical memories remind me that is the Cydnus , famous in ancient times for its transparent but freezing waters, which almost caused Alexander the Great’s drowning. Now it’s reduced to a disgusting blackish river, due to the many industrial petrol waste discharges from the area, I assume. I ring the bell at number 60, a sort of stilt house: an old hunchbacked lady opens the door.

«I am looking for Fatih Persin…» I ask, a little distracted, in my own language.

«Italian, come in Italian» the old lady smiles, showing her few remaining teeth and inviting me in with her hand. She then runs away up the stairs.

This house is weird looking: half laying on the river, it is almost empty of any objects or furniture, but very original in its style. I make myself comfortable on a red wooden chair, the seat made of woven straw. The smell of meat sauce slowly cooking has filled the whole dwelling.

From the unstable step ladder that comes out of an opening in the ceiling, a man in his forties comes down, tall and thin, very tall and too thin: «Good morning, I am Fatih» he shakes my hand and says something in Turkish to the lady.

«I am Francesco Speri, Chiara gave me your address… Chiara…» I forgot her family name.

«Rigoni» he finishes a bit surprised. «What I do for you?» The engineer has some trouble with Italian, but we manage to communicate; while he sits, his mother, or at least I think, comes in with a tray and two big cups of coffee. The look is not very tempting: something is floating in it and the smell is sour, yes sour, not bitter.

I perform a thanking gesture, while picking up the enormous cup. «Chiara said I could ask you for help: I need to follow the road along the river to get to mount Taurus. Somewhere there my archaeology professor was digging, when…»

«Italian coffee better, right? It’s lemon inside» Fatih explains seeing my suspicious face. He smiles: «No problem, today is Saturday: I go there with you with motorbike».

I accept his help, not before gulping down this sort of hot lemonade that tastes like coffee.

We leave immediately, no helmets on. The motorbike is actually a moped: it doesn’t go faster than 30 km per hour, but even in these conditions, not being the one who drives, makes me feel like on a plane! The road is long and bumpy: I hug tighter the poor driver at every turn; it makes me a little embarrassed, but the fear of being thrown out is bigger. This rough path seems endless, but suddenly Fatih stops: he noticed some panels indicating men at work. We leave the moped and carry on on foot until a sloping height: it is the archaeological site dug by the professor.

Poor Julian: buried in a lonely and forgotten mountain moor, away from the fabulous world he used to reign. Actually, it was not his choice: in sign of spite towards the inhabitants of Antiochia , from where he left on his Persian expedition, he promised himself he would have camped in Tarsus at his return, rather than see the Antiochians again. He didn’t come back alive from that war. His officers, as an extreme form of respect, decided to bury him where he decided to camp that winter: a long, never ending, winter.

The access to the pit is forbidden, it was trenched with a basic barbed wire. A man approaches, he is busy with his hand keeping a huge straw hat on his head. He seems sceptical, but as soon as I mention Luigi Barbarino he lets us in, introducing himself as the professor’s assistant. The sun shines merciless. He shows us to follow him into a sort of warehouse: I can see fragments of ancient vases and animal bones bundled up, but also pots and dirty clothes. In this aluminium roofed and very dusty warehouse, this queer guy, apart from working, also seems to be sleeping and eating.

I would like some information about the incredible finding of the Apostate. With a contrite look on my face, I ask first, with the help of Fatih, news about the professor.

The face of my “interpreter” becomes worried and then grim, after all I did not had the time to tell him about the passing of the “brightest”: «He says that he find dead professor other Saturday, next to… how do you say big descent?»

The assistant claims that last Friday, before leaving, he saw the eminent archaeologist performing land surveys in the pit and that the next morning he found him a little more down that slope, laying on the ground. He had a heart attack and then fell lifeless down the escarpment. The Turkish guy does not seem particularly sad about it, probably because working with the professor left him with the same disgusting sensation as I was. The assistant, a short guy with a fast pace, precedes us on the tragedy site: he really wants us to see the exact place of the finding.

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