Array Anacreon - Yale Required Reading - Collected Works (Vol. 1)

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Ancient Greek literature has a profound impact on western literature at large. In particular, many ancient Roman authors drew inspiration from their Greek predecessors. Ever since the Renaissance, European authors in general, including Dante Alighieri, William Shakespeare, John Milton, and James Joyce, have all drawn heavily on classical themes and motifs. Even today authors are fascinated with Greek literature, and still great works of literature are based on ancient myths and plays. The readers can still relate to these works of art and learn from them, even though written two millennials ago.
This collection is based on the required reading list of Yale Department of Classics. Originally designed for students, this anthology is meant for everyone wanting to know more about history and literature of this period, interested in poetry, philosophy and drama of Antient Greece.

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Queen of the heaven?

Why does the heart in thy bosom

Ever revert in its yearning

Throb to the Goddess?

Why are thy senses unsated

Ever in quest of elusive

Love that is deathless?

Ah, gracious Daughter of Cyprus,

Never can I as a mortal

Tire of thy service.

Thou art the breath of my body,

The blood in my veins, and the glowing

Pulse of my bosom.

Omnipotent, burning, resistless,

Thou art the passion that shaking

Masters me ever.

Thou art the crisis of rapture

Relaxing my limbs, and the melting

Ebb of emotion;

Bringing the tears to my lashes,

Sighs to my lips, in the swooning

Excess of passion.

O golden-crowned Aphrodite,

Grant I shall ever be grateful,

Sure of thy favor;

Worthy the lot of thy priestess,

Supreme in the song that forever

Rings with thy praises.

THE FIRST KISS

And down I set the cushion

Upon the couch that she,

Relaxed supine upon it,

Might give her lips to me.

As some enamored priestess

At Aphrodite's shrine,

Entranced I bent above her

With sense of the divine.

She had, by nature nubile,

In years a child, no hint

Of any secret knowledge

Of passion's least intent.

Her mouth for immolation

Was ripe, and mine the art;

And one long kiss of passion

Deflowered her virgin heart.

ODE TO ATTHIS

I loved you, Atthis, once, long years ago!

My blood was flame that thrilled to passion's throe;

Now long neglect has quenched the olden fire,

And blight of drifting years effaced desire.

I loved you, Atthis—joy of long ago—

Love shook my soul as winds on forests blow;

This lawless heart that dared exhaust delight,

Unsated strove and maddened through the night.

I loved you, Atthis, once, long years ago!

With pain whose surge I felt to anguish grow;

Suffered the storms that waste the heart and leave

A desert shore where seas but break to grieve.

I loved you, Atthis—spring of long ago—

Watched you depart, to Andromeda go;

Then I, as keen despair its shadow cast,

O'er my deserted threshold, sobbing, passed.

I loved you, Atthis, once, long years ago!

The thought of me is hateful now, I know;

And all the lavish tenderness of old

Has gone from me and left my bosom cold.

I loved you, Atthis—dream of long ago—

* * * * * * * * * * * * *

How the fond words, impassioned music low,

Sustain the sigh of love's divine regret

No length of time may bid the heart forget.

COMPARISON

Less soft a Tyrian robe

Of texture fine,

Less delicate a rose

Than flesh of thine.

Whiter thy breast than snow

That virgin lies,

And deeper than the blue

Of seas thy eyes.

More golden than the fruit

Of orange trees,

Thy locks that floating lure

The satyr breeze.

Less fine of silver string

An Orphic lyre,

Less sweet than thy low laugh

That wakes desire.

THE SACRIFICE

Upon a cushion soft

My limbs I place,

My every garment doffed

For deeper grace;

From burning doves embalmed

In baccharis,

The scented fumes have calmed

Me like a kiss.

Beyond the phallic shrine

That tripods light,

I pledge with holy wine

An image white;

Anadyomene,

Than foam more fair,

When from the ravished sea

She rose to air.

Daughter of God, accept

These gifts of mine!

Last night my body slept

In arms divine.

These sated lips and eyes

That erstwhile sued,

Accord this sacrifice

In gratitude.

LEDA

Once on a time

They say that Leda found

Beneath the thyme

An egg upon the ground;

And yet the swan

She fondled long ago

Was whiter than

Its shell of peeping snow.

AMŒBEUM: ALCÆUS AND SAPPHO

ALCUSÆUS

Violet-weaving Sappho, pure and lovely,

Softly-smiling Sappho, I would utter

Something that my secret hope has cherished,

Did no painful sense of shame deter me.

SAPPHO

Had the impulse of thy heart been honest,

It had urged no evil supplication;

Shame had not abashed thy eyes before me,

And thy words had done thee no dishonor.

ALCÆUS

Softly-smiling Sappho, longing bids me

Tell thee all that in my heart lies hidden.

SAPPHO

Have no fear, Alcæus, to offend me!

Thy emotion stirs my heart to pity.

ALCÆUS

I desire thee, violet-weaving Sappho!

Love thee madly, softly-smiling Sappho!

SAPPHO

Hush, Alcæus! thou must choose a younger

Comrade for thy couch, for I would never

Join thy years to mine—the Gods forbid it—

Youth and ardent fire to age and ashes.

THE LOVE OF SELENE

Across the still sea's moonlit wave

Selene came

Softly to seek the Latmian cave,

Her breast aflame

With secret passion's ruthless throe,

Her scruples done,

And burning with desire to know

Endymion.

THE CRETAN DANCE

As the moon in all her splendor

Slowly rose above the forest,

Silent stood the Cretan women

Round the altar.

Girdled close their clinging tunics,

Made of some transparent fabric,

Traced the every curve and lissome

Of their bodies.

With revering eyes uplifted

To the round and rising planet,

Soon its drifting beams of silver

Lit their faces.

Soft and clear its sphere effulgent,

Full defined above the treetops,

Steeped in pale unearthly glamor

All the landscape.

When the argent glimmer rested

On the altar piled with garlands,

And its glow unveiled the marble

Aphrodite;

Linking hands, the Cretan women

Moving gracefully with metric

Steps began to dance a measure

To the Goddess.

All so light their feet unsandalled

Pressed the velvet grass in treading,

That they scarcely bruised its tender

Blooming verdure.

Slowly turning in a circle

To the east, their voices chanted

In a plaintive note the sacred

Ithyphallics;

Then they paused, their steps retracing

Toward the west, and answered strophe

By antistrophe with choric

Tones accordant;

With the aftersong epodic,

Standing all before the altar,

Lo! the hymn in praise of Paphos

Was completed.

TO ALCÆUS

Countless are the cups thou drainest

In thy hymns to Dionysos,

O Alcæus!

War and wine alone thou singest;—

Whereforenot of Aphrodite,

O Alcæus!

Spacious halls are thine where many

Trophies hang in Ares' honor,

O Alcæus!

Brazen shields and shining helmets,

Plates of brass, Chalcidian broad-swords,

O Alcæus!

When with winter roars the Thracian

North wind through the leafless forest,

O Alcæus!

Thou dost heap the fire and banish

Care with many a tawny goblet,

O Alcæus!

HYPORCHEME

Thus contend the maidens

In the cretic dance,

Rosy arms that glisten,

Eyes that glance;

Cheeks as fair as blossoms,

Parted lips that glow,

With their honeyed voices

Chanting low;

With their plastic bodies

Swaying to the flute,

Moving with the music

Never mute;

Graceful the orchestric

Figures they unfold,

While the vesper heaven

Turns to gold.

Turns to gold.

LARICHUS

While charming maids plait garlands for thy brows,

Larichus, bring the pledge for this carouse

Like lovely Ganymede, brother mine,

And cool from thy patera pour the wine.

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