Array Anacreon - Yale Required Reading - Collected Works (Vol. 1)

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Ancient Greek literature has a profound impact on western literature at large. In particular, many ancient Roman authors drew inspiration from their Greek predecessors. Ever since the Renaissance, European authors in general, including Dante Alighieri, William Shakespeare, John Milton, and James Joyce, have all drawn heavily on classical themes and motifs. Even today authors are fascinated with Greek literature, and still great works of literature are based on ancient myths and plays. The readers can still relate to these works of art and learn from them, even though written two millennials ago.
This collection is based on the required reading list of Yale Department of Classics. Originally designed for students, this anthology is meant for everyone wanting to know more about history and literature of this period, interested in poetry, philosophy and drama of Antient Greece.

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Religion there is mainly a belief in a primal Being, not necessarily conceived as spiritual, but rather as an undying magnified Man, of indefinitely extensive powers. He dwells above “the vaulted sky beyond which lies the mysterious home of that great and powerful Being, who is Bunjil, Baiame, or Daramulun in different tribal languages, but who in all is known by a name the equivalent of the only one used by the Kurnai, which is Mungan-ngaur, or ‘Our Father.’” 45This Father is conceived of in some places as “a very great old man with a long beard,” enthroned on, or growing into, a crystal throne. Often he is served by a son or sons (Apollo, Hermes), frequently regarded as spiritually begotten; elsewhere, looked on as the son of the wife of the deity, and as father of the tribe. 46aScandals connected with fatherhood, amorous intrigues so abundant in Greek mythology, are usually not reported among the lowest races. In one known case, the deity, Pundjel or Bunjil, takes the wives of Karween, who is changed into a crane. 46bThis is one of the many savage ætiological myths which account for the peculiarities of animals as a result of metamorphosis, in the manner of Ovid. It has been connected with the legend of Bunjil, who is thus envisaged, not as “Our Father” beyond the vault of heaven, who still inspires poets, 46cbut as a wandering, shape-shifting medicine-man. Zeus, the Heavenly Father, of course appears times without number in the same contradictory aspect.

But such anecdotes are either not common, or are not frequently reported, in the faiths of the most archaic of known races. Much more frequently we find the totemistic conception. All the kindreds with animal names (why adopted we do not know) are apt to explain these designations by descent from the animals selected, or by metamorphosis of the primal beasts into men. This collides with the other notions of descent from, or creation or manufacture out of clay, by the primal Being, “Father Ours.” Such contradictions are nothing to the savage theologian, who is no reconciler or apologist. But when reconciliation and apology are later found to be desirable, as in Greece, it is easy to explain that we are descended both from Our Father, and from a swan, cow, ant, serpent, dog, wolf, or what you will. That beast was Our Father, say Father Zeus, in animal disguise. Thus Greek legends of bestial amours of a God are probably, in origin, not primitive, but scandals produced in the effort to reconcile contradictory myths. The result is a worse scandal, an accretion of more low myths about a conception of the primal Being which was, relatively, lofty and pure.

Again, as aristocracies arose, the chief families desired to be sons of the Father in a special sense: not as common men are. Her Majesty’s lineage may thus be traced to Woden! Now each such descent required a separate divine amour, and a new scandalous story of Zeus or Apollo, though Zeus may originally have been as celibate as the Australian Baiame or Noorele are, in some legends. Once more, syncretism came in as a mythopœic influence. Say that several Australian nations, becoming more polite, amalgamated into a settled people. Then we should have several Gods, the chief Beings of various tribes, say Noorele, Bunjil, Mungan-ngaur, Baiame, Daramulun, Mangarrah, Mulkari, Pinmeheal. The most imposing God of the dominant tribe might be elevated to the sovereignty of Zeus. But, in the new administration, places must be found for the other old tribal Gods. They are, therefore, set over various departments: Love, War, Agriculture, Medicine, Poetry, Commerce, while one or more of the sons take the places of Apollo and Hermes. There appears to be a very early example of syncretism in Australia. Daramulun (Papang, Our Father) is “Master of All,” on the coast, near Shoalhaven River. Baiame is “Master of All,” far north, on the Barwan. But the locally intermediate tribe of the Wiraijuri, or Wiradthuri, have adopted Baiame, and reduced Daramulun to an exploded bugbear, a merely nominal superintendent of the Mysteries; and the southern Coast Murring have rejected Baiame altogether, or never knew him, while making Daramulun supreme.

One obvious method of reconciling various tribal Gods in a syncretic Olympus, is the genealogical. All are children of Zeus, for example, or grandchildren, or brothers and sisters. Fancy then provides an amour to account for each relationship. Zeus loved Leto, Leda, Europa, and so forth. Thus a God, originally innocent and even moral, becomes a perfect pattern of vice; and the eternal contradiction vexes the souls of Xenophanes, Plato, and St. Augustine. Sacrifices, even human sacrifices, wholly unknown to the most archaic faiths, were made to ghosts of men: and especially of kings, in the case of human sacrifice. Thence they were transferred to Gods, and behold a new scandal, when men began to reflect under more civilised conditions. Thus all these legends of divine amours and sins, or most of them, including the wanton legend of Aphrodite, and all the human sacrifices which survived to the disgrace of Greek religion, are really degrading accessories to the most archaic beliefs. They are products, not of the most rudimentary savage existence, but of the evolution through the lower and higher barbarism. The worst features of savage ritual are different—taking the lines of sorcery, of cruel initiations, and, perhaps, of revival of the licence of promiscuity, or of Group Marriage. Of these things the traces are not absent from Greek faith, but they are comparatively inconspicuous.

Buffoonery, as we have seen, exists in all grades of civilised or savage rites, and was not absent from the popular festivals of the mediæval Church: religion throwing her mantle over every human field of action, as over Folk Medicine. On these lines I venture to explain what seem to me the strange and repugnant elements of the religion of a people so refined, and so capable of high moral ideas, as the Greeks. Aphrodite is personified desire, but religion did not throw her mantle over desire alone; the cloistered life, the frank charm of maidenhood, were as dear to the Greek genius, and were consecrated by the examples of Athene, Artemis, and Hestia. She presides over the pure element of the fire of the hearth, just as in the household did the daughter of the king or chief. Hers are the first libations at feasts (xxviii. 5), though in Homer they are poured forth to Hermes.

We may explain the Gods of the minor hymns in the same way. Pan, for instance, as the son of Hermes, inherits the wild, frolicsome, rural aspect of his character. The Dioscuri answer to the Vedic Asvins, twin rescuers of men in danger on land or sea: perhaps the Evening and Morning Star. Dionysus is another aspect of the joy of life and of the world and the vintaging. Moon and Sun, Selene and Helios, appear as quite distinct from Artemis and Apollo; Gæa, the Earth, is equally distinct from Demeter. The Hymn to Ares is quite un-Homeric in character, and is oddly conceived in the spirit of the Scottish poltroon, who cries to his friend, “Haud me, haud me, or I’ll fecht!” The war-god is implored to moderate the martial eagerness of the poet. The original collector here showed lack of discrimination. At no time, however, was Ares a popular God in Greece; in Homer he is a braggart and coward.

THE HYMN TO DEMETER

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The beautiful Hymn to Demeter, an example of Greek religious faith in its most pensive and most romantic aspects, was found in the last century (1780), in Moscow. Inter pullos et porcos latitabat : the song of the rural deity had found its way into the haunts of the humble creatures whom she protected. A discovery even more fortunate, in 1857, led Sir Charles Newton to a little sacellum , or family chapel, near Cnidos. On a platform of rock, beneath a cliff, and looking to the Mediterranean, were the ruins of the ancient shrine: the votive offerings; the lamps long without oil or flame; the Curses, or Diræ, inscribed on thin sheets of lead, and directed against thieves or rivals. The head of the statue, itself already known, was also discovered. Votive offerings, cheap curses, objects of folk-lore rite and of sympathetic magic,—these are connected with the popular, the peasant aspect of the religion of Demeter. She it is to whom pigs are sacrificed: who makes the fields fertile with scattered fragments of their flesh; and her rustic effigy, at Theocritus’s feast of the harvest home, stands smiling, with corn and poppies in her hands.

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