Lucius Seneca - Yale Required Reading - Collected Works (Vol. 2)

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This collection is based on the required reading list of Yale Department of Classics. Originally designed for students, this anthology is meant for everyone eager to know more about the history and literature of this period, interested in poetry, philosophy and rhetoric of Ancient Rome.
Latin literature is a natural successor of Ancient Greek literature. The beginning of Classic Roman literature dates to 240 BC. From that point on, Latin literature would flourish for the next six centuries. Latin was the language of the ancient Romans, but it was also the lingua franca of Western Europe throughout the Middle Ages. Consequently, Latin Literature outlived the Roman Empire and it included European writers who followed the fall of the Empire, from religious writers like Aquinas, to secular writers like Francis Bacon, Baruch Spinoza, and Isaac Newton. This collection presents all the major Classic Roman authors, including Cicero, Virgil, Ovid and Horace whose work intrigues and fascinates readers until this day.
Content:
Plautus:
Aulularia
Amphitryon
Terence:
Adelphoe
Ennius:
Annales
Catullus:
Poems and Fragments
Lucretius:
On the Nature of Things
Julius Caesar:
The Civil War
Sallust:
History of Catiline's Conspiracy
Cicero:
De Oratore
Brutus
Horace:
The Odes
The Epodes
The Satires
The Epistles
The Art of Poetry
Virgil:
The Aeneid
The Georgics
Tibullus:
Elegies
Propertius:
Elegies
Cornelius Nepos:
Lives of Eminent Commanders
Ovid:
The Metamorphoses
Augustus:
Res Gestae Divi Augusti
Lucius Annaeus Seneca:
Moral Letters to Lucilius
Lucan:
On the Civil War
Persius:
Satires
Petronius:
Satyricon
Martial:
Epigrams
Pliny the Younger:
Letters
Tacitus:
The Annals
Quintilian:
Institutio Oratoria
Juvenal:
Satires
Suetonius:
The Twelve Caesars
Apuleius:
The Metamorphoses
Ammianus Marcellinus:
The Roman History
Saint Augustine of Hippo:
The Confessions
Claudian:
Against Eutropius
Boethius:
The Consolation of Philosophy
Plutarch:
The Rise and Fall of Roman Supremacy:
Romulus
Poplicola
Camillus
Marcus Cato
Lucullus
Fabius
Crassus
Coriolanus
Cato the Younger
Cicero

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Expelled, a picture from the mirrors' plane.

Nor otherwise, it seems, can they be kept

So well conserved that thus be given back

Figures so like each object.

Now then, learn

How tenuous is the nature of an image.

And in the first place, since primordials be

So far beneath our senses, and much less

E'en than those objects which begin to grow

Too small for eyes to note, learn now in few

How nice are the beginnings of all things—

That this, too, I may yet confirm in proof:

First, living creatures are sometimes so small

That even their third part can nowise be seen;

Judge, then, the size of any inward organ—

What of their sphered heart, their eyes, their limbs,

The skeleton?—How tiny thus they are!

And what besides of those first particles

Whence soul and mind must fashioned be?—Seest not

How nice and how minute? Besides, whatever

Exhales from out its body a sharp smell—

The nauseous absinth, or the panacea,

Strong southernwood, or bitter centaury—

If never so lightly with thy [fingers] twain

Perchance [thou touch] a one of them

Then why not rather know that images

Flit hither and thither, many, in many modes,

Bodiless and invisible?

But lest

Haply thou holdest that those images

Which come from objects are the sole that flit,

Others indeed there be of own accord

Begot, self-formed in earth's aery skies,

Which, moulded to innumerable shapes,

Are borne aloft, and, fluid as they are,

Cease not to change appearance and to turn

Into new outlines of all sorts of forms;

As we behold the clouds grow thick on high

And smirch the serene vision of the world,

Stroking the air with motions. For oft are seen

The giants' faces flying far along

And trailing a spread of shadow; and at times

The mighty mountains and mountain-sundered rocks

Going before and crossing on the sun,

Whereafter a monstrous beast dragging amain

And leading in the other thunderheads.

Now [hear] how easy and how swift they be

Engendered, and perpetually flow off

From things and gliding pass away....

For ever every outside streams away

From off all objects, since discharge they may;

And when this outside reaches other things,

As chiefly glass, it passes through; but where

It reaches the rough rocks or stuff of wood,

There 'tis so rent that it cannot give back

An image. But when gleaming objects dense,

As chiefly mirrors, have been set before it,

Nothing of this sort happens. For it can't

Go, as through glass, nor yet be rent—its safety,

By virtue of that smoothness, being sure.

'Tis therefore that from them the images

Stream back to us; and howso suddenly

Thou place, at any instant, anything

Before a mirror, there an image shows;

Proving that ever from a body's surface

Flow off thin textures and thin shapes of things.

Thus many images in little time

Are gendered; so their origin is named

Rightly a speedy. And even as the sun

Must send below, in little time, to earth

So many beams to keep all things so full

Of light incessant; thus, on grounds the same,

From things there must be borne, in many modes,

To every quarter round, upon the moment,

The many images of things; because

Unto whatever face of things we turn

The mirror, things of form and hue the same

Respond. Besides, though but a moment since

Serenest was the weather of the sky,

So fiercely sudden is it foully thick

That ye might think that round about all murk

Had parted forth from Acheron and filled

The mighty vaults of sky—so grievously,

As gathers thus the storm-clouds' gruesome night,

Do faces of black horror hang on high—

Of which how small a part an image is

There's none to tell or reckon out in words.

Now come; with what swift motion they are borne,

These images, and what the speed assigned

To them across the breezes swimming on—

So that o'er lengths of space a little hour

Alone is wasted, toward whatever region

Each with its divers impulse tends—I'll tell

In verses sweeter than they many are;

Even as the swan's slight note is better far

Than that dispersed clamour of the cranes

Among the southwind's aery clouds. And first,

One oft may see that objects which are light

And made of tiny bodies are the swift;

In which class is the sun's light and his heat,

Since made from small primordial elements

Which, as it were, are forward knocked along

And through the interspaces of the air

To pass delay not, urged by blows behind;

For light by light is instantly supplied

And gleam by following gleam is spurred and driven.

Thus likewise must the images have power

Through unimaginable space to speed

Within a point of time,—first, since a cause

Exceeding small there is, which at their back

Far forward drives them and propels, where, too,

They're carried with such winged lightness on;

And, secondly, since furnished, when sent off,

With texture of such rareness that they can

Through objects whatsoever penetrate

And ooze, as 'twere, through intervening air.

Besides, if those fine particles of things

Which from so deep within are sent abroad,

As light and heat of sun, are seen to glide

And spread themselves through all the space of heaven

Upon one instant of the day, and fly

O'er sea and lands and flood the heaven, what then

Of those which on the outside stand prepared,

When they're hurled off with not a thing to check

Their going out? Dost thou not see indeed

How swifter and how farther must they go

And speed through manifold the length of space

In time the same that from the sun the rays

O'erspread the heaven? This also seems to be

Example chief and true with what swift speed

The images of things are borne about:

That soon as ever under open skies

Is spread the shining water, all at once,

If stars be out in heaven, upgleam from earth,

Serene and radiant in the water there,

The constellations of the universe—

Now seest thou not in what a point of time

An image from the shores of ether falls

Unto the shores of earth? Wherefore, again,

And yet again, 'tis needful to confess

With wondrous...

THE SENSES AND MENTAL PICTURES

Table of Contents

Bodies that strike the eyes, awaking sight.

From certain things flow odours evermore,

As cold from rivers, heat from sun, and spray

From waves of ocean, eater-out of walls

Around the coasts. Nor ever cease to flit

The varied voices, sounds athrough the air.

Then too there comes into the mouth at times

The wet of a salt taste, when by the sea

We roam about; and so, whene'er we watch

The wormword being mixed, its bitter stings.

To such degree from all things is each thing

Borne streamingly along, and sent about

To every region round; and nature grants

Nor rest nor respite of the onward flow,

Since 'tis incessantly we feeling have,

And all the time are suffered to descry

And smell all things at hand, and hear them sound.

Besides, since shape examined by our hands

Within the dark is known to be the same

As that by eyes perceived within the light

And lustrous day, both touch and sight must be

By one like cause aroused. So, if we test

A square and get its stimulus on us

Within the dark, within the light what square

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