Miguel Cervantes - Don Quixote

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Don Quixote: краткое содержание, описание и аннотация

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Contains Active Table of Contents (HTML) and in the end of book include a bonus link to the free audiobook.
Cervantes wrote that the first chapters were taken from «the archives of La Mancha», and the rest were translated from an Arabic text by the Moorish author Cide Hamete Benengeli. This metafictional trick appears to give a greater credibility to the text, implying that Don Quixote is a real character and that the events related truly occurred several decades prior to the recording of this account. However, it was also common practice in that era for fictional works to make some pretense of being factual, such as the common opening line of fairy tales «Once upon a time in a land far away…».
In the course of their travels, the protagonists meet innkeepers, prostitutes, goat-herders, soldiers, priests, escaped convicts and scorned lovers. The aforementioned characters sometimes tell tales that incorporate events from the real world, like the conquest of the Kingdom of Maynila or battles in the Eighty Years' War. Their encounters are magnified by Don Quixote's imagination into chivalrous quests. Don Quixote's tendency to intervene violently in matters irrelevant to himself, and his habit of not paying debts, result in privations, injuries, and humiliations (with Sancho often the victim). Finally, Don Quixote is persuaded to return to his home village. The narrator hints that there was a third quest, but says that records of it have been lost.

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Table of Contents

Don Quixote

Miguel Cervantes

Part 1 Part 1

The Author's Preface

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Part 2

The Author's Preface

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

AudioBook

Don Quixote

Miguel Cervantes

(Translator: John Ormsby)

Published:1615 Categorie(s):Fiction, Humorous

Part 1

TO THE DUKE OF BEJAR, MARQUIS OF GIBRALEON, COUNT OF BENALCAZAR AND BANARES, VICECOUNT OF THE PUEBLA DE ALCOCER, MASTER OF THE TOWNS OF CAPILLA, CURIEL AND BURGUILLOS

In belief of the good reception and honours that Your Excellency bestows on all sort of books, as prince so inclined to favor good arts, chiefly those who by their nobleness do not submit to the service and bribery of the vulgar, I have determined bringing to light The Ingenious Gentleman Don Quixote of la Mancha, in shelter of Your Excellency's glamorous name, to whom, with the obeisance I owe to such grandeur, I pray to receive it agreeably under his protection, so that in this shadow, though deprived of that precious ornament of elegance and erudition that clothe the works composed in the houses of those who know, it dares appear with assurance in the judgment of some who, trespassing the bounds of their own ignorance, use to condemn with more rigour and less justice the writings of others. It is my earnest hope that Your Excellency's good counsel in regard to my honourable purpose, will not disdain the littleness of so humble a service.

Miguel de Cervantes

The Author's Preface

Idle reader: thou mayest believe me without any oath that I would this book, as it is the child of my brain, were the fairest, gayest, and cleverest that could be imagined. But I could not counteract Nature's law that everything shall beget its like; and what, then, could this sterile, illtilled wit of mine beget but the story of a dry, shrivelled, whimsical offspring, full of thoughts of all sorts and such as never came into any other imagination—just what might be begotten in a prison, where every misery is lodged and every doleful sound makes its dwelling? Tranquillity, a cheerful retreat, pleasant fields, bright skies, murmuring brooks, peace of mind, these are the things that go far to make even the most barren muses fertile, and bring into the world births that fill it with wonder and delight. Sometimes when a father has an ugly, loutish son, the love he bears him so blindfolds his eyes that he does not see his defects, or, rather, takes them for gifts and charms of mind and body, and talks of them to his friends as wit and grace. I, however—for though I pass for the father, I am but the stepfather to "Don Quixote"—have no desire to go with the current of custom, or to implore thee, dearest reader, almost with tears in my eyes, as others do, to pardon or excuse the defects thou wilt perceive in this child of mine. Thou art neither its kinsman nor its friend, thy soul is thine own and thy will as free as any man's, whate'er he be, thou art in thine own house and master of it as much as the king of his taxes and thou knowest the common saying, "Under my cloak I kill the king;" all which exempts and frees thee from every consideration and obligation, and thou canst say what thou wilt of the story without fear of being abused for any ill or rewarded for any good thou mayest say of it.

My wish would be simply to present it to thee plain and unadorned, without any embellishment of preface or uncountable muster of customary sonnets, epigrams, and eulogies, such as are commonly put at the beginning of books. For I can tell thee, though composing it cost me some labour, I found none greater than the making of this Preface thou art now reading. Many times did I take up my pen to write it, and many did I lay it down again, not knowing what to write. One of these times, as I was pondering with the paper before me, a pen in my ear, my elbow on the desk, and my cheek in my hand, thinking of what I should say, there came in unexpectedly a certain lively, clever friend of mine, who, seeing me so deep in thought, asked the reason; to which I, making no mystery of it, answered that I was thinking of the Preface I had to make for the story of "Don Quixote," which so troubled me that I had a mind not to make any at all, nor even publish the achievements of so noble a knight.

"For, how could you expect me not to feel uneasy about what that ancient lawgiver they call the Public will say when it sees me, after slumbering so many years in the silence of oblivion, coming out now with all my years upon my back, and with a book as dry as a rush, devoid of invention, meagre in style, poor in thoughts, wholly wanting in learning and wisdom, without quotations in the margin or annotations at the end, after the fashion of other books I see, which, though all fables and profanity, are so full of maxims from Aristotle, and Plato, and the whole herd of philosophers, that they fill the readers with amazement and convince them that the authors are men of learning, erudition, and eloquence. And then, when they quote the Holy Scriptures!—anyone would say they are St. Thomases or other doctors of the Church, observing as they do a decorum so ingenious that in one sentence they describe a distracted lover and in the next deliver a devout little sermon that it is a pleasure and a treat to hear and read. Of all this there will be nothing in my book, for I have nothing to quote in the margin or to note at the end, and still less do I know what authors I follow in it, to place them at the beginning, as all do, under the letters A, B, C, beginning with Aristotle and ending with Xenophon, or Zoilus, or Zeuxis, though one was a slanderer and the other a painter. Also my book must do without sonnets at the beginning, at least sonnets whose authors are dukes, marquises, counts, bishops, ladies, or famous poets. Though if I were to ask two or three obliging friends, I know they would give me them, and such as the productions of those that have the highest reputation in our Spain could not equal.

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