Maurice Leblanc - The Crystal Stopper

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The Crystal Stopper Maurice Leblanc – The Crystal Stopper by Maurice Leblanc During a burglary at the home of Deputy Daubrecq a crime is committed, and two accomplices of Arsène Lupin are arrested by the police. One is guilty of the crime, the other innocent, but both will be sentenced to death. Lupin seeks to deliver the victim of a miscarriage of justice, but struggles against Deputy Daubrecq's ruthless blackmailer, who has an incriminating document hidden in a crystal stopper.This ebook include the original and unabridged content. Enjoy it!Maurice-Marie-Émile Leblanc (11 November 1864 – 6 November 1941) was a French novelist and writer of short stories, known primarily as the creator of the fictional gentleman thief and detective Arsène Lupin, often described as a French counterpart to Conan Doyle's creation Sherlock Holmes.

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Daubrecq, laughing, pushed him away repeatedly, but the man clung to him. He behaved almost like one out of his mind and, at last, in a genuine fit of madness, half rose to his feet, took the deputy by the throat and flung him back in a chair. Daubrecq struggled, powerless at first, while his veins swelled in his temples. But soon, with a strength far beyond the ordinary, he regained the mastery and deprived his adversary of all power of movement. Then, holding him with one hand, with the other he gave him two great smacks in the face.

The man got up, slowly. He was livid and could hardly stand on his legs. He waited for a moment, as though to recover his self-possession. Then, with a terrifying calmness, he drew a revolver from his pocket and levelled it at Daubrecq.

Daubrecq did not flinch. He even smiled, with a defiant air and without displaying more excitement than if he had been aimed at with a toy pistol.

The man stood for perhaps fifteen or twenty seconds, facing his enemy, with outstretched arm. Then, with the same deliberate slowness, revealing a self-control which was all the more impressive because it followed upon a fit of extreme excitement, he put up his revolver and, from another pocket, produced his note-case.

Daubrecq took a step forward.

The man opened the pocketbook. A sheaf of banknotes appeared in sight.

Daubrecq seized and counted them. They were thousand-franc notes, and there were thirty of them.

The man looked on, without a movement of revolt, without a protest. He obviously understood the futility of words. Daubrecq was one of those who do not relent. Why should his visitor waste time in beseeching him or even in revenging himself upon him by uttering vain threats and insults? He had no hope of striking that unassailable enemy. Even Daubrecq’s death would not deliver him from Daubrecq.

He took his hat and went away.

At eleven o’clock in the morning Victoire, on returning from her shopping, handed Lupin a note from his accomplices.

He opened it and read:

“The man who came to see Daubrecq last night is Langeroux the deputy, leader of the independent left. A poor man, with a large family.”

“Come,” said Lupin, “Daubrecq is nothing more nor less than a blackmailer; but, by Jupiter, he has jolly effective ways of going to work!”

Events tended to confirm Lupin’s supposition. Three days later he saw another visitor hand Daubrecq an important sum of money. And, two days after that, one came and left a pearl necklace behind him.

The first was called Dachaumont, a senator and ex-cabinet-minister. The second was the Marquis d’Albufex, a Bonapartist deputy, formerly chief political agent in France of Prince Napoleon.

The scene, in each of these cases, was very similar to Langeroux the deputy’s interview, a violent tragic scene, ending in Daubrecq’s victory.

“And so on and so forth,” thought Lupin, when he received these particulars. “I have been present at four visits. I shall know no more if there are ten, or twenty, or thirty... It is enough for me to learn the names of the visitors from my friends on sentry-go outside. Shall I go and call on them?... What for? They have no reason to confide in me... On the other hand, am I to stay on here, delayed by investigations which lead to nothing and which Victoire can continue just as well without me?”

He was very much perplexed. The news of the inquiry into the case of Gilbert and Vaucheray was becoming worse and worse, the days were slipping by, and not an hour passed without his asking himself, in anguish, whether all his efforts—granting that he succeeded—would not end in farcical results, absolutely foreign to the aim which he was pursuing.

For, after all, supposing that he did fathom Daubrecq’s underhand dealings, would that give him the means of rescuing Gilbert and Vaucheray?

That day an incident occurred which put an end to his indecision. After lunch Victoire heard snatches of a conversation which Daubrecq held with some one on the telephone. Lupin gathered, from what Victoire reported, that the deputy had an appointment with a lady for half-past eight and that he was going to take her to a theatre:

“I shall get a pit-tier box, like the one we had six weeks ago,” Daubrecq had said. And he added, with a laugh, “I hope that I shall not have the burglars in during that time.”

There was not a doubt in Lupin’s mind. Daubrecq was about to spend his evening in the same manner in which he had spent the evening six weeks ago, while they were breaking into his villa at Enghien. To know the person whom he was to meet and perhaps thus to discover how Gilbert and Vaucheray had learnt that Daubrecq would be away from eight o’clock in the evening until one o’clock in the morning: these were matters of the utmost importance.

Lupin left the house in the afternoon, with Victoire’s assistance. He knew through her that Daubrecq was coming home for dinner earlier than usual.

He went to his flat in the Rue Chateaubriand, telephoned for three of his friends, dressed and made himself up in his favourite character of a Russian prince, with fair hair and moustache and short-cut whiskers.

The accomplices arrived in a motor-car.

At that moment, Achille, his man, brought him a telegram, addressed to M. Michel Beaumont, Rue Chateaubriand, which ran:

“Do not come to theatre this evening. Danger of your intervention spoiling everything.”

There was a flower-vase on the chimney-piece beside him. Lupin took it and smashed it to pieces.

“That’s it, that’s it,” he snarled. “They are playing with me as I usually play with others. Same behaviour. Same tricks. Only there’s this difference...”

What difference? He hardly knew. The truth was that he too was baffled and disconcerted to the inmost recesses of his being and that he was continuing to act only from obstinacy, from a sense of duty, so to speak, and without putting his ordinary good humour and high spirits into the work.

“Come along,” he said to his accomplices.

By his instructions, the chauffeur set them down near the Square Lamartine, but kept the motor going. Lupin foresaw that Daubrecq, in order to escape the detectives watching the house, would jump into the first taxi; and he did not intend to be outdistanced.

He had not allowed for Daubrecq’s cleverness.

At half-past seven both leaves of the garden-gate were flung open, a bright light flashed and a motor-cycle darted across the road, skirted the square, turned in front of the motor-car and shot away toward the Bois at a speed so great that they would have been mad to go in pursuit of it.

“Good-bye, Daisy!” said Lupin, trying to jest, but really overcome with rage.

He eyed his accomplices in the hope that one of them would venture to give a mocking smile. How pleased he would have been to vent his nerves on them!

“Let’s go home,” he said to his companions.

He gave them some dinner; then he smoked a cigar and they set off again in the car and went the round of the theatres, beginning with those which were giving light operas and musical comedies, for which he presumed that Daubrecq and his lady would have a preference. He took a stall, inspected the lower-tier boxes and went away again.

He next drove to the more serious theatres: the Renaissance, the Gymnase.

At last, at ten o’clock in the evening, he saw a pit-tier box at the Vaudeville almost entirely protected from inspection by its two screens; and, on tipping the boxkeeper, was told that it contained a short, stout, elderly gentleman and a lady who was wearing a thick lace veil.

The next box was free. He took it, went back to his friends to give them their instructions and sat down near the couple.

During the entr’acte, when the lights went up, he perceived Daubrecq’s profile. The lady remained at the back of the box, invisible. The two were speaking in a low voice; and, when the curtain rose again, they went on speaking, but in such a way that Lupin could not distinguish a word.

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