Maurice Leblanc: The Secret of Sarek

Into the picturesque village of Le Faouet, situated in the very heart of Brittany, there drove one morning in the month of May a lady whose spreading grey cloak and the thick veil that covered her face failed to hide her remarkable beauty and perfect grace of figure.

The lady took a hurried lunch at the principal inn. Then, at about half-past eleven, she begged the proprietor to look after her bag for her, asked for a few particulars about the neighbourhood and walked through the village into the open country.

The road almost immediately branched into two, of which one led to Quimper and the other to Quimperle. Selecting the latter, she went down into the hollow of a valley, climbed up again and saw on her right, at the corner of another road, a sign-post bearing the inscription, "Locriff, 3 kilometers."

"This is the place," she said to herself.

Nevertheless, after casting a glance around her, she was surprised not to find what she was looking for and wondered whether she had misunderstood her instructions.

There was no one near her nor any one within[Pg 12] sight, as far as the eye could reach over the Breton country-side, with its tree-lined meadows and undulating hills. Not far from the village, rising amid the budding greenery of spring, a small country house lifted its grey front, with the shutters to all the windows closed. At twelve o'clock, the angelus-bells pealed through the air and were followed by complete peace and silence.

Veronique sat down on the short grass of a bank, took a letter from her pocket and smoothed out the many sheets, one by one.

The first page was headed:

"DUTREILLIS' AGENCY.

"Consulting Rooms.

"Private Enquiries.

"Absolute Discretion Guaranteed."

Next came an address:

"Madame Veronique,

"Dressmaker,

"BESANCON."

And the letter ran:

"Madam,

"You will hardly believe the pleasure which it gave me to fulfill the two commissions which you were good enough to entrust to me in your last favour. I have never forgotten the conditions under which I was able, fourteen years ago, to give you my practical assistance at a time when your life was saddened by painful events. It was I who succeeded in obtaining all the facts relating to the death of your honoured father, M. Antoine d'Hergemont, and of your beloved son Francois. This was my first triumph in a career which was to afford so many other brilliant victories.

[Pg 13]"It was I also, you will remember, who, at your request and seeing how essential it was to save you from your husband's hatred and, if I may add, his love, took the necessary steps to secure your admission to the Carmelite convent. Lastly, it was I who, when your retreat to the convent had shown you that a life of religion did not agree with your temperament, arranged for you a modest occupation as a dressmaker at Besancon, far from the towns where the years of your childhood and the months of your marriage had been spent. You had the inclination and the need to work in order to live and to escape your thoughts. You were bound to succeed; and you succeeded.

"And now let me come to the fact, to the two facts in hand.

"To begin with your first question: what has become, amid the whirlwind of war, of your husband, Alexis Vorski, a Pole by birth, according to his papers, and the son of a king, according to his own statement? I will be brief. After being suspected at the commencement of the war and imprisoned in an internment-camp near Carpentras, Vorski managed to escape, went to Switzerland, returned to France and was re-arrested, accused of spying and convicted of being a German. At the moment when it seemed inevitable that he would be sentenced to death, he escaped for the second time, disappeared in the Forest of Fontainebleau and in the end was stabbed by some person unknown.

"I am telling you the story quite crudely, Madam, well knowing your contempt for this person, who had deceived you abominably, and knowing also that you have learnt most of these facts from the newspapers, though you have not been able to verify their absolute genuineness.

"Well, the proofs exist. I have seen them. There is no doubt left. Alexis Vorski lies buried at Fontainebleau.

"Permit me, in passing, Madam, to remark upon the strangeness of this death. You will remember the curious prophecy about Vorski which you mentioned to me. Vorski, whose undoubted intelligence and exceptional energy were[Pg 14] spoilt by an insincere and superstitious mind, readily preyed upon by hallucinations and terrors, had been greatly impressed by the prediction which overhung his life and which he had heard from the lips of several people who specialize in the occult sciences:

"'Vorski, son of a king, you will die by the hand of a friend and your wife will be crucified!' "I smile, Madam, as I write the last word. Crucified! Crucifixion is a torture which is pretty well out of fashion; and I am easy as regards yourself. But what do you think of the dagger-stroke which Vorski received in accordance with the mysterious orders of destiny?

"But enough of reflections. I now come…"

Veronique dropped the letter for a moment into her lap. M. Dutreillis' pretentious phrasing and familiar pleasantries wounded her fastidious reserve. Also she was obsessed by the tragic image of Alexis Vorski. A shiver of anguish passed through her at the hideous memory of that man. She mastered herself, however, and read on:

"I now come to my other commission, Madam, in your eyes the more important of the two, because all the rest belongs to the past.

"Let us state the facts precisely. Three weeks ago, on one of those rare occasions when you consented to break through the praiseworthy monotony of your existence, on a Thursday evening when you took your assistants to a cinema-theatre, you were struck by a really incomprehensible detail. The principal film, entitled 'A Breton Legend,' represented a scene which occurred, in the course of a pilgrimage, outside a little deserted road-side hut which had nothing to do with the action. The hut was obviously there by accident. But something really extraordinary attracted your attention. On the tarred boards of the old door were three letters, drawn by hand: 'V. d'H.,' and those three letters were precisely[Pg 15] your signature before you were married, the initials with which you used to sign your intimate letters and which you have not used once during the last fourteen years! Veronique d'Hergemont! There was no mistake possible. Two capitals separated by the small 'd' and the apostrophe. And, what is more, the bar of the letter 'H.', carried back under the three letters, served as a flourish, exactly as it used to do with you!

"It was the stupefaction due to this surprising coincidence that decided you, Madam, to invoke my assistance. It was yours without the asking. And you knew, without any telling, that it would be effective.

"As you anticipated, Madam, I have succeeded. And here again I will be brief.

"What you must do, Madam, is to take the night express from Paris which brings you the next morning to Quimperle. From there, drive to Le Faouet. If you have time, before or after your luncheon, pay a visit to the very interesting Chapel of St. Barbe, which stands perched on the most fantastic site and which gave rise to the 'Breton Legend' film. Then go along the Quimper road on foot. At the end of the first ascent, a little way short of the parish-road which leads to Locriff, you will find, in a semicircle surrounded by trees, the deserted hut with the inscription. It has nothing remarkable about it. The inside is empty. It has not even a floor. A rotten plank serves as a bench. The roof consists of a worm-eaten framework, which admits the rain. Once more, there is no doubt that it was sheer accident that placed it within the range of the cinematograph. I will end by adding that the 'Breton Legend' film was taken in September last, which means that the inscription is at least eight months old.