George Orwell - George Orwell - The Complete Novels (The Greatest Novelists of All Time – Book 7)

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E-artnow presents to you the complete novels by one of the greatest novelists of English literature. This edition includes:
"Burmese Days" – a tale from the waning days of British colonialism, when Burma was ruled from Delhi as a part of British India–a portrait of the dark side of the British Raj.
"A Clergyman's Daughter" – which tells the story of Dorothy Hare, the clergyman's daughter of the title, whose life is turned upside down when she suffers an attack of amnesia.
"Keep the Aspidistra Flying" – is set in 1930s London. The main theme is Gordon Comstock's romantic ambition to defy worship of the money-god and status, and the dismal life that results.
"Coming Up for Air" – Published shortly before the outbreak of World War II, this novel combines premonitions of the impending war with images of an idyllic Thames-side Edwardian era childhood.
"Animal Farm" – is an allegorical novel which reflects events leading up to the Russian Revolution of 1917 and then on into the Stalinist era of the Soviet Union.
"1984" – a political and dystopian science-fiction novel set in Airstrip One, a province of the superstate Oceania. The story is about a mind-numbing world in a state of perpetual war, omnipresent government surveillance and public manipulation.

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They were kneeling down again. ‘More bloody knee-drill,’ Ellis whispered. The air darkened, and there was a light patter of rain on the roof; the trees outside rustled, and a cloud of yellow leaves whirled past the window. Flory watched them through the chinks of his fingers. Twenty years ago, on winter Sundays in his pew in the parish church at Home, he used to watch the yellow leaves, as at this moment, drifting and fluttering against leaden skies. Was it not possible, now, to begin over again as though those grimy years had never touched him? Through his fingers he glanced sidelong at Elizabeth, kneeling with her head bent and her face hidden in her youthful, mottled hands. When they were married, when they were married! What fun they would have together in this alien yet kindly land! He saw Elizabeth in his camp, greeting him as he came home tired from work and Ko S’la hurried from the tent with a bottle of beer; he saw her walking in the forest with him, watching the hornbills in the peepul trees and picking nameless flowers, and in the marshy grazing-grounds, tramping through the cold-weather mist after snipe and teal. He saw his home as she would remake it. He saw his drawing-room, sluttish and bachelor-like no longer, with new furniture from Rangoon, and a bowl of pink balsams like rosebuds on the table, and books and watercolours and a black piano. Above all the piano! His mind lingered upon the piano—symbol, perhaps because he was unmusical, of civilised and settled life. He was delivered for ever from the sub-life of the past decade—the debaucheries, the lies, the pain of exile and solitude, the dealings with whores and moneylenders and pukka sahibs.

The clergyman stepped to the small wooden lectern that also served as a pulpit, slipped the band from a roll of sermon paper, coughed, and announced a text. ‘In the name of the Father, the Son and the Holy Ghost. Amen.’

‘Cut it short, for Christ’s sake,’ murmured Ellis.

Flory did not notice how many minutes passed. The words of the sermon flowed peacefully through his head, an indistinct burbling sound, almost unheard. When they were married, he was still thinking, when they were married——

Hullo! What was happening?

The clergyman had stopped short in the middle of a word. He had taken off his pince-nez and was shaking them with a distressed air at someone in the doorway. There was a fearful, raucous scream.

‘Pike-san pay-like! Pike-san pay-like!’

Everyone jumped in their seats and turned round. It was Ma Hla May. As they turned she stepped inside the church and shoved old Mattu violently aside. She shook her fist at Flory.

‘Pike-san pay-like! Pike-san pay-like! Yes, that’s the one I mean—Flory, Flory!’ (She pronounced it Porley.) ‘That one sitting in front there, with black hair! Turn round and face me, you coward! Where is the money you promised me?’

She was shrieking like a maniac. The people gaped at her, too astounded to move or speak. Her face was grey with powder, her greasy hair was tumbling down, her longyi was ragged at the bottom. She looked like a screaming hag of the bazaar. Flory’s bowels seemed to have turned to ice. Oh God, God! Must they know—must Elizabeth know—that that was the woman who had been his mistress? But there was not a hope, not the vestige of a hope, of any mistake. She had screamed his name over and over again. Flo, hearing the familiar voice, wriggled from under the pew, walked down the aisle and wagged her tail at Ma Hla May. The wretched woman was yelling out a detailed account of what Flory had done to her.

‘Look at me, you white men, and you women too, look at me! Look how he has ruined me! Look at these rags I am wearing! And he sitting there, the liar, the coward, pretending not to see me! He would let me starve at his gate like a pariah dog. Ah, but I will shame you! Turn round and look at me! Look at this body that you have kissed a thousand times—look—look——’

She began actually to tear her clothes open—the last insult of a base-born Burmese woman. The harmonium squeaked as Mrs Lackersteen made a convulsive movement. People had at last found their wits and begun to stir. The clergyman, who had been bleating ineffectually, recovered his voice. ‘Take that woman outside!’ he said sharply.

Flory’s face was ghastly. After the first moment he had turned his head away from the door and set his teeth in a desperate effort to look unconcerned. But it was useless, quite useless. His face was as yellow as bone, and the sweat glistened on his forehead. Francis and Samuel, doing perhaps the first useful deed of their lives, suddenly sprang from their pew, grabbed Ma Hla May by the arms and hauled her outside, still screaming.

It seemed very silent in the church when they had finally dragged her out of hearing. The scene had been so violent, so squalid, that everyone was upset by it. Even Ellis looked disgusted. Flory could neither speak nor stir. He sat staring fixedly at the altar, his face rigid and so bloodless that the birthmark seemed to glow upon it like a streak of blue paint. Elizabeth glanced across the aisle at him, and her revulsion made her almost physically sick. She had not understood a word of what Ma Hla May was saying, but the meaning of the scene was perfectly clear. The thought that he had been the lover of that grey-faced maniacal creature made her shudder in her bones. But worse than that, worse than anything, was his ugliness at this moment. His face appalled her, it was so ghastly, rigid and old. It was like a skull. Only the birthmark seemed alive in it. She hated him now for his birthmark. She had never known till this moment how dishonouring, how unforgivable a thing it was.

Like the crocodile, U Po Kyin had struck at the weakest spot. For, needless to say, this scene was U Po Kyin’s doing. He had seen his chance, as usual, and tutored Ma Hla May for her part with considerable care. The clergyman brought his sermon to an end almost at once. As soon as it was over Flory hurried outside, not looking at any of the others. It was getting dark, thank God. At fifty yards from the church he halted, and watched the others making in couples for the Club. It seemed to him that they were hurrying. Ah, they would, of course! There would be something to talk about at the Club tonight! Flo rolled belly-upwards against his ankles, asking for a game. ‘Get out, you bloody brute!’ he said, and kicked her. Elizabeth had stopped at the church door. Mr Macgregor, happy chance, seemed to be introducing her to the clergyman. In a moment the two men went on in the direction of Mr Macgregor’s house, where the clergyman was to stay for the night, and Elizabeth followed the others, thirty yards behind them. Flory ran after her and caught up with her almost at the Club gate.

‘Elizabeth!’

She looked round, saw him, turned white, and would have hurried on without a word. But his anxiety was too great, and he caught her by the wrist.

‘Elizabeth! I must—I’ve got to speak to you!’

‘Let me go, will you!’

They began to struggle, and then stopped abruptly. Two of the Karens who had come out of the church were standing fifty yards away, gazing at them through the half-darkness with deep interest. Flory began again in a lower tone:

‘Elizabeth, I know I’ve no right to stop you like this. But I must speak to you, I must! Please hear what I’ve got to say. Please don’t run away from me!’

‘What are you doing? Why are you holding on to my arm? Let me go this instant!’

‘I’ll let you go—there, look! But do listen to me, please! Answer me this one thing. After what’s happened, can you ever forgive me?’

‘Forgive you? What do you mean, forgive you?’

‘I know I’m disgraced. It was the vilest thing to happen! Only, in a sense it wasn’t my fault. You’ll see that when you’re calmer. Do you think—not now, it was too bad, but later—do you think you can forget it?’

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