Henry James - Henry James - The Complete Novels (The Greatest Novelists of All Time – Book 10)

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E-artnow presents to you the complete novels by one of the greatest novelist of English literature. This collection includes:
Watch and Ward
Roderick Hudson
The American
The Europeans
Confidence
Washington Square
The Portrait of a Lady
The Bostonians
The Princess Casamassima
The Reverberator
The Tragic Muse
The Other House
The Spoils of Poynton
What Maisie Knew
The Awkward Age
The Sacred Fount
The Wings of the Dove
The Ambassadors
The Golden Bowl
The Outcry
The Ivory Tower
The Sense of the Past
Henry James (1843-1916) was an American-British writer who spent most of his writing career in Britain. James is regarded as one of the key figures of 19th-century literary realism. He is best known for a number of novels dealing with the social and marital interplay between émigré Americans, English people, and continental Europeans – examples of such novels include The Portrait of a Lady, The Ambassadors, and The Wings of the Dove.

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Mrs. Light, meanwhile, had prepared to depart. “If you are not afraid to come and see two quiet little women, we shall be most happy!” she said. “We have no statues nor pictures — we have nothing but each other. Eh, darling?”

“I beg your pardon,” said Christina.

“Oh, and the Cavaliere,” added her mother.

“The poodle, please!” cried the young girl.

Rowland glanced at the Cavaliere; he was smiling more blandly than ever.

A few days later Rowland presented himself, as civility demanded, at Mrs. Light’s door. He found her living in one of the stately houses of the Via dell’ Angelo Custode, and, rather to his surprise, was told she was at home. He passed through half a dozen rooms and was ushered into an immense saloon, at one end of which sat the mistress of the establishment, with a piece of embroidery. She received him very graciously, and then, pointing mysteriously to a large screen which was unfolded across the embrasure of one of the deep windows, “I am keeping guard!” she said. Rowland looked interrogative; whereupon she beckoned him forward and motioned him to look behind the screen. He obeyed, and for some moments stood gazing. Roderick, with his back turned, stood before an extemporized pedestal, ardently shaping a formless mass of clay. Before him sat Christina Light, in a white dress, with her shoulders bare, her magnificent hair twisted into a classic coil, and her head admirably poised. Meeting Rowland’s gaze, she smiled a little, only with her deep gray eyes, without moving. She looked divinely beautiful.

Chapter 5.

Christina

Table of Contents

The brilliant Roman winter came round again, and Rowland enjoyed it, in a certain way, more deeply than before. He grew at last to feel that sense of equal possession, of intellectual nearness, which it belongs to the peculiar magic of the ancient city to infuse into minds of a cast that she never would have produced. He became passionately, unreasoningly fond of all Roman sights and sensations, and to breathe the Roman atmosphere began to seem a needful condition of being. He could not have defined and explained the nature of his great love, nor have made up the sum of it by the addition of his calculable pleasures. It was a large, vague, idle, half-profitless emotion, of which perhaps the most pertinent thing that may be said is that it enforced a sort of oppressive reconciliation to the present, the actual, the sensuous — to life on the terms that there offered themselves. It was perhaps for this very reason that, in spite of the charm which Rome flings over one’s mood, there ran through Rowland’s meditations an undertone of melancholy, natural enough in a mind which finds its horizon insidiously limited to the finite, even in very picturesque forms. Whether it is one that tacitly concedes to the Roman Church the monopoly of a guarantee of immortality, so that if one is indisposed to bargain with her for the precious gift, one must do without it altogether; or whether in an atmosphere so heavily weighted with echoes and memories one grows to believe that there is nothing in one’s consciousness that is not foredoomed to moulder and crumble and become dust for the feet, and possible malaria for the lungs, of future generations — the fact at least remains that one parts half-willingly with one’s hopes in Rome, and misses them only under some very exceptional stress of circumstance. For this reason one may perhaps say that there is no other place in which one’s daily temper has such a mellow serenity, and none, at the same time, in which acute attacks of depression are more intolerable. Rowland found, in fact, a perfect response to his prevision that to live in Rome was an education to one’s senses and one’s imagination, but he sometimes wondered whether this was not a questionable gain in case of one’s not being prepared to live wholly by one’s imagination and one’s senses. The tranquil profundity of his daily satisfaction seemed sometimes to turn, by a mysterious inward impulse, and face itself with questioning, admonishing, threatening eyes. “But afterwards . . .?” it seemed to ask, with a long reverberation; and he could give no answer but a shy affirmation that there was no such thing as afterwards, and a hope, divided against itself, that his actual way of life would last forever. He often felt heavy-hearted; he was sombre without knowing why; there were no visible clouds in his heaven, but there were cloud-shadows on his mood. Shadows projected, they often were, without his knowing it, by an undue apprehension that things after all might not go so ideally well with Roderick. When he understood his anxiety it vexed him, and he rebuked himself for taking things unmanfully hard. If Roderick chose to follow a crooked path, it was no fault of his; he had given him, he would continue to give him, all that he had offered him — friendship, sympathy, advice. He had not undertaken to provide him with unflagging strength of purpose, nor to stand bondsman for unqualified success.

If Rowland felt his roots striking and spreading in the Roman soil, Roderick also surrendered himself with renewed abandon to the local influence. More than once he declared to his companion that he meant to live and die within the shadow of Saint Peter’s, and that he cared little if he never again drew breath in American air. “For a man of my temperament, Rome is the only possible place,” he said; “it’s better to recognize the fact early than late. So I shall never go home unless I am absolutely forced.”

“What is your idea of ‘force’?” asked Rowland, smiling. “It seems to me you have an excellent reason for going home some day or other.”

“Ah, you mean my engagement?” Roderick answered with unaverted eyes. “Yes, I am distinctly engaged, in Northampton, and impatiently waited for!” And he gave a little sympathetic sigh. “To reconcile Northampton and Rome is rather a problem. Mary had better come out here. Even at the worst I have no intention of giving up Rome within six or eight years, and an engagement of that duration would be rather absurd.”

“Miss Garland could hardly leave your mother,” Rowland observed.

“Oh, of course my mother should come. I think I will suggest it in my next letter. It will take her a year or two to make up her mind to it, but if she consents it will brighten her up. It’s too small a life, over there, even for a timid old lady. It is hard to imagine,” he added, “any change in Mary being a change for the better; but I should like her to take a look at the world and have her notions stretched a little. One is never so good, I suppose, but that one can improve a little.”

“If you wish your mother and Miss Garland to come,” Rowland suggested, “you had better go home and bring them.”

“Oh, I can’t think of leaving Europe, for many a day,” Roderick answered. “At present it would quite break the charm. I am just beginning to profit, to get used to things and take them naturally. I am sure the sight of Northampton Main Street would permanently upset me.”

It was reassuring to hear that Roderick, in his own view, was but “just beginning” to spread his wings, and Rowland, if he had had any forebodings, might have suffered them to be modified by this declaration. This was the first time since their meeting at Geneva that Roderick had mentioned Miss Garland’s name, but the ice being broken, he indulged for some time afterward in frequent allusions to his betrothed, which always had an accent of scrupulous, of almost studied, consideration. An uninitiated observer, hearing him, would have imagined her to be a person of a certain age — possibly an affectionate maiden aunt — who had once done him a kindness which he highly appreciated: perhaps presented him with a check for a thousand dollars. Rowland noted the difference between his present frankness and his reticence during the first six months of his engagement, and sometimes wondered whether it was not rather an anomaly that he should expatiate more largely as the happy event receded. He had wondered over the whole matter, first and last, in a great many different ways, and looked at it in all possible lights. There was something terribly hard to explain in the fact of his having fallen in love with his cousin. She was not, as Rowland conceived her, the sort of girl he would have been likely to fancy, and the operation of sentiment, in all cases so mysterious, was particularly so in this one. Just why it was that Roderick should not logically have fancied Miss Garland, his companion would have been at loss to say, but I think the conviction had its roots in an unformulated comparison between himself and the accepted suitor. Roderick and he were as different as two men could be, and yet Roderick had taken it into his head to fall in love with a woman for whom he himself had been keeping in reserve, for years, a profoundly characteristic passion. That if he chose to conceive a great notion of the merits of Roderick’s mistress, the irregularity here was hardly Roderick’s, was a view of the case to which poor Rowland did scanty justice. There were women, he said to himself, whom it was every one’s business to fall in love with a little — women beautiful, brilliant, artful, easily fascinating. Miss Light, for instance, was one of these; every man who spoke to her did so, if not in the language, at least with something of the agitation, the divine tremor, of a lover. There were other women — they might have great beauty, they might have small; perhaps they were generally to be classified as plain — whose triumphs in this line were rare, but immutably permanent. Such a one preeminently, was Mary Garland. Upon the doctrine of probabilities, it was unlikely that she had had an equal charm for each of them, and was it not possible, therefore, that the charm for Roderick had been simply the charm imagined, unquestioningly accepted: the general charm of youth, sympathy, kindness — of the present feminine, in short — enhanced indeed by several fine facial traits? The charm in this case for Rowland was — the charm! — the mysterious, individual, essential woman. There was an element in the charm, as his companion saw it, which Rowland was obliged to recognize, but which he forbore to ponder; the rather important attraction, namely, of reciprocity. As to Miss Garland being in love with Roderick and becoming charming thereby, this was a point with which his imagination ventured to take no liberties; partly because it would have been indelicate, and partly because it would have been vain. He contented himself with feeling that the young girl was still as vivid an image in his memory as she had been five days after he left her, and with drifting nearer and nearer to the impression that at just that crisis any other girl would have answered Roderick’s sentimental needs as well. Any other girl indeed would do so still! Roderick had confessed as much to him at Geneva, in saying that he had been taking at Baden the measure of his susceptibility to female beauty.

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