Henry James - Henry James - The Complete Novels (The Greatest Novelists of All Time – Book 10)

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E-artnow presents to you the complete novels by one of the greatest novelist of English literature. This collection includes:
Watch and Ward
Roderick Hudson
The American
The Europeans
Confidence
Washington Square
The Portrait of a Lady
The Bostonians
The Princess Casamassima
The Reverberator
The Tragic Muse
The Other House
The Spoils of Poynton
What Maisie Knew
The Awkward Age
The Sacred Fount
The Wings of the Dove
The Ambassadors
The Golden Bowl
The Outcry
The Ivory Tower
The Sense of the Past
Henry James (1843-1916) was an American-British writer who spent most of his writing career in Britain. James is regarded as one of the key figures of 19th-century literary realism. He is best known for a number of novels dealing with the social and marital interplay between émigré Americans, English people, and continental Europeans – examples of such novels include The Portrait of a Lady, The Ambassadors, and The Wings of the Dove.

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Miss Garland’s letter was so much shorter that we may give it entire:—

My dear Sir — Mrs. Hudson, as I suppose you know, has been for some time unable to use her eyes. She requests me, therefore, to answer your favor of the 22d of June. She thanks you extremely for writing, and wishes me to say that she considers herself in every way under great obligations to you. Your account of her son’s progress and the high estimation in which he is held has made her very happy, and she earnestly prays that all may continue well with him. He sent us, a short time ago, several large photographs of his two statues, taken from different points of view. We know little about such things, but they seem to us wonderfully beautiful. We sent them to Boston to be handsomely framed, and the man, on returning them, wrote us that he had exhibited them for a week in his store, and that they had attracted great attention. The frames are magnificent, and the pictures now hang in a row on the parlor wall. Our only quarrel with them is that they make the old papering and the engravings look dreadfully shabby. Mr. Striker stood and looked at them the other day full five minutes, and said, at last, that if Roderick’s head was running on such things it was no wonder he could not learn to draw up a deed. We lead here so quiet and monotonous a life that I am afraid I can tell you nothing that will interest you. Mrs. Hudson requests me to say that the little more or less that may happen to us is of small account, as we live in our thoughts and our thoughts are fixed on her dear son. She thanks Heaven he has so good a friend. Mrs. Hudson says that this is too short a letter, but I can say nothing more.

Yours most respectfully,

Mary Garland.

It is a question whether the reader will know why, but this letter gave Rowland extraordinary pleasure. He liked its very brevity and meagreness, and there seemed to him an exquisite modesty in its saying nothing from the young girl herself. He delighted in the formal address and conclusion; they pleased him as he had been pleased by an angular gesture in some expressive girlish figure in an early painting. The letter renewed that impression of strong feeling combined with an almost rigid simplicity, which Roderick’s betrothed had personally given him. And its homely stiffness seemed a vivid reflection of a life concentrated, as the young girl had borrowed warrant from her companion to say, in a single devoted idea. The monotonous days of the two women seemed to Rowland’s fancy to follow each other like the tick-tick of a great time-piece, marking off the hours which separated them from the supreme felicity of clasping the far-away son and lover to lips sealed with the excess of joy. He hoped that Roderick, now that he had shaken off the oppression of his own importunate faith, was not losing a tolerant temper for the silent prayers of the two women at Northampton.

He was left to vain conjectures, however, as to Roderick’s actual moods and occupations. He knew he was no letter-writer, and that, in the young sculptor’s own phrase, he had at any time rather build a monument than write a note. But when a month had passed without news of him, he began to be half anxious and half angry, and wrote him three lines, in the care of a Continental banker, begging him at least to give some sign of whether he was alive or dead. A week afterwards came an answer — brief, and dated Baden–Baden. “I know I have been a great brute,” Roderick wrote, “not to have sent you a word before; but really I don’t know what has got into me. I have lately learned terribly well how to be idle. I am afraid to think how long it is since I wrote to my mother or to Mary. Heaven help them — poor, patient, trustful creatures! I don’t know how to tell you what I am doing. It seems all amusing enough while I do it, but it would make a poor show in a narrative intended for your formidable eyes. I found Baxter in Switzerland, or rather he found me, and he grabbed me by the arm and brought me here. I was walking twenty miles a day in the Alps, drinking milk in lonely chalets, sleeping as you sleep, and thinking it was all very good fun; but Baxter told me it would never do, that the Alps were ‘d —— d rot,’ that Baden–Baden was the place, and that if I knew what was good for me I would come along with him. It is a wonderful place, certainly, though, thank the Lord, Baxter departed last week, blaspheming horribly at trente et quarante. But you know all about it and what one does — what one is liable to do. I have succumbed, in a measure, to the liabilities, and I wish I had some one here to give me a thundering good blowing up. Not you, dear friend; you would draw it too mild; you have too much of the milk of human kindness. I have fits of horrible homesickness for my studio, and I shall be devoutly grateful when the summer is over and I can go back and swing a chisel. I feel as if nothing but the chisel would satisfy me; as if I could rush in a rage at a block of unshaped marble. There are a lot of the Roman people here, English and American; I live in the midst of them and talk nonsense from morning till night. There is also some one else; and to her I don’t talk sense, nor, thank heaven, mean what I say. I confess, I need a month’s work to recover my self-respect.”

These lines brought Rowland no small perturbation; the more, that what they seemed to point to surprised him. During the nine months of their companionship Roderick had shown so little taste for dissipation that Rowland had come to think of it as a canceled danger, and it greatly perplexed him to learn that his friend had apparently proved so pliant to opportunity. But Roderick’s allusions were ambiguous, and it was possible they might simply mean that he was out of patience with a frivolous way of life and fretting wholesomely over his absent work. It was a very good thing, certainly, that idleness should prove, on experiment, to sit heavily on his conscience. Nevertheless, the letter needed, to Rowland’s mind, a key: the key arrived a week later. “In common charity,” Roderick wrote, “lend me a hundred pounds! I have gambled away my last franc — I have made a mountain of debts. Send me the money first; lecture me afterwards!” Rowland sent the money by return of mail; then he proceeded, not to lecture, but to think. He hung his head; he was acutely disappointed. He had no right to be, he assured himself; but so it was. Roderick was young, impulsive, unpracticed in stoicism; it was a hundred to one that he was to pay the usual vulgar tribute to folly. But his friend had regarded it as securely gained to his own belief in virtue that he was not as other foolish youths are, and that he would have been capable of looking at folly in the face and passing on his way. Rowland for a while felt a sore sense of wrath. What right had a man who was engaged to that fine girl in Northampton to behave as if his consciousness were a common blank, to be overlaid with coarse sensations? Yes, distinctly, he was disappointed. He had accompanied his missive with an urgent recommendation to leave Baden–Baden immediately, and an offer to meet Roderick at any point he would name. The answer came promptly; it ran as follows: “Send me another fifty pounds! I have been back to the tables. I will leave as soon as the money comes, and meet you at Geneva. There I will tell you everything.”

There is an ancient terrace at Geneva, planted with trees and studded with benches, overlooked by gravely aristocratic old dwellings and overlooking the distant Alps. A great many generations have made it a lounging-place, a great many friends and lovers strolled there, a great many confidential talks and momentous interviews gone forward. Here, one morning, sitting on one of the battered green benches, Roderick, as he had promised, told his friend everything. He had arrived late the night before; he looked tired, and yet flushed and excited. He made no professions of penitence, but he practiced an unmitigated frankness, and his self-reprobation might be taken for granted. He implied in every phrase that he had done with it all, and that he was counting the hours till he could get back to work. We shall not rehearse his confession in detail; its main outline will be sufficient. He had fallen in with some very idle people, and had discovered that a little example and a little practice were capable of producing on his own part a considerable relish for their diversions. What could he do? He never read, and he had no studio; in one way or another he had to pass the time. He passed it in dangling about several very pretty women in wonderful Paris toilets, and reflected that it was always something gained for a sculptor to sit under a tree, looking at his leisure into a charming face and saying things that made it smile and play its muscles and part its lips and show its teeth. Attached to these ladies were certain gentlemen who walked about in clouds of perfume, rose at midday, and supped at midnight. Roderick had found himself in the mood for thinking them very amusing fellows. He was surprised at his own taste, but he let it take its course. It led him to the discovery that to live with ladies who expect you to present them with expensive bouquets, to ride with them in the Black Forest on well-looking horses, to come into their opera-boxes on nights when Patti sang and prices were consequent, to propose little light suppers at the Conversation House after the opera or drives by moonlight to the Castle, to be always arrayed and anointed, trinketed and gloved — that to move in such society, we say, though it might be a privilege, was a privilege with a penalty attached. But the tables made such things easy; half the Baden world lived by the tables. Roderick tried them and found that at first they smoothed his path delightfully. This simplification of matters, however, was only momentary, for he soon perceived that to seem to have money, and to have it in fact, exposed a good-looking young man to peculiar liabilities. At this point of his friend’s narrative, Rowland was reminded of Madame de Cruchecassee in The Newcomes, and though he had listened in tranquil silence to the rest of it, he found it hard not to say that all this had been, under the circumstances, a very bad business. Roderick admitted it with bitterness, and then told how much — measured simply financially — it had cost him. His luck had changed; the tables had ceased to back him, and he had found himself up to his knees in debt. Every penny had gone of the solid sum which had seemed a large equivalent of those shining statues in Rome. He had been an ass, but it was not irreparable; he could make another statue in a couple of months.

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