Henry James - Henry James - The Complete Novels (The Greatest Novelists of All Time – Book 10)

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E-artnow presents to you the complete novels by one of the greatest novelist of English literature. This collection includes:
Watch and Ward
Roderick Hudson
The American
The Europeans
Confidence
Washington Square
The Portrait of a Lady
The Bostonians
The Princess Casamassima
The Reverberator
The Tragic Muse
The Other House
The Spoils of Poynton
What Maisie Knew
The Awkward Age
The Sacred Fount
The Wings of the Dove
The Ambassadors
The Golden Bowl
The Outcry
The Ivory Tower
The Sense of the Past
Henry James (1843-1916) was an American-British writer who spent most of his writing career in Britain. James is regarded as one of the key figures of 19th-century literary realism. He is best known for a number of novels dealing with the social and marital interplay between émigré Americans, English people, and continental Europeans – examples of such novels include The Portrait of a Lady, The Ambassadors, and The Wings of the Dove.

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Valentin feebly waved his hand to and fro. “Don’t insist — don’t insist! It is mean — decidedly mean. For you see at the bottom — down at the bottom, in a little place as small as the end of a wine-funnel — I agree with you!”

A few moments after this the doctor put his head through the half-opened door and, perceiving that Valentin was awake, came in and felt his pulse. He shook his head and declared that he had talked too much — ten times too much. “Nonsense!” said Valentin; “a man sentenced to death can never talk too much. Have you never read an account of an execution in a newspaper? Don’t they always set a lot of people at the prisoner — lawyers, reporters, priests — to make him talk? But it’s not Mr. Newman’s fault; he sits there as mum as a death’s-head.”

The doctor observed that it was time his patient’s wound should be dressed again; MM. de Grosjoyaux and Ledoux, who had already witnessed this delicate operation, taking Newman’s place as assistants. Newman withdrew and learned from his fellow-watchers that they had received a telegram from Urbain de Bellegarde to the effect that their message had been delivered in the Rue de l’Universite too late to allow him to take the morning train, but that he would start with his mother in the evening. Newman wandered away into the village again, and walked about restlessly for two or three hours. The day seemed terribly long. At dusk he came back and dined with the doctor and M. Ledoux. The dressing of Valentin’s wound had been a very critical operation; the doctor didn’t really see how he was to endure a repetition of it. He then declared that he must beg of Mr. Newman to deny himself for the present the satisfaction of sitting with M. de Bellegarde; more than any one else, apparently, he had the flattering but inconvenient privilege of exciting him. M. Ledoux, at this, swallowed a glass of wine in silence; he must have been wondering what the deuce Bellegarde found so exciting in the American.

Newman, after dinner, went up to his room, where he sat for a long time staring at his lighted candle, and thinking that Valentin was dying down-stairs. Late, when the candle had burnt low, there came a soft rap at his door. The doctor stood there with a candlestick and a shrug.

“He must amuse himself, still!” said Valentin’s medical adviser. “He insists upon seeing you, and I am afraid you must come. I think at this rate, that he will hardly outlast the night.”

Newman went back to Valentin’s room, which he found lighted by a taper on the hearth. Valentin begged him to light a candle. “I want to see your face,” he said. “They say you excite me,” he went on, as Newman complied with this request, “and I confess I do feel excited. But it isn’t you — it’s my own thoughts. I have been thinking — thinking. Sit down there, and let me look at you again.” Newman seated himself, folded his arms, and bent a heavy gaze upon his friend. He seemed to be playing a part, mechanically, in a lugubrious comedy. Valentin looked at him for some time. “Yes, this morning I was right; you have something on your mind heavier than Valentin de Bellegarde. Come, I’m a dying man and it’s indecent to deceive me. Something happened after I left Paris. It was not for nothing that my sister started off at this season of the year for Fleurieres. Why was it? It sticks in my crop. I have been thinking it over, and if you don’t tell me I shall guess.”

“I had better not tell you,” said Newman. “It won’t do you any good.”

“If you think it will do me any good not to tell me, you are very much mistaken. There is trouble about your marriage.”

“Yes,” said Newman. “There is trouble about my marriage.”

“Good!” And Valentin was silent again. “They have stopped it.”

“They have stopped it,” said Newman. Now that he had spoken out, he found a satisfaction in it which deepened as he went on. “Your mother and brother have broken faith. They have decided that it can’t take place. They have decided that I am not good enough, after all. They have taken back their word. Since you insist, there it is!”

Valentin gave a sort of groan, lifted his hands a moment, and then let them drop.

“I am sorry not to have anything better to tell you about them,” Newman pursued. “But it’s not my fault. I was, indeed, very unhappy when your telegram reached me; I was quite upside down. You may imagine whether I feel any better now.”

Valentin moaned gaspingly, as if his wound were throbbing. “Broken faith, broken faith!” he murmured. “And my sister — my sister?”

“Your sister is very unhappy; she has consented to give me up. I don’t know why. I don’t know what they have done to her; it must be something pretty bad. In justice to her you ought to know it. They have made her suffer. I haven’t seen her alone, but only before them! We had an interview yesterday morning. They came out, flat, in so many words. They told me to go about my business. It seems to me a very bad case. I’m angry, I’m sore, I’m sick.”

Valentin lay there staring, with his eyes more brilliantly lighted, his lips soundlessly parted, and a flush of color in his pale face. Newman had never before uttered so many words in the plaintive key, but now, in speaking to Valentin in the poor fellow’s extremity, he had a feeling that he was making his complaint somewhere within the presence of the power that men pray to in trouble; he felt his outgush of resentment as a sort of spiritual privilege.

“And Claire,”— said Bellegarde — “Claire? She has given you up?”

“I don’t really believe it,” said Newman.

“No. Don’t believe it, don’t believe it. She is gaining time; excuse her.”

“I pity her!” said Newman.

“Poor Claire!” murmured Valentin. “But they — but they”— and he paused again. “You saw them; they dismissed you, face to face?”

“Face to face. They were very explicit.”

“What did they say?”

“They said they couldn’t stand a commercial person.”

Valentin put out his hand and laid it upon Newman’s arm. “And about their promise — their engagement with you?”

“They made a distinction. They said it was to hold good only until Madame de Cintre accepted me.”

Valentin lay staring a while, and his flush died away. “Don’t tell me any more,” he said at last. “I’m ashamed.”

“You? You are the soul of honor,” said Newman simply.

Valentin groaned and turned away his head. For some time nothing more was said. Then Valentin turned back again and found a certain force to press Newman’s arm. “It’s very bad — very bad. When my people — when my race — come to that, it is time for me to withdraw. I believe in my sister; she will explain. Excuse her. If she can’t — if she can’t, forgive her. She has suffered. But for the others it is very bad — very bad. You take it very hard? No, it’s a shame to make you say so.” He closed his eyes and again there was a silence. Newman felt almost awed; he had evoked a more solemn spirit than he expected. Presently Valentin looked at him again, removing his hand from his arm. “I apologize,” he said. “Do you understand? Here on my death-bed. I apologize for my family. For my mother. For my brother. For the ancient house of Bellegarde. Voila!” he added, softly.

Newman for an answer took his hand and pressed it with a world of kindness. Valentin remained quiet, and at the end of half an hour the doctor softly came in. Behind him, through the half-open door, Newman saw the two questioning faces of MM. de Grosjoyaux and Ledoux. The doctor laid his hand on Valentin’s wrist and sat looking at him. He gave no sign and the two gentlemen came in, M. Ledoux having first beckoned to some one outside. This was M. le cure, who carried in his hand an object unknown to Newman, and covered with a white napkin. M. le cure was short, round, and red: he advanced, pulling off his little black cap to Newman, and deposited his burden on the table; and then he sat down in the best arm-chair, with his hands folded across his person. The other gentlemen had exchanged glances which expressed unanimity as to the timeliness of their presence. But for a long time Valentin neither spoke nor moved. It was Newman’s belief, afterwards, that M. le cure went to sleep. At last abruptly, Valentin pronounced Newman’s name. His friend went to him, and he said in French, “You are not alone. I want to speak to you alone.” Newman looked at the doctor, and the doctor looked at the cure, who looked back at him; and then the doctor and the cure, together, gave a shrug. “Alone — for five minutes,” Valentin repeated. “Please leave us.”

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