Henry James - Henry James - The Complete Novels (The Greatest Novelists of All Time – Book 10)

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E-artnow presents to you the complete novels by one of the greatest novelist of English literature. This collection includes:
Watch and Ward
Roderick Hudson
The American
The Europeans
Confidence
Washington Square
The Portrait of a Lady
The Bostonians
The Princess Casamassima
The Reverberator
The Tragic Muse
The Other House
The Spoils of Poynton
What Maisie Knew
The Awkward Age
The Sacred Fount
The Wings of the Dove
The Ambassadors
The Golden Bowl
The Outcry
The Ivory Tower
The Sense of the Past
Henry James (1843-1916) was an American-British writer who spent most of his writing career in Britain. James is regarded as one of the key figures of 19th-century literary realism. He is best known for a number of novels dealing with the social and marital interplay between émigré Americans, English people, and continental Europeans – examples of such novels include The Portrait of a Lady, The Ambassadors, and The Wings of the Dove.

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Newman assented protestingly, let his friend go, and then betook himself to the picturesque little apartment in the Rue d’Anjou. It was more than an hour before Valentin returned, but when he did so he was able to announce that he had found one of his desired friends, and that this gentleman had taken upon himself the care of securing an associate. Newman had been sitting without lights by Valentin’s faded fire, upon which he had thrown a log; the blaze played over the richly-encumbered little sitting-room and produced fantastic gleams and shadows. He listened in silence to Valentin’s account of what had passed between him and the gentleman whose card he had in his pocket — M. Stanislas Kapp, of Strasbourg — after his return to Mademoiselle Nioche’s box. This hospitable young lady had espied an acquaintance on the other side of the house, and had expressed her displeasure at his not having the civility to come and pay her a visit. “Oh, let him alone!” M. Stanislas Kapp had hereupon exclaimed. “There are too many people in the box already.” And he had fixed his eyes with a demonstrative stare upon M. de Bellegarde. Valentin had promptly retorted that if there were too many people in the box it was easy for M. Kapp to diminish the number. “I shall be most happy to open the door for YOU!” M. Kapp exclaimed. “I shall be delighted to fling you into the pit!” Valentin had answered. “Oh, do make a rumpus and get into the papers!” Miss Noemie had gleefully ejaculated. “M. Kapp, turn him out; or, M. de Bellegarde, pitch him into the pit, into the orchestra — anywhere! I don’t care who does which, so long as you make a scene.” Valentin answered that they would make no scene, but that the gentleman would be so good as to step into the corridor with him. In the corridor, after a brief further exchange of words, there had been an exchange of cards. M. Stanislas Kapp was very stiff. He evidently meant to force his offence home.

“The man, no doubt, was insolent,” Newman said; “but if you hadn’t gone back into the box the thing wouldn’t have happened.”

“Why, don’t you see,” Valentin replied, “that the event proves the extreme propriety of my going back into the box? M. Kapp wished to provoke me; he was awaiting his chance. In such a case — that is, when he has been, so to speak, notified — a man must be on hand to receive the provocation. My not returning would simply have been tantamount to my saying to M. Stanislas Kapp, ‘Oh, if you are going to be disagreeable’”—

“ ‘You must manage it by yourself; damned if I’ll help you!’ That would have been a thoroughly sensible thing to say. The only attraction for you seems to have been the prospect of M. Kapp’s impertinence,” Newman went on. “You told me you were not going back for that girl.”

“Oh, don’t mention that girl any more,” murmured Valentin. “She’s a bore.”

“With all my heart. But if that is the way you feel about her, why couldn’t you let her alone?”

Valentin shook his head with a fine smile. “I don’t think you quite understand, and I don’t believe I can make you. She understood the situation; she knew what was in the air; she was watching us.”

“A cat may look at a king! What difference does that make?”

“Why, a man can’t back down before a woman.”

“I don’t call her a woman. You said yourself she was a stone,” cried Newman.

“Well,” Valentin rejoined, “there is no disputing about tastes. It’s a matter of feeling; it’s measured by one’s sense of honor.”

“Oh, confound your sense of honor!” cried Newman.

“It is vain talking,” said Valentin; “words have passed, and the thing is settled.”

Newman turned away, taking his hat. Then pausing with his hand on the door, “What are you going to use?” he asked.

“That is for M. Stanislas Kapp, as the challenged party, to decide. My own choice would be a short, light sword. I handle it well. I’m an indifferent shot.”

Newman had put on his hat; he pushed it back, gently scratching his forehead, high up. “I wish it were pistols,” he said. “I could show you how to lodge a bullet!”

Valentin broke into a laugh. “What is it some English poet says about consistency? It’s a flower or a star, or a jewel. Yours has the beauty of all three!” But he agreed to see Newman again on the morrow, after the details of his meeting with M. Stanislas Kapp should have been arranged.

In the course of the day Newman received three lines from him, saying that it had been decided that he should cross the frontier, with his adversary, and that he was to take the night express to Geneva. He should have time, however, to dine with Newman. In the afternoon Newman called upon Madame de Cintre, but his visit was brief. She was as gracious and sympathetic as he had ever found her, but she was sad, and she confessed, on Newman’s charging her with her red eyes, that she had been crying. Valentin had been with her a couple of hours before, and his visit had left her with a painful impression. He had laughed and gossiped, he had brought her no bad news, he had only been, in his manner, rather more affectionate than usual. His fraternal tenderness had touched her, and on his departure she had burst into tears. She had felt as if something strange and sad were going to happen; she had tried to reason away the fancy, and the effort had only given her a headache. Newman, of course, was perforce tongue-tied about Valentin’s projected duel, and his dramatic talent was not equal to satirizing Madame de Cintre’s presentiment as pointedly as perfect security demanded. Before he went away he asked Madame de Cintre whether Valentin had seen his mother.

“Yes,” she said, “but he didn’t make her cry.”

It was in Newman’s own apartment that Valentin dined, having brought his portmanteau, so that he might adjourn directly to the railway. M. Stanislas Kapp had positively declined to make excuses, and he, on his side, obviously, had none to offer. Valentin had found out with whom he was dealing. M. Stanislas Kapp was the son of and heir of a rich brewer of Strasbourg, a youth of a sanguineous — and sanguinary — temperament. He was making ducks and drakes of the paternal brewery, and although he passed in a general way for a good fellow, he had already been observed to be quarrelsome after dinner. “Que voulez-vous?” said Valentin. “Brought up on beer, he can’t stand champagne.” He had chosen pistols. Valentin, at dinner, had an excellent appetite; he made a point, in view of his long journey, of eating more than usual. He took the liberty of suggesting to Newman a slight modification in the composition of a certain fish-sauce; he thought it would be worth mentioning to the cook. But Newman had no thoughts for fish-sauce; he felt thoroughly discontented. As he sat and watched his amiable and clever companion going through his excellent repast with the delicate deliberation of hereditary epicurism, the folly of so charming a fellow traveling off to expose his agreeable young life for the sake of M. Stanislas and Mademoiselle Noemie struck him with intolerable force. He had grown fond of Valentin, he felt now how fond; and his sense of helplessness only increased his irritation.

“Well, this sort of thing may be all very well,” he cried at last, “but I declare I don’t see it. I can’t stop you, perhaps, but at least I can protest. I do protest, violently.”

“My dear fellow, don’t make a scene,” said Valentin. “Scenes in these cases are in very bad taste.”

“Your duel itself is a scene,” said Newman; “that’s all it is! It’s a wretched theatrical affair. Why don’t you take a band of music with you outright? It’s d — d barbarous and it’s d — d corrupt, both.”

“Oh, I can’t begin, at this time of day, to defend the theory of dueling,” said Valentin. “It is our custom, and I think it is a good thing. Quite apart from the goodness of the cause in which a duel may be fought, it has a kind of picturesque charm which in this age of vile prose seems to me greatly to recommend it. It’s a remnant of a higher-tempered time; one ought to cling to it. Depend upon it, a duel is never amiss.”

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