Henry James - Henry James - The Complete Novels (The Greatest Novelists of All Time – Book 10)

“Remember,” said Rowland, “whom you will have to face.”

“I remember,” the excellent fellow answered. “There was nothing I could ever do for him in life; I will do what I can now.”

He went off, and Rowland stayed there alone. He watched for seven long hours, and his vigil was forever memorable. The most rational of men was for an hour the most passionate. He reviled himself with transcendent bitterness, he accused himself of cruelty and injustice, he would have lain down there in Roderick’s place to unsay the words that had yesterday driven him forth on his lonely ramble. Roderick had been fond of saying that there are such things as necessary follies, and Rowland was now proving it. At last he grew almost used to the dumb exultation of the cliff above him. He saw that Roderick was a mass of hideous injury, and he tried to understand what had happened. Not that it helped him; before that confounding mortality one hypothesis after another faltered and swooned away. Roderick’s passionate walk had carried him farther and higher than he knew; he had outstayed, supposably, the first menace of the storm, and perhaps even found a defiant entertainment in watching it. Perhaps he had simply lost himself. The tempest had overtaken him, and when he tried to return, it was too late. He had attempted to descend the cliff in the darkness, he had made the inevitable slip, and whether he had fallen fifty feet or three hundred little mattered. The condition of his body indicated the shorter fall. Now that all was over, Rowland understood how exclusively, for two years, Roderick had filled his life. His occupation was gone.

Singleton came back with four men — one of them the landlord of the inn. They had formed a sort of rude bier of the frame of a chaise a porteurs, and by taking a very round-about course homeward were able to follow a tolerably level path and carry their burden with a certain decency. To Rowland it seemed as if the little procession would never reach the inn; but as they drew near it he would have given his right hand for a longer delay. The people of the inn came forward to meet them, in a little silent, solemn convoy. In the doorway, clinging together, appeared the two bereaved women. Mrs. Hudson tottered forward with outstretched hands and the expression of a blind person; but before she reached her son, Mary Garland had rushed past her, and, in the face of the staring, pitying, awe-stricken crowd, had flung herself, with the magnificent movement of one whose rights were supreme, and with a loud, tremendous cry, upon the senseless vestige of her love.

That cry still lives in Rowland’s ears. It interposes, persistently, against the reflection that when he sometimes — very rarely — sees her, she is unreservedly kind to him; against the memory that during the dreary journey back to America, made of course with his assistance, there was a great frankness in her gratitude, a great gratitude in her frankness. Miss Garland lives with Mrs. Hudson, at Northampton, where Rowland visits his cousin Cecilia more frequently than of old. When he calls upon Miss Garland he never sees Mrs. Hudson. Cecilia, who, having her shrewd impression that he comes to see Miss Garland as much as to see herself, does not feel obliged to seem unduly flattered, calls him, whenever he reappears, the most restless of mortals. But he always says to her in answer, “No, I assure you I am the most patient!”

Table of Contents Table of Contents Watch and Ward Watch and Ward Table of Contents Roderick Hudson Roderick Hudson Table of Contents The American The American Table of Contents The Europeans The Europeans Table of Contents Confidence Washington Square The Portrait of a Lady The Bostonians The Princess Casamassima The Reverberator The Tragic Muse The Other House The Spoils of Poynton What Maisie Knew The Awkward Age The Sacred Fount The Wings of the Dove The Ambassadors The Golden Bowl The Outcry The Ivory Tower The Sense of the Past

Table of Contents Table of Contents Watch and Ward Watch and Ward Table of Contents Roderick Hudson Roderick Hudson Table of Contents The American The American Table of Contents The Europeans The Europeans Table of Contents Confidence Washington Square The Portrait of a Lady The Bostonians The Princess Casamassima The Reverberator The Tragic Muse The Other House The Spoils of Poynton What Maisie Knew The Awkward Age The Sacred Fount The Wings of the Dove The Ambassadors The Golden Bowl The Outcry The Ivory Tower The Sense of the Past

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Table of Contents

On a brilliant day in May, in the year 1868, a gentleman was reclining at his ease on the great circular divan which at that period occupied the centre of the Salon Carre, in the Museum of the Louvre. This commodious ottoman has since been removed, to the extreme regret of all weak-kneed lovers of the fine arts, but the gentleman in question had taken serene possession of its softest spot, and, with his head thrown back and his legs outstretched, was staring at Murillo’s beautiful moon-borne Madonna in profound enjoyment of his posture. He had removed his hat, and flung down beside him a little red guide-book and an opera-glass. The day was warm; he was heated with walking, and he repeatedly passed his handkerchief over his forehead, with a somewhat wearied gesture. And yet he was evidently not a man to whom fatigue was familiar; long, lean, and muscular, he suggested the sort of vigor that is commonly known as “toughness.” But his exertions on this particular day had been of an unwonted sort, and he had performed great physical feats which left him less jaded than his tranquil stroll through the Louvre. He had looked out all the pictures to which an asterisk was affixed in those formidable pages of fine print in his Badeker; his attention had been strained and his eyes dazzled, and he had sat down with an aesthetic headache. He had looked, moreover, not only at all the pictures, but at all the copies that were going forward around them, in the hands of those innumerable young women in irreproachable toilets who devote themselves, in France, to the propagation of masterpieces, and if the truth must be told, he had often admired the copy much more than the original. His physiognomy would have sufficiently indicated that he was a shrewd and capable fellow, and in truth he had often sat up all night over a bristling bundle of accounts, and heard the cock crow without a yawn. But Raphael and Titian and Rubens were a new kind of arithmetic, and they inspired our friend, for the first time in his life, with a vague self-mistrust.

An observer with anything of an eye for national types would have had no difficulty in determining the local origin of this undeveloped connoisseur, and indeed such an observer might have felt a certain humorous relish of the almost ideal completeness with which he filled out the national mould. The gentleman on the divan was a powerful specimen of an American. But he was not only a fine American; he was in the first place, physically, a fine man. He appeared to possess that kind of health and strength which, when found in perfection, are the most impressive — the physical capital which the owner does nothing to “keep up.” If he was a muscular Christian, it was quite without knowing it. If it was necessary to walk to a remote spot, he walked, but he had never known himself to “exercise.” He had no theory with regard to cold bathing or the use of Indian clubs; he was neither an oarsman, a rifleman, nor a fencer — he had never had time for these amusements — and he was quite unaware that the saddle is recommended for certain forms of indigestion. He was by inclination a temperate man; but he had supped the night before his visit to the Louvre at the Cafe Anglais — some one had told him it was an experience not to be omitted — and he had slept none the less the sleep of the just. His usual attitude and carriage were of a rather relaxed and lounging kind, but when under a special inspiration, he straightened himself, he looked like a grenadier on parade. He never smoked. He had been assured — such things are said — that cigars were excellent for the health, and he was quite capable of believing it; but he knew as little about tobacco as about homeopathy. He had a very well-formed head, with a shapely, symmetrical balance of the frontal and the occipital development, and a good deal of straight, rather dry brown hair. His complexion was brown, and his nose had a bold well-marked arch. His eye was of a clear, cold gray, and save for a rather abundant mustache he was clean-shaved. He had the flat jaw and sinewy neck which are frequent in the American type; but the traces of national origin are a matter of expression even more than of feature, and it was in this respect that our friend’s countenance was supremely eloquent. The discriminating observer we have been supposing might, however, perfectly have measured its expressiveness, and yet have been at a loss to describe it. It had that typical vagueness which is not vacuity, that blankness which is not simplicity, that look of being committed to nothing in particular, of standing in an attitude of general hospitality to the chances of life, of being very much at one’s own disposal so characteristic of many American faces. It was our friend’s eye that chiefly told his story; an eye in which innocence and experience were singularly blended. It was full of contradictory suggestions, and though it was by no means the glowing orb of a hero of romance, you could find in it almost anything you looked for. Frigid and yet friendly, frank yet cautious, shrewd yet credulous, positive yet skeptical, confident yet shy, extremely intelligent and extremely good-humored, there was something vaguely defiant in its concessions, and something profoundly reassuring in its reserve. The cut of this gentleman’s mustache, with the two premature wrinkles in the cheek above it, and the fashion of his garments, in which an exposed shirt-front and a cerulean cravat played perhaps an obtrusive part, completed the conditions of his identity. We have approached him, perhaps, at a not especially favorable moment; he is by no means sitting for his portrait. But listless as he lounges there, rather baffled on the aesthetic question, and guilty of the damning fault (as we have lately discovered it to be) of confounding the merit of the artist with that of his work (for he admires the squinting Madonna of the young lady with the boyish coiffure, because he thinks the young lady herself uncommonly taking), he is a sufficiently promising acquaintance. Decision, salubrity, jocosity, prosperity, seem to hover within his call; he is evidently a practical man, but the idea in his case, has undefined and mysterious boundaries, which invite the imagination to bestir itself on his behalf.