Georgette Heyer - Regency Romance Classics - Georgette Heyer Collection

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E-artnow presents to you the anthology of Regency Classics, Georgette Heyer edition.
Heyer's books act as a bright and colorful window into the 18th-century period in France and England. The witty dialogues, the vividly presented everyday life with a suspenseful story of action, complex characters and the ability to break the genre rules, make her novels stand out. She writes sharp, lively and opinionated characters; although she makes her side characters just as vibrant and delightful as her central ones.
This volume includes the most beloved novels o this extraordinary author:
"Powder and Patch" – Philip Jettan, a handsome and sturdy but tongue-tied youth, is rejected by his true love because he is not foppish enough. He resolves to improve himself and travels to Paris, where he becomes a sensation. Once he returns, however, he is a completely different man…
"The Black Moth" – The story follows Lord Jack Carstares, an English nobleman who becomes a highwayman after taking the blame during a cheating scandal years before. One day, he rescues Miss Diana Beauleigh when she is almost abducted by the Duke of Andover. Jack and Diana fall in love but his troubled past and current profession threaten their happiness.
"These Old Shades" – Fortune favors Justin Alastair, the shallow, bored and infamous Duke of Avon, casting in his way, during one night in Paris, the means to take revenge from his enemy, the Comte de Saint-Vire. Avon encounters an abused boy, Léon Bonnard, whose red hair, deep blue eyes, and black eyebrows somewhat indicate him to be the child of Comte. But the question about who Léon really is gets answered later in this outstanding novel. The Duke of Avon is portrayed as an unfriendly man who has never truly cared or loved anyone or anything, nor has he ever received love.

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"What, here? Not I! I am not one to sing your charms in public." He laughed shortly. "So that is what you desire?"

The tender light died.

"No, sir. I desire you will not lean so close. You inconvenience me."

Philip straightened at once, but he still stood behind her. Bancroft met his eyes and was quick to read the challenge they held. He smiled, twirling his eyeglass.

When dinner was announced, Cleone was talking to Bancroft. It was but natural that he should offer her his arm, but to Philip it seemed a most officious, impudent action. Sir Maurice led Madam Charteris into the dining-room; Mr. Charteris and Philip brought up the rear.

From Philip's point of view the meal was not a success. Seated side by side, Cleone and Bancroft exchanged a flood of conversation. Philip, at the foot of the table, had on his right Mr. Bancroft, and on his left Mr. Charteris. To the latter he made grave conversation. Occasionally Bancroft dragged him into a discussion; once or twice Madam Charteris and Sir Maurice appealed to him. But Cleone seemed unaware of his existence. She was very gay, too; her eyes sparkled and shone, her cheeks were faintly flushed. She answered Mr. Bancroft's sallies with delightful little laughs and applause.

As the dinner proceeded, Philip was made to feel more than ever his own shortcomings. When he looked at Mr. Bancroft's white hands with their highly polished nails, and many rings, he compared them with his strong brown ones, tanned and—coarse? Covertly he inspected them; no, they were better hands than that nincompoop's, but his nails ... bah! only fops such as this puppy polished their nails!...

The lilac satin of Mr. Bancroft's coat shimmered in the light of the candles. How tightly it fitted him across the shoulders! How heavily it was laced, and how full were its skirts! A coat for a drawing-room! Unconsciously Philip squared his shoulders. All that foaming lace ... more suited to a woman than to a man. The quizzing-glass ... abominable affectation! The jewels ... flaunting them in the country! Patched and painted, mincing, prattling puppy-dog! How could Cleone bear him so near, with his fat, soft hands, and his person reeking of some sickly scent?...

Now he was talking of town and its allure, toying with the names of first one celebrity and then another. And Cleone drinking in the silly, smug talk!... Now hints at conquests made—veiled allusions to his own charms. Ape!—truckling, overdressed ape! Suddenly Philip wanted to throw his glass at Bancroft. He choked down the mad impulse, and strove to listen to Mr. Charteris.

Back in the withdrawing-room again it was worse. Sir Maurice asked Cleone to sing, and she went to the spinet. Bancroft followed, to choose her music, to turn the pages, to gaze at her in frank admiration. Damn him, damn him, damn him!

The party came to an end at last; Philip was alone with his father. Sir Maurice leaned his chin in his hand, watching him amusedly. For a long while Philip said nothing, but presently he brought his eyes away from the window and looked at his father.

"And that," he said bitingly, "is what you would have me. A conceited, painted puppy, fawning and leering on every woman that crosses his path!"

"Not at all." Sir Maurice took out his snuff-box and opened it. "'Tis the last thing in the world I would have you."

"You said—"

"I said I would have you a very perfect gentleman, knowing the world and its ways."

"Well?—"

"You perhaps conceive Mr. Bancroft a perfect gentleman?"

"Not I! 'Tis you who—"

Sir Maurice raised one delicate hand.

"Pardon me! You choose to assume that I thought it. Mr. Bancroft is, as you so truly remark, a conceited, painted puppet. But he apes, so far as he is able, the thing that I am; that I wish you to become. You are a country-bumpkin, my dear; he is a coddled doll. Strive to become something betwixt the two."

"I had sooner be what I am!"

"Which is a conceited oaf."

"Sir!"

Sir Maurice rose, leaning on his cane.

"Remain what you are, my son, but bethink you—which will Cleone prefer? Him who gives her graceful homage, and charms her ears with honeyed words, or him who is tongue-tied before her, who is careless of his appearance, and who treats her, not as a young and beautiful girl, but as his inevitable possession?"

Philip answered quickly.

"Cleone, sir, will—give herself where she pleases, but she is not one to over-rate the tricks of such as Bancroft."

"Or to under-rate the discomforts of tying herself to one who is tied to the soil and his own pleasure," said Sir Maurice softly.

The grey eyes met his, a trifle hurt.

"I am selfish, Father? Because I will not become the thing I despise?"

"And narrow, Philip, to despise what you do not know."

"Thank you!" The young voice was exceedingly bitter. "I am to be a painted popinjay! I tell you, sir, Cleone must take me as I am."

"Or leave you as you are," said Sir Maurice gently.

"A warning, sir?"

"That's for you to judge, child. And now I'll to bed." He paused, looking at his son.

Philip went to him.

"Good night, sir."

Sir Maurice smiled, holding out his hand.

"Good night, my son."

Philip kissed his fingers.

Followed a week of disturbing trivialities. Mr. Bancroft was more often in Little Fittledean than at home, and most often at Sharley House. He there met Philip, not once, but many times, hostile and possessive. He laughed softly, and sought to engage Philip in a war of wits, but Philip's tongue was stiff and reluctant. So Mr. Bancroft made covert sport of him and renewed his attentions to Cleone.

Cleone herself was living in a strange whirl. There was much in Mr. Bancroft that displeased her; I do not think she ever had it in her mind to wed him, which was perhaps fortunate, as Mr. Bancroft certainly had it not in his. But homage is grateful to women, and ardent yet dainty love-making fascinating to the young. She played with Mr. Bancroft, but thought no less of Philip. Yet Philip contrived to irritate her. His air of ownership, his angry, reproachful looks, fired the spirit of coquetry within her. Mastery thrilled her, but a mastery that offered to take all, giving nothing, annoyed her. That Philip loved her to distraction, she knew; also she knew that Philip would expect her to bend before his will. He would not change, it would be she who must conform to his pleasure. Philip was determined to remain as he was, faithful but dull. She wanted all that he despised: life, gaiety, society, and frivolity. She weighed the question carefully, a little too carefully for a maid in love. She wanted Philip and she did not want him. As he was, she would have none of him; as she wished him to be, he might have her. But for the present she was no man's, and no man had the right to chide her. Philip had made a mistake in his wooing in showing her how much his own he thought her. All unwitting, he was paving the way to his own downfall.

Despite the lisping conceit of Mr. Bancroft, his polished phrases and his elegancy when compared with Philip's brusqueness threw Philip in the shade. Mr. Bancroft could taunt and gibe at Philip, sure of triumph; Philip tied his tongue in knots and relapsed into silence, leaving Mr. Bancroft to shine in his victory. The man Cleone chose to wed must be a match for all, with words or swords. Cleone continued to smile upon Mr. Bancroft.

At the end of the week the trouble came to a head. In the garden of Sharley House, before Cleone, Mr. Bancroft threw veiled taunts at Philip, and very thinly veiled sneers. He continued to hold the younger man's lack of polish up to scorn, always smiling and urbane.

Cleone recognised the gleam in Philip's eye. She was a little frightened and sought to smooth over the breach. But when she presently retired to the house, Philip arrested Mr. Bancroft, who was following.

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