Georgette Heyer - Regency Romance Classics - Georgette Heyer Collection

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E-artnow presents to you the anthology of Regency Classics, Georgette Heyer edition.
Heyer's books act as a bright and colorful window into the 18th-century period in France and England. The witty dialogues, the vividly presented everyday life with a suspenseful story of action, complex characters and the ability to break the genre rules, make her novels stand out. She writes sharp, lively and opinionated characters; although she makes her side characters just as vibrant and delightful as her central ones.
This volume includes the most beloved novels o this extraordinary author:
"Powder and Patch" – Philip Jettan, a handsome and sturdy but tongue-tied youth, is rejected by his true love because he is not foppish enough. He resolves to improve himself and travels to Paris, where he becomes a sensation. Once he returns, however, he is a completely different man…
"The Black Moth" – The story follows Lord Jack Carstares, an English nobleman who becomes a highwayman after taking the blame during a cheating scandal years before. One day, he rescues Miss Diana Beauleigh when she is almost abducted by the Duke of Andover. Jack and Diana fall in love but his troubled past and current profession threaten their happiness.
"These Old Shades" – Fortune favors Justin Alastair, the shallow, bored and infamous Duke of Avon, casting in his way, during one night in Paris, the means to take revenge from his enemy, the Comte de Saint-Vire. Avon encounters an abused boy, Léon Bonnard, whose red hair, deep blue eyes, and black eyebrows somewhat indicate him to be the child of Comte. But the question about who Léon really is gets answered later in this outstanding novel. The Duke of Avon is portrayed as an unfriendly man who has never truly cared or loved anyone or anything, nor has he ever received love.

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"Ay, you're taking it hard," nodded his uncle. "But they're all the same, lad—bless 'em!"

"I thought—this one—was different."

"More fool you," said Tom cynically.

Six

The Beginning of the Transformation

Table of Contents

Philip stood in the middle of the floor, expostulating. A sleek valet was kneeling before him, coaxing his gold-clocked stockings over the knee of his small-clothes, and a middle-aged exquisite was arranging his Mechlin cravat for the seventh time, a frown crinkling his forehead, and French oaths proceeding from his tinted lips. Mr. Thomas Jettan was giving the nails of Philip's right hand a last, lingering polish. And Philip, supremely miserable, expostulated in vain.

François sat back on his heels and eyed Philip's legs adoringly.

"But of an excellence, m'sieur! So perfect a calf, m'sieur! So vairy fine a laig," he explained in English.

Philip tried to squint down at them, and was rewarded by an impatient exclamation from the gentleman who was wrestling with his cravat.

" Tais—toi, imbécile! 'Ow is it zat I shall arrange your cravat if you tweest and turn like zis? Lift your chin, Philippe!"

" Mais, monsieur, je—je—cela me donne—mal au cou. "

" Il faut souffrir pour être bel ," replied the Marquis severely.

"So it seems," said Philip irritably. "Tom, for God's sake, have done!"

His uncle chuckled.

"I've finished, never fear. Jean, that is wonderful!"

Le Marquis de Château-Banvau stepped back to view his handiwork.

"I am not altogether satisfied," he said musingly.

Philip warded him off.

"No, no, m'sieur! I am sure it is perfection!"

The Marquis disregarded him. Once more his nimble fingers busied themselves amongst the folds of soft lace. His eyes gleamed suddenly.

"It is well! François, the sapphire pin! Quickly!"

The valet held it out. He and Tom watched anxiously as the Marquis' hand hovered, uncertain. Philip felt that this was a supreme moment; he held his breath. Then the pin was fixed with one unerring movement, and the two onlookers drew deep breaths of relief.

The Marquis nodded.

"Yes, Tom, you are right. It is a triumph. Sit down, Philippe."

Philip sank into a chair by the dressing-table.

"What now? Have you nearly finished?"

"Now the rouge. François, haste!"

Philip tried to rebel.

"I will not be painted and powdered!"

The Marquis fixed him with a cold eye.

" Plaît—il? "

"M'sieur—I—I will not!"

"Philippe—if it were not for the love I bear your papa, I would leave you zis minute. You will do as I say, hein ?"

"But, m'sieur, can I not go without paint?"

"You can not."

Philip smiled ruefully.

"Then do your worst!"

"It is not my worst, ingrat . It is my best!"

"Your best, then. I am really very grateful, sir."

The Marquis' lips twitched. He signed to François.

Under his deft hands Philip squirmed and screwed up his face. He complained that the haresfoot tickled him, and he winced when the Marquis pressed two patches on his face. When François dusted his cheeks with powder he sneezed, and when a single sapphire ear-ring was placed in his left ear he scowled and muttered direfully.

But the supreme torture was to come. He discovered that it required the united energies of the three men to coax him into his coat. When at last it was on he assured them it would split across the shoulders if he so much as moved a finger.

The Marquis found him fort amusant , but troublesome.

"Forget it, little fool!"

"Forget it?" cried Philip. "How can I forget it when it prevents my moving?"

" Quelle absurdité! The sword, Tom!"

"How can I dance in a sword?" protested Philip.

"It is de rigueur ," said the Marquis.

Philip fingered the jewelled hilt.

"A pretty plaything," he said. "I have never spent so much money on fripperies before."

François arranged the full skirts of his coat about the sword, and Tom slipped rings on to Philip's fingers. A point-edged hat was put into his hand, an enamelled snuff-box, and a handkerchief.

Thomas looked at the Marquis, the Marquis nodded complacently. He led Philip to a long glass.

"Well, my friend?"

But Philip said never a word. He stared and stared again at his reflection. He could not believe that it was himself. He saw a tall, slight figure dressed in a pale blue satin coat, and white small-clothes, flowered waistcoat, and gold-clocked stockings. High red-heeled shoes, diamond-buckled, were on his feet, lace foamed over his hands and at his neck, while a white wig, marvellously curled and powdered, replaced his shorn locks. Unconsciously he drew himself up, tilting his chin a little, and shook out his handkerchief.

"Well!" The Marquis grew impatient. "You have nothing to say?"

Philip turned.

" C'est merveilleux! " he breathed.

The Marquis beamed, but he shook his head.

"In time, yes. At present, a thousand times no! C'est gauche, c'est impossible! "

Unwontedly humble, Philip begged to be made less gauche .

"It is my intention," said the Marquis. "A month or so and I shall be proud of my pupil."

"Faith, I'm proud of ye now!" cried Tom. "Why, lad, you'll be more modish than ever Maurice was!"

Philip flushed beneath his powder. A ruby on his finger caught his eye. He regarded it for a moment, frowning, then he took it off.

"Oh?" queried the Marquis. "Why?"

"I don't like it."

"You don't like it? Why not?"

"I don't know. I'll only wear sapphires and diamonds."

"By heaven, the boy's right!" exclaimed Tom. "He should be all blue!"

"In a month—two months—I shall present you at Versailles," decided the Marquis. "François, remove that abominable ruby. And now— en avant !"

And so went Philip to his first ball.

At the end of the month Tom went home to London, having set his nephew's feet on the path he was to tread. He left him in charge of M. de Château-Banvau, who had by now developed a lively interest in him.

After that first ball Philip threw off the last shreds of rebellion; he played his part well, and he became very busy. Every morning he fenced with an expert until he had acquired some skill with a small-sword; he spoke nothing but French from morn to night; he permitted the Marquis to introduce him into society; he strove to loosen his tongue, and he paid flippant court to several damsels who ogled him for his fine appearance, until his light conversation grew less forced and uncomfortable. For a while he took no interest in his tailoring, allowing Tom or François to garb him as they pleased. But one day, when François extended a pair of cream stockings to his gaze, he eyed them through his quizzing-glass for a long moment. Then he waved them aside.

François was hurt; he liked those stockings. Would not M'sieur consider them? M'sieur most emphatically would not. If François admired pink clocks on a cream ground, let him take the stockings. M'sieur would not wear them; they offended him.

Before very long "le jeune Anglais" was looked for and welcomed. Ladies liked him for his firm chin, and his palpable manliness; men liked him for his modesty and his money. He was invited to routs and bals masqués , and to card-parties and soirées . Philip began to enjoy himself; he was tasting the delights of popularity. Bit by bit he grew to expect invitations from these new acquaintances. But still M. le Marquis was dissatisfied. It was all very well, but not well enough for him.

However, it was quite well enough for Thomas, and he departed, chuckling and elated. He left Philip debating over two wigs and the arrangement of his jewels.

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