Georgette Heyer - Regency Romance Classics - Georgette Heyer Collection

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E-artnow presents to you the anthology of Regency Classics, Georgette Heyer edition.
Heyer's books act as a bright and colorful window into the 18th-century period in France and England. The witty dialogues, the vividly presented everyday life with a suspenseful story of action, complex characters and the ability to break the genre rules, make her novels stand out. She writes sharp, lively and opinionated characters; although she makes her side characters just as vibrant and delightful as her central ones.
This volume includes the most beloved novels o this extraordinary author:
"Powder and Patch" – Philip Jettan, a handsome and sturdy but tongue-tied youth, is rejected by his true love because he is not foppish enough. He resolves to improve himself and travels to Paris, where he becomes a sensation. Once he returns, however, he is a completely different man…
"The Black Moth" – The story follows Lord Jack Carstares, an English nobleman who becomes a highwayman after taking the blame during a cheating scandal years before. One day, he rescues Miss Diana Beauleigh when she is almost abducted by the Duke of Andover. Jack and Diana fall in love but his troubled past and current profession threaten their happiness.
"These Old Shades" – Fortune favors Justin Alastair, the shallow, bored and infamous Duke of Avon, casting in his way, during one night in Paris, the means to take revenge from his enemy, the Comte de Saint-Vire. Avon encounters an abused boy, Léon Bonnard, whose red hair, deep blue eyes, and black eyebrows somewhat indicate him to be the child of Comte. But the question about who Léon really is gets answered later in this outstanding novel. The Duke of Avon is portrayed as an unfriendly man who has never truly cared or loved anyone or anything, nor has he ever received love.

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"Damme—I'm not done for—yet!"

"But yes! I fight—no more. You cannot—keep your blade—steady—now! Sit down!" He lowered Brenderby into a chair, and whisked out his handkerchief. He bound up Sir Deryk's wound and fetched him a glass of wine from a decanter on the sideboard.

"Thanks!" Sir Deryk gulped it down. "But where are my manners? Pour some for yourself, Jettan! Gad, but you pinked me neatly!" He seemed to slip back into his habitual drawl. "As pretty a piece of sword-play as I wish to see. But you fence French-fashion."

Philip drank some wine.

"Yes. It was at Paris that I learned. With Guillaume Corvoisier."

"No!" Brenderby heaved himself up. "Corvoisier, forsooth! No wonder you're so quick!"

Philip smiled and bowed.

"You frightened me more than once, sir."

"Faith, it wasn't apparent then! You were so intent on winning?"

"It means so much, you see," said Philip simply. "My whole life's happiness."

"What! You really intend to wed Cleone?"

Again Philip bowed.

"I have always intended to wed her."

"You?" Brenderby stared. "I never knew that! What of that young sprig Winton?"

"Oh, I think I can persuade James!"

"Like this?" Brenderby glanced down at his arm.

"No, not like that. Tell me, sir, did you intend to wed Mademoiselle?"

"Heaven forbid! I've no mind to tie myself up yet awhile. Your entrance last night forced me to say what I did to spare the lady's blushes. I'd no notion of continuing the comedy, until young Winton thrust in with his prior claim. Gad, but 'twas amusing! Did you not find it so?"

"I? No. But I was closely concerned in the affair, you see. I may take it that you will say naught of last night's work?"

"Of course not. 'Twas a mad jest, but I'd not let it go so far as to damage a lady's reputation. And you may tell Mistress Cleone that I apologise—for what happened before. She's too damnably beautiful."

Philip worked himself into his coat.

"'Damnably' is not the word I should employ, but n'importe ." He sat down and started to pull on his boots. "I have enjoyed myself. I said I should."

"Tare an' 'ouns, so have I! It's an age since I've had a sword in my hand. I am indebted to you, sir."

"Yes, you are out of practice. I thank the kind fates for that!"

"Ay, I'd have kept you at it longer, but I don't know that the issue would have been different. You must go?"

Philip picked up his hat.

"I must. I have to thank you for—"

"Oh, stuff! I'd no notion of holding Cleone to her promise, but I could not resist the offer of a fight. I wish you could see how monstrous amusing it was, though!"

Philip laughed.

"Had it been anyone but Cleone I might have been able to appreciate the humour of the situation! I trust the wound will heal quickly."

"Oh, that's naught! A mere prick, but I was winded. Fare ye well, Jettan. My felicitations! You felicitated me last night, did you not?" He laughed.

"With black murder in my heart!" nodded Philip. "I do not say good bye, but au revoir !"

"Here's my hand on it then—my left hand, alack!"

Philip grasped it. Brenderby accompanied him to the front door and waved to him as he ran down the steps.

" Bonne chance , as you'd say yourself! Au 'voir! "

Philip waved back at him and turned to hail a passing chair. He instructed the bearers to carry him to Jermyn Street.

It seemed that the luck was indeed with him, for he arrived just as James was descending the steps of his house. Philip sprang out, paid the chairmen, and took Winton's arm.

"My friend, a word with you!"

"Yes?" said James. "You seem excited, Philip."

"It's what I am, then. I've come to speak to you of Cleone."

James stiffened.

"I'll not give her up to that fellow Brenderby!" he said fiercely. "It's more than flesh and blood can bear."

"Assuredly. But will you give her up to me?"

James turned to stare at him.

"You? But she is to wed Brenderby!"

"Ah, but no! that is at an end. Brenderby releases her. He is not so bad a man as you think. En effet , I like him."

"I loathe the sight of him, drawling fop!"

"To-day I have seen him in another light. But that is not what I have to say. Cleone does not wish to marry you, mon enfant , and it is churlish to persist."

"I know she'll never marry me," answered James gloomily. "I only held her to her word because I thought she'd have Brenderby if I did not."

"I understand. You'll release her—for me?"

"I suppose so. Why did you say naught last night?"

"There were reasons. They no longer exist. Come, Jamie, don't look so glum! You are young yet."

"It's easy to say that. Oh, I knew I never had a chance with her! I congratulate you, Philip."

Philip pressed his arm.

"My thanks. You're very generous! And now I must fly!"

"Where? May I accompany you?"

"Again many thanks, but no! I have an engagement. Au revoir, mon cher! "

Nineteen

Philip Justifies His Chin

Table of Contents

Once more Lady Malmerstoke's page went up to the boudoir.

"Mistah Philip Jettan is below, m'lady!"

Up started Cleone.

"I will not see him! Aunt Sarah, I beg you will go to him! Please spare me this—humiliation!"

Lady Malmerstoke waved her aside.

"Admit him, Sambo. Yes, here. Cleone, control yourself!"

"I can't see him! I can't! I can't! How can I face him?"

"Turn your back, then," said her unsympathetic aunt. "I wonder what he has done?"

"D-do you think he—could have—arranged everything?" asked Cleone, with a gleam of hope.

"From what I have seen of him, I should say yes. A masterful young man, my dear. Else why that chin?" She moved to the door. Philip came in, immaculate as ever. "Ah, Philip!"

Philip shot a look past her. Cleone had fled to the window. He bent and kissed Lady Malmerstoke's hand.

" Bonjour, madame! " He held open the door and bowed.

Her ladyship laughed.

"What! Turning me from my own boudoir?"

"If you please, madame."

"Aunt—Sarah!" The whisper came from the window.

Philip smiled faintly.

"Madame...."

"Oh, that chin!" said her ladyship, and patted it. She went out and Philip closed the door behind her.

Cleone's fingers clasped one another desperately. Her heart seemed to have jumped into her throat. It almost choked her. She dared not look round. She heard the rustle of Philip's coat-skirts. Never, never had she felt so ashamed, or so frightened.

"Your devoted servant, mademoiselle!"

Cleone could not speak. She stood where she was, trembling uncontrollably.

"I have the honour of informing you, mademoiselle, that you are released from your engagements."

Was there a note of laughter in the prim voice?

"I—thank you—sir," whispered Cleone. Her teeth clenched in an effort to keep back the tears. She was blinded by them, and her bosom was heaving.

There was a slight pause. Why did he not go? Did he wish to see her still more humiliated?

"I have also to offer, on Sir Deryk's behalf, his apologies for the happenings of last night, mademoiselle."

"Th—thank—you, sir."

Again the nerve-killing silence. If only he would go before she broke down!

"Cleone...." said Philip gently.

The tears were running down her cheeks, but she kept her head turned away.

"Please—go!" she begged huskily.

He was coming across the room towards her.... Cleone gripped her hands.

"Cleone ... dearest!"

A heartbroken sob betrayed her. Philip took her in his arms.

"My sweetheart! Crying? Oh no, no! There is naught now to distress you."

The feel of his arms about her was sheer bliss; their strength was like a haven of refuge. Yet Cleone tried to thrust him away.

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