Georgette Heyer - Regency Romance Classics - Georgette Heyer Collection

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E-artnow presents to you the anthology of Regency Classics, Georgette Heyer edition.
Heyer's books act as a bright and colorful window into the 18th-century period in France and England. The witty dialogues, the vividly presented everyday life with a suspenseful story of action, complex characters and the ability to break the genre rules, make her novels stand out. She writes sharp, lively and opinionated characters; although she makes her side characters just as vibrant and delightful as her central ones.
This volume includes the most beloved novels o this extraordinary author:
"Powder and Patch" – Philip Jettan, a handsome and sturdy but tongue-tied youth, is rejected by his true love because he is not foppish enough. He resolves to improve himself and travels to Paris, where he becomes a sensation. Once he returns, however, he is a completely different man…
"The Black Moth" – The story follows Lord Jack Carstares, an English nobleman who becomes a highwayman after taking the blame during a cheating scandal years before. One day, he rescues Miss Diana Beauleigh when she is almost abducted by the Duke of Andover. Jack and Diana fall in love but his troubled past and current profession threaten their happiness.
"These Old Shades" – Fortune favors Justin Alastair, the shallow, bored and infamous Duke of Avon, casting in his way, during one night in Paris, the means to take revenge from his enemy, the Comte de Saint-Vire. Avon encounters an abused boy, Léon Bonnard, whose red hair, deep blue eyes, and black eyebrows somewhat indicate him to be the child of Comte. But the question about who Léon really is gets answered later in this outstanding novel. The Duke of Avon is portrayed as an unfriendly man who has never truly cared or loved anyone or anything, nor has he ever received love.

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Cleone paced to and fro.

"I can't face him! I can't, I can't! What must he think of me? What must he think? Aunt, you don't know all!"

"Oh, yes, I do," retorted her ladyship.

"No, no, you do not! Philip asked me to marry him—and—I refused! I—I—told him—I would not marry a man with a tarnished reputation! I—I said that—and worse! I accused him of trifling and—and—oh, it's too awful! That he should have been the one to see! How he must scorn me. Oh, Aunt, Aunt, can't you say something?"

"Ay, one thing. That you will have to be very humble to Master Philip. At least, he was never betrothed twice in one night."

Cleone collapsed on to the couch.

"I'll not see him! I—oh, I must go home at once! I must, I must! Everything is all my fault! I ought never to have—sent him away! And now—and now he despises me!"

"Who says so?"

"I—how could he do else? Don't—don't you realise how dreadful I have been? And—and his face—when—when he—heard everything! He'll never never believe—the truth!"

"What matters it?" asked my lady carelessly. "Since you do not love him—"

"Oh, I do, I do, I do!" wept Cleone.

François admitted Sir Maurice. His round face was perturbed. It cleared somewhat at the sight of Sir Maurice.

" Ah, m'sieur, entrez donc! M'sieur Philippe he is like one mad!—He rage, he go up and down the room like a caged beast! It is a woman, without doubt it is a woman! I have known it depuis longtemps ! Something terrible has happened! M'sieur is hors de lui-même !"

Sir Maurice laughed.

"Poor François! I go to reassure m'sieur."

"Ah, if m'sieur can do that!"

"I can—most effectively. Where is he?"

François pointed to the library door.

Philip literally pounced on his father.

"Well? You have seen her? Is she in love with Brenderby? Is she to wed him? What did she tell you?"

Sir Maurice pushed him away.

"You are the second distracted lover who has clutched me to-day. Have done."

Philip danced with impatience.

"But speak, Father! Speak!"

Sir Maurice sat down leisurely and crossed his legs.

"At the present moment Cleone is betrothed. Very much so," he added, chuckling. "I am about to put the whole matter into your hands."

"My hands? She wants my help?"

"Not at all. She is insistent that you shall not be appealed to. In fact, she was almost frantic when I suggested it."

"Then does she not want to marry Brenderby?"

"Certainly not. But she will do if you fail to intervene."

Philip flung out his hands.

"But tell me, sir! What happened last night?"

"Sit down and be quiet," said Sir Maurice severely. "I am on the point of telling you."

Philip obeyed meekly.

"And don't interrupt." Sir Maurice proceeded to relate all that he had heard from Cleone.... "And she was so upset that she went with Brenderby, not caring what happened. That is the whole story," he ended.

"Upset? But—was she upset—because I had offered and been rejected?"

"Presumably. Now she is so hopelessly compromised that she daren't face you."

Philip sank his head into his hands and gave way to a long peal of laughter.

" Sacré nom de Dieu , the tables are turned, indeed. Oh, Clo, Clo, you wicked little hussy! And what was in that locket?"

"That you will have to ask her yourself," answered Sir Maurice.

Philip jumped up.

"And I shall. Mordieu , never did I dream of such a solution to my difficulties!"

"Perhaps she still will not have you, Philip," warned Sir Maurice.

Philip flung back his head.

"Thunder of God, she will have me now if I have to force her to the altar! Ciel , you have taken a load off my mind, sir! I thought she cared for Brenderby! She smiled on him so consistently. And now for ce cher Brenderby! I am going to enjoy myself."

"Remember, Philip! No breath of scandal!"

"Am I so clumsy? Not a whisper shall there be! François, François! My hat, my cloak, my boots, and my SWORD!"

Eighteen

Philip Takes Charge of the Situation

Table of Contents

Sir Deryk's valet came to him, bowing.

"There is a gentleman below who desires speech with you, sir."

"Oh? Who is he?"

"Mr. Philip Jettan, sir."

Sir Deryk raised his eyebrows.

"Jettan? What can he want with me? Ay, I'll come." He rose and went languidly downstairs. "This is an unexpected honour, Jettan! Come in!" He led Philip into a large room. "Is it a mere friendly visit?"

"Anything but that," said Philip. "I have come to tell you that you will not be able to wed Mistress Cleone Charteris."

"Oh?" Brenderby laughed. "Why do you say that?"

"Because," Philip smiled a little, "I am going to wed her myself."

"You? Oh, Gad, you make the third!"

"And there is, as you know, luck in odd numbers. Are you satisfied?"

"Satisfied? Damme, no! The girl's lovely! I've a mind to her."

"Even though I tell you that she desires to be released?"

"Even though she told it me herself!"

"I trust you will allow me to persuade you?" Philip patted his sword-hilt lovingly.

A light sprang to Brenderby's eyes.

"Is it a fight you're wanting? By Gad, no man has ever had need to challenge me twice! Here? Now? Help me push the table back!"

"One moment! You love a hazard, I think? I fight you for the right to wed Mistress Cleone. If I win you relinquish all claim upon her, and you swear never to breathe a word of what passed last night. If you win—oh, if you win, you do as you please!"

"Ay, aught you will! I've been pining for a fight for many a long day. You're a man after my heart, stap me if you're not! Here, wait while I fetch my sword!" He hurried out of the room, returning in a very short time with a rapier. "I've told my man that you have come to fence with me. But we'll lock the door in case of accidents. How does my sword measure with yours?"

Philip compared them.

"Very well." His eyes danced suddenly. " Dieu! I never thought to fight so strange a duel!" He pulled off his boots. "We'll fight in wigs, yes? One is so displeasing without a hair to one's head."

"A dozen, if you like!" Brenderby struggled out of his coat and vest. "You know, you are shorter than I am. We're not fair matched."

Philip laughed, tucking up his ruffles.

"No matter. You see, I must win!"

"Why?" Brenderby made an imaginary pass in the air.

"So much depends on it," explained Philip. "Is the light fair to both?"

"Fair enough," said Brenderby.

"You are ready, then? Eh bien! "

The blades met and hissed together.

Opening in quarte, Brenderby seemed at first to be the better of the two. Philip stayed on the defensive, parrying deftly and allowing Brenderby to expend his energies. Once Brenderby's blade flashed out and all but pinked Philip, but he managed to recover his opposition in time. His eyes opened wider; he became more cautious. Suddenly he descried an opening and lunged forward. There was a moment's scuffle, and Brenderby put the murderous point aside. Then Philip seemed to quicken. When Brenderby began to pant, Philip changed his tactics, and gave back thrust for thrust. His wrist was like flexible steel; his footwork was superb; the whole style of his fencing was different from that of Brenderby.

All at once Brenderby saw an opening. He thrust in quinte, steel scraped against steel, and Philip's point flashed into his right arm above the elbow.

Brenderby staggered back, clutched at his arm, and tried to raise his sword again. But Philip was at his side, supporting him.

"It's only a flesh wound—painful now— bien sûr . It will—heal quickly. I do not—mistake," he gasped.

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