Georgette Heyer - Regency Romance Classics - Georgette Heyer Collection

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E-artnow presents to you the anthology of Regency Classics, Georgette Heyer edition.
Heyer's books act as a bright and colorful window into the 18th-century period in France and England. The witty dialogues, the vividly presented everyday life with a suspenseful story of action, complex characters and the ability to break the genre rules, make her novels stand out. She writes sharp, lively and opinionated characters; although she makes her side characters just as vibrant and delightful as her central ones.
This volume includes the most beloved novels o this extraordinary author:
"Powder and Patch" – Philip Jettan, a handsome and sturdy but tongue-tied youth, is rejected by his true love because he is not foppish enough. He resolves to improve himself and travels to Paris, where he becomes a sensation. Once he returns, however, he is a completely different man…
"The Black Moth" – The story follows Lord Jack Carstares, an English nobleman who becomes a highwayman after taking the blame during a cheating scandal years before. One day, he rescues Miss Diana Beauleigh when she is almost abducted by the Duke of Andover. Jack and Diana fall in love but his troubled past and current profession threaten their happiness.
"These Old Shades" – Fortune favors Justin Alastair, the shallow, bored and infamous Duke of Avon, casting in his way, during one night in Paris, the means to take revenge from his enemy, the Comte de Saint-Vire. Avon encounters an abused boy, Léon Bonnard, whose red hair, deep blue eyes, and black eyebrows somewhat indicate him to be the child of Comte. But the question about who Léon really is gets answered later in this outstanding novel. The Duke of Avon is portrayed as an unfriendly man who has never truly cared or loved anyone or anything, nor has he ever received love.

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When the guests had gone Cleone felt as though her head were full of fire. Her cheeks burned, her eyes were glittering. Lady Malmerstoke looked at her.

"You are hot, my love. Open the window."

Cleone obeyed, cooling her cheeks against the glass panes.

"How very shy that child is!" remarked my lady.

"Jenny? Yes. Very, is she not?"

"I thought Sir Deryk might have noticed her a little more than he did."

"He had no chance, had he? She was quite monopolised."

Her ladyship cast a shrewd glance towards the back of Cleone's head. She smiled unseen.

"Well, my love, to turn to other matters, which is it to be—Philip or Sir Deryk?"

Cleone started.

"What do you mean, Aunt? Which is it to be ?"

"Which are you going to smile upon? You have given both a deal of encouragement. I don't count young James, of course. He's a babe."

"Please, please—"

"I don't like Sir Deryk. No, I don't like him at all. He has no true politeness, or he would have talked a little more to me, or to Jenny. Which do you intend to wed, my dear?"

"Neither?"

"My dear Cleone!" Her ladyship was shocked. "Then why do you encourage them to make love to you? Now be advised by me! Have Sir Deryk!"

Cleone gave a trembling laugh.

"I thought you did not like him?"

"No more I do. But that's not to say he'd make a bad husband. On the contrary. He'd let you do as you please, and he'd not be for ever pestering you with his presence."

"For these very reasons I'll none of him!"

"Then that leaves Philip?"

Cleone whirled about.

"Whom I would not marry were he the last man in the world!"

"Luckily he is not. Don't be so violent, my dear."

Cleone stood for a moment, irresolute. Then she burst into tears and ran out of the room.

Lady Malmerstoke leaned back against the cushions and closed her eyes.

"There's hope for you yet, Philip," she remarked, and prepared to go to sleep. It was not to be. Barely five minutes later Sir Maurice was ushered into the room.

Her ladyship sat up, a hand to her wig.

"Really, Maurice, you should know better than to take a woman unawares!" she said severely. "Your family has been in and out the house all the morning. What's the matter now?"

Sir Maurice kissed her hand.

"First, my heartiest congratulations, Sarah! I have just seen Tom."

If a lady could grin, Sarah Malmerstoke grinned then.

"Thank you, Maurice. And how did you find Tom?"

"Quite incoherent," said Sir Maurice. "He has talked a deal of nonsense about love-passions belonging only to the young, but I never saw a man so madly elated in my life."

"How nice!" sighed my lady blissfully. "And what's your second point?"

Sir Maurice walked to the fire and stared into it.

"Sally, it's Cleone."

"Dear me! What's to do?"

"If anyone can help me, it's you," he began.

Her ladyship held up her hands.

"No, Maurice, no! You're too old!"

"You ridiculous woman!" He smiled a little. "Does she care for Philip, or does she not?"

"Well"—my lady bit her finger—"I've been asking her that question, or one like it, myself."

"What did she say?"

"That she wouldn't marry him were he the last man in the world."

Sir Maurice looked at her wretchedly.

"What's come over her? I thought—She said nothing more?"

"Not a word. She burst into tears and fled."

His face brightened.

"Surely that augurs well for him?"

"Very well," nodded my lady. "But—"

"But what? Tell me, Sally!"

"You're very anxious," she observed.

"Of course I am anxious! I tell you Philip is head over ears in love with the child! And she—"

"And she," finished her ladyship deliberately, "will need a deal of convincing that it is so. We are told that Philip is in love with Ann Nutley. We know that Philip trifled elegantly with various French ladies. We see him being kind to little Jennifer. And so on."

"But he means nothing! You know that!"

"I? Does it matter what I know? It is what Cleone knows, but there's naught under the sun so unreasonable as a maid in love."

"But if Philip assures her—"

"Pho!" said her ladyship, and snapped her fingers. "Pho!"

"She wouldn't believe it?"

"She might. But she might not choose to show it."

"But it's ridiculous! It's—"

"Of course. All girls are ridiculous."

"Sally, don't be tiresome! What's to be done?"

"Leave 'em alone," counselled her ladyship. "There's no good to be got out of interfering. Philip must play his own game."

"He intends to. But he does not know whether she loves him or not!"

"You can tell him from me that there is hope, but that he must go carefully. And now I'm going to sleep. Good bye, Maurice."

Sixteen

Mistress Cleone Finds There Is No Safety in Numbers

Table of Contents

When Philip entered the ballroom of my lady Dering's house, on Wednesday evening, Lady Malmerstoke had already arrived. Cleone was dancing with Sir Deryk; Jennifer was sitting beside her ladyship, looking very shy and very bewildered. As soon as he could do so, Philip made his way to that end of the room.

Lady Malmerstoke welcomed him with a laugh.

"Good even, Philip! Have you brought your papa?"

Philip shook his head.

"He preferred to go to White's with Tom. Jenny, you'll dance with me, will you not? Remember, you promised!"

Jennifer raised her eyes.

"I—I doubt I—cannot. I—I have danced so few times, sir."

"Don't tell me those little feet cannot dance, chérie !"

Jennifer glanced down at them.

"It's monstrous kind of you, Philip—but—but are you sure you want to lead me out?"

Philip offered her his arm.

"I see you are in a very teasing mood, Jenny," he scolded.

Jennifer rose.

"Well, I will—but—oh, I am very nervous! I expect you dance so well."

"I don't think I do, but I am sure you under-rate your dancing. Let us essay each other!"

From across the room Cleone saw them. She promptly looked away, but contrived, nevertheless, to keep an eye on their movements. She saw Philip presently lead Jenny to a chair and sit talking to her. Then he hailed a passing friend and presented him to Jennifer. Cleone watched him walk across the room to a knot of men. He returned to Jennifer with several of them. Unreasoning anger shook Cleone. Why did Philip care what happened to Jennifer? Why was he so assiduous in his attentions? She told herself she was an ill-natured cat, but she was still angry. From Jennifer Philip went to Ann Nutley.

Sir Deryk stopped fanning Cleone.

"There he goes! I declare, Philip Jettan makes love to every pretty woman he meets! Just look at them!"

Cleone was looking. Her little teeth were tightly clenched.

"Mr. Jettan is a flatterer," she said.

"Always so abominably French, too. Mistress Ann seems amused. I believe Jettan is a great favourite with the ladies of Paris."

Suddenly Cleone remembered that duel that Philip had fought "over the fair name of some French maid."

"Yes?" she said carelessly. "Of course, he is very handsome."

"Do you think so? Oh, here he comes! Evidently the lovely Ann does not satisfy him.... Your servant, sir!"

Philip smiled and bowed.

"Mademoiselle, may I have the honour of leading you out?" he asked.

Above all, she must not show Philip that she cared what he did.

"Oh, I have but this instant sat down!" she said. "I protest I am fatigued and very hot!"

"I know of a cool withdrawing-room," said Brenderby at once. "Let me take you to it, fairest!"

"It's very kind, Sir Deryk, but I do not think I will go. If I might have a glass of ratafia?" she added plaintively, looking at Philip.

For once he was backward in responding. Sir Deryk bowed.

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