Georgette Heyer - Regency Romance Classics - Georgette Heyer Collection

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E-artnow presents to you the anthology of Regency Classics, Georgette Heyer edition.
Heyer's books act as a bright and colorful window into the 18th-century period in France and England. The witty dialogues, the vividly presented everyday life with a suspenseful story of action, complex characters and the ability to break the genre rules, make her novels stand out. She writes sharp, lively and opinionated characters; although she makes her side characters just as vibrant and delightful as her central ones.
This volume includes the most beloved novels o this extraordinary author:
"Powder and Patch" – Philip Jettan, a handsome and sturdy but tongue-tied youth, is rejected by his true love because he is not foppish enough. He resolves to improve himself and travels to Paris, where he becomes a sensation. Once he returns, however, he is a completely different man…
"The Black Moth" – The story follows Lord Jack Carstares, an English nobleman who becomes a highwayman after taking the blame during a cheating scandal years before. One day, he rescues Miss Diana Beauleigh when she is almost abducted by the Duke of Andover. Jack and Diana fall in love but his troubled past and current profession threaten their happiness.
"These Old Shades" – Fortune favors Justin Alastair, the shallow, bored and infamous Duke of Avon, casting in his way, during one night in Paris, the means to take revenge from his enemy, the Comte de Saint-Vire. Avon encounters an abused boy, Léon Bonnard, whose red hair, deep blue eyes, and black eyebrows somewhat indicate him to be the child of Comte. But the question about who Léon really is gets answered later in this outstanding novel. The Duke of Avon is portrayed as an unfriendly man who has never truly cared or loved anyone or anything, nor has he ever received love.

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"Well, Sally?"

"That's not polite," she said. "You can see I am very well. I declare you are growing thinner!"

Thomas drew himself up sheepishly.

"Am I, my dear?"

Her ladyship gave a little crow of delight.

"You've been taking exercise!" she exclaimed. "If you continue at this rate—I vow I'll marry you in a month!"

"I wish you would, my dear," said Tom seriously.

"Oh, I shall one day, never fear!" She caught sight of Jennifer's astonished expression and chuckled. "Now, Tom, behave yourself! You are shocking the child!" she whispered.

"I? What have I done? She's shocked at your forwardness!"

Sir Maurice had walked over to Cleone. She held out her hands, and he made as if to kiss them. She snatched them back.

"Oh, no, no!" she cried. "Sir Maurice!"

He smiled down at her upturned face.

"In truth, my dear, you've so changed from the little Cleone I know that I dare take no liberties."

Her mouth quivered suddenly; she caught at the lapels of his coat.

"No, no, don't say it, sir! I am the same! Oh, I am, I am!"

"What's Cleone doing?" inquired Lady Malmerstoke. "Kissing Maurice? Now who's forward?"

Cleone smiled through her tears.

"You are, Aunt Sally. And you are in a very teasing humour!"

Sir Maurice pressed her hands gently. He turned to the curtseying Jennifer.

"Why, Jenny? This is a surprise! How are you, child?"

"Very well, I thank you, sir," she answered. "Very happy to be in London."

"The first visit! Where are you staying?"

"With Grandmamma, out at Kensington," she said.

Lady Malmerstoke clutched Tom's arm.

"Kensington, poor child!" she murmured. "For heaven's sake everyone sit down! No, Maurice, that chair is too low for me. I'll take the couch." She proceeded to do so. As a matter of course, Tom sat down beside her. The others arranged themselves in two pairs, Sir Maurice leading Jennifer to a chair near the fire, and Cleone going to the window-seat with the admiring James.

Five minutes later the bell rang for the third time, and Jennifer received the worst shock of the afternoon. The page announced Mr. Philip Jettan, and Philip came into the room.

Sir Maurice felt Jennifer's start of surprise, and saw her stare past him as though she saw at least three ghosts.

Philip went to his hostess and dropped on one knee to kiss her hand. He was dressed in puce and old gold. Jennifer thought she had never seen anything so gorgeous, or so astonishing. She did not believe for a moment that it was her old playfellow, Philip.

"Madame, I am late!" said Philip. "I ask a thousand pardons."

"And you are sure you'll receive them!" chuckled her ladyship. "I'd give them, but that it would fatigue me so. Where's that ode? Don't tell me you've forgotten it!"

"Forgotten it! Never! It is a very beautiful ode, too, in my best style. Le voici! " He handed her a rolled parchment sheet, tied with mauve ribbons, and with violets cunningly inserted.

"You delightful boy!" cried her ladyship, inspecting it. "Violets! How did you know they were my favourite flowers?"

"I knew instinctively," answered Philip solemnly.

"Of course you did! But how charming of you! I declare I daren't untie it till the violets are dead. Look, Tom, is it not pretty? And isn't Philip sweet to write me an ode?"

"I am looking," said Tom gloomily. "Ye rascal, how dare you try to steal my lady's heart away from me?"

"I should be more than human an I did not!" replied Philip promptly.

Lady Malmerstoke was showing the dainty roll to Sir Maurice.

"An ode to my wig," she told him. "Written in French."

"An ode to your what?" asked Thomas.

"My wig, Tom, my wig! You were not here when we discussed it. Cleone thought it a prodigious ugly wig, but Philip would have none of it. He said such pretty things about it, and promised me an ode for it! Philip, did I thank you?"

Philip was bowing over Cleone's hand. He turned.

"With your eyes, madame, eloquently! But I need no thanks; it was an honour and a joy."

"Think of that!" nodded my lady, looking from Tom to Sir Maurice. "Philip, come and be presented to Mistress Jennifer. Or do you know her?"

Philip released Cleone's hand, and swung round.

"Jennifer! Of course I know her!" He went across the room. "Why, Jenny, where do you spring from? How are you?"

Jennifer gazed up at him with wide eyes.

"Philip? Is—is it really—you?" she whispered.

"You didn't know me? Jenny, how unkind! Surely I haven't changed as much as that?"

"Y-you have," she averred. "More!"

"I have not, I swear I have not! Father, go away! Let me sit here and talk to Jennifer!"

Only too glad to obey, Sir Maurice rose.

"He is very peremptory and autocratic, isn't he, my dear?" he smiled.

Philip sank into the vacated chair.

"I—I feel I ought to call you Mr. Jettan!" said Jennifer.

"Jenny! If you dare to do such a thing I shall—I shall—"

"What will you do?"

"Write a canzonet to your big eyes!" he laughed.

Jennifer blushed, and her lips trembled into a smile.

"Will you really? I should like that, I think, Mr. Jettan."

"It shall be ready by noon to-morrow," said Philip at once, "if you will promise not to misname me!"

"But—"

"Jenny, I vow I have not changed so much! 'Tis only my silly clothes!"

"That's—what Clo said when I told her she had changed."

"Oh!" Philip shot a glance towards the unconscious Cleone. "Did she say that?"

"Yes. But I think she has changed, don't you?"

" De tête en pieds ," said Philip slowly.

"What is that?" Jennifer looked rather alarmed.

Philip turned back to her.

"That is a foolish habit, Jenny. They say I chatter French all day. Which is very affected."

"French? Do you talk French now? How wonderful!" breathed Jennifer. "Say something else! Please!"

" La lumière de tes beaux yeux me pénètre jusqu'au cœur. " He bowed, smiling.

"Oh! What does that mean?"

"It wouldn't be good for you to know," answered Philip gravely.

"Oh! but I would like to know, I think," she said naïvely.

"I said that—you have very beautiful eyes."

"Did you? How—how dreadful of you! And you won't forget the—the can—can—what you were going to write for me, will you?"

"The canzonet. No, I think it must be a sonnet. And the flower—alas, your flower is out of season!"

"Is it? What is my flower?"

"A daisy."

She considered this.

"I do not like daisies very much. Haven't I another flower?"

"Yes, a snowdrop."

"Oh, that is pretty!" She clapped her hands. "Is it too late for snowdrops?"

"I defy it to be too late!" said Philip. "You shall have them if I have to fly to the ends of the earth for them!"

Jennifer giggled.

"But you couldn't, could you? Cleone! Cleone!"

Cleone came across the room.

"Yes, Jenny? Has Mr. Jettan been saying dreadfully flattering things to you?"

"N—yes, I think he has! And he says I must still call him Philip. And oh! he is going to write a—a sonnet to my eyes, tied with snowdrops! Mr. J—Philip, what is Cleone's flower?"

Philip had risen. He put a chair forward for Cleone.

"Can you ask, Jenny? What but a rose?"

Cleone sat down. Her lips smiled steadily.

"A rose? Surely it's a flaunting flower, sir?"

"Ah, mademoiselle, it must be that you have never seen a rose just bursting from the bud!"

"Oh, la! I am overcome, sir! And I have not yet thanked you for the bouquet you sent me this morning!"

Philip's eyes travelled to the violets at her breast.

"I did not send violets," he said mournfully.

Cleone's eyes flashed.

"No. These"—she touched the flowers caressingly—"I have from Sir Deryk Brenderby."

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