George Orwell - Coming Up for Air

They used to get up a kind of antiphonal effect, especially in the psalms. It was always Wetherall who had the last word. I suppose really they were friends in private life, but in my kid's way I used to imagine that they were deadly enemies and trying to shout one another down. Shooter would roar out 'The Lord is my shepherd', and then Wetherall would come in with 'Therefore can I lack nothing', drowning him completely. You always knew which of the two was master. I used especially to look forward to that psalm that has the bit about Sihon king of the Amorites and Og the king of Bashan (this was what King Zog's name had reminded me of). Shooter would start off with 'Sihon king of the Amorites', then perhaps for half a second you could hear the rest of the congregation singing the 'and', and then Wetherall's enormous bass would come in like a tidal wave and swallow everybody up with 'Og the king of Bashan'. I wish I could make you hear the tremendous, rumbling, subterranean barrel-noise that he could get into that word 'Og'. He even used to clip off the end of the 'and', so that when I was a very small kid I used to think it was Dog the king of Bashan. But later, when I got the names right, I formed a picture in my mind's eye of Sihon and Og. I saw them as a couple of those great Egyptian statues that I'd seen pictures of in the penny encyclopedia, enormous stone statues thirty feet high, sitting on their thrones opposite one another, with their hands on their knees and a faint mysterious smile on their faces.

How it came back to me! That peculiar feeling—it was only a feeling, you couldn't describe it as an activity—that we used to call 'Church'. The sweet corpsy smell, the rustle of Sunday dresses, the wheeze of the organ and the roaring voices, the spot of light from the hole in the window creeping slowly up the nave. In some way the grown-ups could put it across that this extraordinary performance was necessary. You took it for granted, just as you took the Bible, which you got in big doses in those days. There were texts on every wall and you knew whole chapters of the O.T. by heart. Even now my head's stuffed full of bits out of the Bible. And the children of Israel did evil again in the sight of the Lord. And Asher abode in his breeches. Followed them from Dan until thou come unto Beersheba. Smote him under the fifth rib, so that he died. You never understood it, you didn't try to or want to, it was just a kind of medicine, a queer-tasting stuff that you had to swallow and knew to be in some way necessary. An extraordinary rigmarole about people with names like Shimei and Nebuchadnezzar and Ahithophel and Hashbadada; people with long stiff garments and Assyrian beards, riding up and down on camels among temples and cedar trees and doing extraordinary things. Sacrificing burnt offerings, walking about in fiery furnaces, getting nailed on crosses, getting swallowed by whales. And all mixed up with the sweet graveyard smell and the serge dresses and the wheeze of the organ.

That was the world I went back to when I saw the poster about King Zog. For a moment I didn't merely remember it, I was in it. Of course such impressions don't last more than a few seconds. A moment later it was as though I'd opened my eyes again, and I was forty-five and there was a traffic jam in the Strand. But it had left a kind of after-effect behind. Sometimes when you come out of a train of thought you feel as if you were coming up from deep water, but this time it was the other way about, it was as though it was back in 1900 that I'd been breathing real air. Even now, with my eyes open, so to speak, all those bloody fools hustling to and fro, and the posters and the petrol-stink and the roar of the engines, seemed to me less real than Sunday morning in Lower Binfield thirty-eight years ago.

I chucked away my cigar and walked on slowly. I could smell the corpse-smell. In a manner of speaking I can smell it now. I'm back in Lower Binfield, and the year's 1900. Beside the horse-trough in the market-place the carrier's horse is having its nose-bag. At the sweet-shop on the corner Mother Wheeler is weighing out a ha'porth of brandy balls. Lady Rampling's carriage is driving by, with the tiger sitting behind in his pipeclayed breeches with his arms folded. Uncle Ezekiel is cursing Joe Chamberlain. The recruiting-sergeant in his scarlet jacket, tight blue overalls, and pillbox hat, is strutting up and down twisting his moustache. The drunks are puking in the yard behind the George. Vicky's at Windsor, God's in heaven, Christ's on the cross, Jonah's in the whale, Shadrach, Meshach, and Abednego are in the fiery furnace, and Sihon king of the Amorites and Og the king of Bashan are sitting on their thrones looking at one another—not doing anything exactly, just existing, keeping their appointed place, like a couple of fire-dogs, or the Lion and the Unicorn.

Is it gone for ever? I'm not certain. But I tell you it was a good world to live in. I belong to it. So do you.

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